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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3900B5 it is the complementary color #C6FF4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3900B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3900B5 shade: #3E00B0, #4F12C3, #6024D6, #7136E9 and #8248FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3900B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3900B5 shade: #3900B5, #2800A2, #17008F, #06007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3900B5 shade: #3800B2, #6800B2, #9800B2, #B2009C and #B2006C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3900B5 shade: #3800B2, #0800B2 and #0000B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3900B5 shade matches the following richer shades: #3800B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3900B5 shade: #3800B2, #3D0EA4, #421C95, #482B87 and #4D3978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3900B5 shade: #0029B2, #0500B2, #3500B2, #6500B2 and #9400B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3900B5 shade: #1E005F, #2B0089, #3800B2, #4500DB and #5406FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3900B5 shade: #3900B5, #B20059 and #11B200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3900B5 shade: #3900B5, #B23500 and #00B235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3900B5 shade: #3900B5, #B20059, #7CB200 and #00B259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3900B5 shade: #3900B5, #B20023, #7CB200 and #00B28E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

Complementary color

CMYK 22 / 0 / 71 / 0

HEX #C6FF4A

RGB 198 255 74

HSL 78.9, 1%, 0.65%

LAB 93.46, -42.21, 75.95

 

CMYK 65 / 100 / 0 / 31

HEX #3E00B0

RGB 62 0 176

HSL 261.14, 1%, 0.35%

LAB 24.19, 61.41, -75.55

 

CMYK 59 / 91 / 0 / 24

HEX #4F12C3

RGB 79 18 195

HSL 260.68, 0.83%, 0.42%

LAB 29.5, 63.4, -77.98

 

CMYK 55 / 83 / 0 / 16

HEX #6024D6

RGB 96 36 214

HSL 260.22, 0.71%, 0.49%

LAB 35.21, 64.22, -79.55

 

CMYK 52 / 77 / 0 / 9

HEX #7136E9

RGB 113 54 233

HSL 259.78, 0.8%, 0.56%

LAB 41.27, 64, -80.38

 

CMYK 48 / 71 / 0 / 1

HEX #8248FC

RGB 130 72 252

HSL 259.33, 0.97%, 0.64%

LAB 47.51, 63.24, -80.76

 

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

CMYK 75 / 100 / 0 / 36

HEX #2800A2

RGB 40 0 162

HSL 254.81, 1%, 0.32%

LAB 20.28, 57.08, -73.64

 

CMYK 84 / 100 / 0 / 44

HEX #17008F

RGB 23 0 143

HSL 249.65, 1%, 0.28%

LAB 16.33, 51.79, -68.53

 

CMYK 95 / 100 / 0 / 51

HEX #06007C

RGB 6 0 124

HSL 242.9, 1%, 0.24%

LAB 12.57, 46.51, -62.82

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 42 / 100 / 0 / 30

HEX #6800B2

RGB 104 0 178

HSL 275.06, 1%, 0.35%

LAB 29.81, 65, -67.28

 

CMYK 15 / 100 / 0 / 30

HEX #9800B2

RGB 152 0 178

HSL 291.24, 1%, 0.35%

LAB 37.64, 70.97, -54.16

 

CMYK 0 / 100 / 12 / 30

HEX #B2009C

RGB 178 0 156

HSL 307.42, 1%, 0.35%

LAB 41, 71.91, -35.33

 

CMYK 0 / 100 / 39 / 30

HEX #B2006C

RGB 178 0 108

HSL 323.6, 1%, 0.35%

LAB 38.81, 66.35, -9.06

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 96 / 100 / 0 / 30

HEX #0800B2

RGB 8 0 178

HSL 242.7, 1%, 0.35%

LAB 21.08, 60.53, -82.03

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 63 / 91 / 0 / 36

HEX #3D0EA4

RGB 61 14 164

HSL 258.8, 0.84%, 0.35%

LAB 23.63, 55.24, -69.24

 

CMYK 56 / 81 / 0 / 42

HEX #421C95

RGB 66 28 149

HSL 258.84, 0.68%, 0.35%

LAB 24.19, 46.68, -59.11

 

CMYK 47 / 68 / 0 / 47

HEX #482B87

RGB 72 43 135

HSL 258.91, 0.52%, 0.35%

LAB 26.32, 35.89, -46.91

 

CMYK 36 / 53 / 0 / 53

HEX #4D3978

RGB 77 57 120

HSL 259.05, 0.36%, 0.35%

LAB 29.06, 24.12, -33.06

 

CMYK 100 / 77 / 0 / 30

HEX #0029B2

RGB 0 41 178

HSL 226.18, 1%, 0.35%

LAB 26.16, 44.73, -73.57

 

CMYK 97 / 100 / 0 / 30

HEX #0500B2

RGB 5 0 178

HSL 241.69, 1%, 0.35%

LAB 21.01, 60.51, -82.15

 

CMYK 70 / 100 / 0 / 30

HEX #3500B2

RGB 53 0 178

HSL 257.87, 1%, 0.35%

LAB 23.58, 61.49, -77.8

 

CMYK 43 / 100 / 0 / 30

HEX #6500B2

RGB 101 0 178

HSL 274.04, 1%, 0.35%

LAB 29.36, 64.71, -68.03

 

CMYK 17 / 100 / 0 / 30

HEX #9400B2

RGB 148 0 178

HSL 289.89, 1%, 0.35%

LAB 36.95, 70.4, -55.32

 

CMYK 68 / 100 / 0 / 63

HEX #1E005F

RGB 30 0 95

HSL 258.95, 1%, 0.19%

LAB 9.82, 39.4, -48.36

 

CMYK 69 / 100 / 0 / 46

HEX #2B0089

RGB 43 0 137

HSL 258.83, 1%, 0.27%

LAB 17.08, 50.93, -63.48

 

CMYK 69 / 100 / 0 / 30

HEX #3800B2

RGB 56 0 178

HSL 258.88, 1%, 0.35%

LAB 23.85, 61.61, -77.33

 

CMYK 68 / 100 / 0 / 14

HEX #4500DB

RGB 69 0 219

HSL 258.9, 1%, 0.43%

LAB 30.35, 71.85, -90.57

 

CMYK 67 / 98 / 0 / 0

HEX #5406FF

RGB 84 6 255

HSL 258.8, 1%, 0.51%

LAB 36.43, 79.92, -100.87

 

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

CMYK 0 / 100 / 50 / 30

HEX #B20059

RGB 178 0 89

HSL 330, 1%, 0.35%

LAB 38.17, 64.69, 2.11

 

CMYK 90 / 0 / 100 / 30

HEX #11B200

RGB 17 178 0

HSL 114.27, 1%, 0.35%

LAB 63.31, -64.91, 63.64

 

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

CMYK 0 / 70 / 100 / 30

HEX #B23500

RGB 178 53 0

HSL 17.87, 1%, 0.35%

LAB 41.23, 48.87, 53.16

 

CMYK 100 / 0 / 70 / 30

HEX #00B235

RGB 0 178 53

HSL 137.87, 1%, 0.35%

LAB 63.42, -63.07, 50.83

 

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

CMYK 0 / 100 / 50 / 30

HEX #B20059

RGB 178 0 89

HSL 330, 1%, 0.35%

LAB 38.17, 64.69, 2.11

 

CMYK 30 / 0 / 100 / 30

HEX #7CB200

RGB 124 178 0

HSL 78.2, 1%, 0.35%

LAB 66.62, -39.06, 67.64

 

CMYK 100 / 0 / 50 / 30

HEX #00B259

RGB 0 178 89

HSL 150, 1%, 0.35%

LAB 63.8, -58.33, 34.76

 

CMYK 69 / 100 / 0 / 29

HEX #3900B5

RGB 57 0 181

HSL 258.9, 1%, 0.35%

LAB 24.34, 62.38, -78.31

 

CMYK 0 / 100 / 80 / 30

HEX #B20023

RGB 178 0 35

HSL 348.2, 1%, 0.35%

LAB 37.09, 61.78, 35.02

 

CMYK 30 / 0 / 100 / 30

HEX #7CB200

RGB 124 178 0

HSL 78.2, 1%, 0.35%

LAB 66.62, -39.06, 67.64

 

CMYK 100 / 0 / 20 / 30

HEX #00B28E

RGB 0 178 142

HSL 167.87, 1%, 0.35%

LAB 64.8, -46.95, 7.71

 

Description

Color code: HEX #3900B5 | qconv.com Color code: HEX #3900B5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, none green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 0 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 100 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 100% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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