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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38F4A8 it is the complementary color #C70B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38F4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38F4A8 shade: #3DF4A3, #4EFFB6, #5FFFC9, #70FFDC and #81FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38F4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38F4A8 shade: #38F4A8, #27E295, #16D082, #05BE6F and #00AC5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38F4A8 shade: #38F4A8, #38F475, #38F442, #60F438 and #93F438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38F4A8 shade: #38F4A8, #38F4DB, #38DBF4, #38A8F4 and #3875F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38F4A8 shade matches the following richer shades: #38F4A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38F4A8 shade: #38F4A8, #49E3A5, #5AD2A1, #6BC19E and #7CB09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38F4A8 shade: #38F441, #38F473, #38F4A6, #38F4D8 and #38DEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38F4A8 shade: #0ACF7F, #11F297, #38F4A8, #5FF6B9 and #86F8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38F4A8 shade: #38F4A8, #3861F4 and #F45A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38F4A8 shade: #38F4A8, #A638F4 and #F4A638

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38F4A8 shade: #38F4A8, #3861F4, #F43886 and #F4CB38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38F4A8 shade: #38F4A8, #4838F4, #F43886 and #E4F438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

Complementary color

CMYK 0 / 94 / 56 / 22

HEX #C70B57

RGB 199 11 87

HSL 335.74, 0.9%, 0.41%

LAB 42.87, 68.29, 10.66

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 69 / 0 / 29 / 0

HEX #4EFFB6

RGB 78 255 182

HSL 155.25, 1%, 0.65%

LAB 90.1, -60.97, 22.18

 

CMYK 63 / 0 / 21 / 0

HEX #5FFFC9

RGB 95 255 201

HSL 159.75, 1%, 0.69%

LAB 90.86, -54.23, 13.57

 

CMYK 56 / 0 / 14 / 0

HEX #70FFDC

RGB 112 255 220

HSL 165.31, 1%, 0.72%

LAB 91.74, -46.85, 5.1

 

CMYK 49 / 0 / 6 / 0

HEX #81FFEF

RGB 129 255 239

HSL 172.38, 1%, 0.75%

LAB 92.76, -38.94, -3.18

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 83 / 0 / 34 / 11

HEX #27E295

RGB 39 226 149

HSL 155.29, 0.76%, 0.52%

LAB 80.18, -61.51, 25.42

 

CMYK 89 / 0 / 38 / 18

HEX #16D082

RGB 22 208 130

HSL 154.84, 0.81%, 0.45%

LAB 74.12, -60.11, 27.07

 

CMYK 97 / 0 / 42 / 25

HEX #05BE6F

RGB 5 190 111

HSL 154.38, 0.95%, 0.38%

LAB 68.03, -58.26, 28.86

 

CMYK 100 / 0 / 47 / 33

HEX #00AC5C

RGB 0 172 92

HSL 152.09, 1%, 0.34%

LAB 61.89, -55.79, 30.8

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 77 / 0 / 52 / 4

HEX #38F475

RGB 56 244 117

HSL 139.47, 0.9%, 0.59%

LAB 85.42, -71.42, 48.02

 

CMYK 77 / 0 / 73 / 4

HEX #38F442

RGB 56 244 66

HSL 123.19, 0.9%, 0.59%

LAB 84.96, -76.92, 68.45

 

CMYK 61 / 0 / 77 / 4

HEX #60F438

RGB 96 244 56

HSL 107.23, 0.9%, 0.59%

LAB 85.74, -70.56, 72.66

 

CMYK 40 / 0 / 77 / 4

HEX #93F438

RGB 147 244 56

HSL 90.96, 0.9%, 0.59%

LAB 87.58, -56.48, 75.05

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 77 / 0 / 10 / 4

HEX #38F4DB

RGB 56 244 219

HSL 172.02, 0.9%, 0.59%

LAB 87.32, -50.6, -0.97

 

CMYK 77 / 10 / 0 / 4

HEX #38DBF4

RGB 56 219 244

HSL 187.98, 0.9%, 0.59%

LAB 80.76, -32.36, -23.96

 

CMYK 77 / 31 / 0 / 4

HEX #38A8F4

RGB 56 168 244

HSL 204.26, 0.9%, 0.59%

LAB 66.04, -5.93, -46.75

 

CMYK 77 / 52 / 0 / 4

HEX #3875F4

RGB 56 117 244

HSL 220.53, 0.9%, 0.59%

LAB 51.94, 24.57, -69.28

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 68 / 0 / 27 / 11

HEX #49E3A5

RGB 73 227 165

HSL 155.84, 0.73%, 0.59%

LAB 81.33, -54.42, 18.78

 

CMYK 57 / 0 / 23 / 18

HEX #5AD2A1

RGB 90 210 161

HSL 155.5, 0.57%, 0.59%

LAB 76.58, -45.19, 14.32

 

CMYK 45 / 0 / 18 / 24

HEX #6BC19E

RGB 107 193 158

HSL 155.58, 0.41%, 0.59%

LAB 72.05, -34.23, 9.61

 

CMYK 30 / 0 / 12 / 31

HEX #7CB09B

RGB 124 176 155

HSL 155.77, 0.25%, 0.59%

LAB 67.8, -21.71, 5.27

 

CMYK 77 / 0 / 73 / 4

HEX #38F441

RGB 56 244 65

HSL 122.87, 0.9%, 0.59%

LAB 84.96, -77, 68.78

 

CMYK 77 / 0 / 53 / 4

HEX #38F473

RGB 56 244 115

HSL 138.83, 0.9%, 0.59%

LAB 85.39, -71.7, 48.92

 

CMYK 77 / 0 / 32 / 4

HEX #38F4A6

RGB 56 244 166

HSL 155.11, 0.9%, 0.59%

LAB 86.15, -62.94, 24.86

 

CMYK 77 / 0 / 11 / 4

HEX #38F4D8

RGB 56 244 216

HSL 171.06, 0.9%, 0.59%

LAB 87.24, -51.38, 0.49

 

CMYK 77 / 9 / 0 / 4

HEX #38DEF4

RGB 56 222 244

HSL 187.02, 0.9%, 0.59%

LAB 81.63, -33.78, -22.63

 

CMYK 95 / 0 / 39 / 19

HEX #0ACF7F

RGB 10 207 127

HSL 155.63, 0.91%, 0.43%

LAB 73.69, -60.9, 28.04

 

CMYK 93 / 0 / 38 / 5

HEX #11F297

RGB 17 242 151

HSL 155.73, 0.9%, 0.51%

LAB 84.92, -68.07, 30.76

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 61 / 0 / 25 / 4

HEX #5FF6B9

RGB 95 246 185

HSL 155.76, 0.89%, 0.67%

LAB 87.89, -54.03, 17.64

 

CMYK 46 / 0 / 19 / 3

HEX #86F8CA

RGB 134 248 202

HSL 155.79, 0.89%, 0.75%

LAB 90.08, -42.96, 12.11

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 77 / 60 / 0 / 4

HEX #3861F4

RGB 56 97 244

HSL 226.91, 0.9%, 0.59%

LAB 46.87, 37.08, -77.54

 

CMYK 0 / 63 / 77 / 4

HEX #F45A38

RGB 244 90 56

HSL 10.85, 0.9%, 0.59%

LAB 58.82, 57.37, 49.94

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 32 / 77 / 0 / 4

HEX #A638F4

RGB 166 56 244

HSL 275.11, 0.9%, 0.59%

LAB 48.84, 73.58, -73.93

 

CMYK 0 / 32 / 77 / 4

HEX #F4A638

RGB 244 166 56

HSL 35.11, 0.9%, 0.59%

LAB 74.06, 19.87, 64.88

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 77 / 60 / 0 / 4

HEX #3861F4

RGB 56 97 244

HSL 226.91, 0.9%, 0.59%

LAB 46.87, 37.08, -77.54

 

CMYK 0 / 77 / 45 / 4

HEX #F43886

RGB 244 56 134

HSL 335.11, 0.9%, 0.59%

LAB 55.87, 74.13, 1.65

 

CMYK 0 / 17 / 77 / 4

HEX #F4CB38

RGB 244 203 56

HSL 46.91, 0.9%, 0.59%

LAB 83.04, 0.55, 73.23

 

CMYK 77 / 0 / 31 / 4

HEX #38F4A8

RGB 56 244 168

HSL 155.74, 0.9%, 0.59%

LAB 86.19, -62.53, 23.89

 

CMYK 70 / 77 / 0 / 4

HEX #4838F4

RGB 72 56 244

HSL 245.11, 0.9%, 0.59%

LAB 39.14, 61.79, -90.23

 

CMYK 0 / 77 / 45 / 4

HEX #F43886

RGB 244 56 134

HSL 335.11, 0.9%, 0.59%

LAB 55.87, 74.13, 1.65

 

CMYK 7 / 0 / 77 / 4

HEX #E4F438

RGB 228 244 56

HSL 65.11, 0.9%, 0.59%

LAB 92.35, -26.36, 81.17

 

Description

Color code: HEX #38F4A8 | qconv.com Color code: HEX #38F4A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 244 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 244 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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