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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E203 it is the complementary color #C71DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E203 shade: #3DE200, #4EF411, #5FFF24, #70FF37 and #81FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E203 shade: #38E203, #27D000, #16BE00, #05AC00 and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E203 shade: #38E203, #74E203, #B0E203, #E2D703 and #E29B03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E203 shade: #38E203, #03E20A, #03E246, #03E282 and #03E2BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E203 shade matches the following richer shades: #38E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E203 shade: #38E203, #42CF16, #4BBC28, #55AA3B and #5F974D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E203 shade: #B1E203, #76E203, #3BE203, #03E207 and #03E242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E203 shade: #249002, #2EB902, #38E203, #4AFB13 and #69FC3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E203 shade: #38E203, #03E2D6 and #E20394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E203 shade: #38E203, #033BE2 and #E2033B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E203 shade: #38E203, #03E2D6, #AA03E2 and #E2030E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E203 shade: #38E203, #03AAE2, #AA03E2 and #E23B03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

Complementary color

CMYK 21 / 88 / 0 / 1

HEX #C71DFC

RGB 199 29 252

HSL 285.74, 0.97%, 0.55%

LAB 51.89, 86.87, -73.23

 

CMYK 73 / 0 / 100 / 11

HEX #3DE200

RGB 61 226 0

HSL 103.81, 1%, 0.44%

LAB 79.26, -73.54, 76.63

 

CMYK 68 / 0 / 93 / 4

HEX #4EF411

RGB 78 244 17

HSL 103.88, 0.91%, 0.51%

LAB 85.18, -75.73, 80.01

 

CMYK 63 / 0 / 86 / 0

HEX #5FFF24

RGB 95 255 36

HSL 103.84, 1%, 0.57%

LAB 88.96, -75.25, 80.46

 

CMYK 56 / 0 / 78 / 0

HEX #70FF37

RGB 112 255 55

HSL 102.9, 1%, 0.61%

LAB 89.51, -70.54, 76.67

 

CMYK 49 / 0 / 71 / 0

HEX #81FF4A

RGB 129 255 74

HSL 101.77, 1%, 0.65%

LAB 90.17, -64.95, 71.59

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 81 / 0 / 100 / 18

HEX #27D000

RGB 39 208 0

HSL 108.75, 1%, 0.41%

LAB 73.25, -71.35, 71.68

 

CMYK 88 / 0 / 100 / 25

HEX #16BE00

RGB 22 190 0

HSL 113.05, 1%, 0.37%

LAB 67.28, -67.91, 66.83

 

CMYK 97 / 0 / 100 / 33

HEX #05AC00

RGB 5 172 0

HSL 118.26, 1%, 0.34%

LAB 61.25, -63.9, 61.96

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 49 / 0 / 99 / 11

HEX #74E203

RGB 116 226 3

HSL 89.6, 0.97%, 0.45%

LAB 80.8, -60.87, 78.23

 

CMYK 22 / 0 / 99 / 11

HEX #B0E203

RGB 176 226 3

HSL 73.45, 0.97%, 0.45%

LAB 83.77, -40.02, 81.82

 

CMYK 0 / 5 / 99 / 11

HEX #E2D703

RGB 226 215 3

HSL 57.04, 0.97%, 0.45%

LAB 84.37, -14.25, 83.86

 

CMYK 0 / 31 / 99 / 11

HEX #E29B03

RGB 226 155 3

HSL 40.9, 0.97%, 0.45%

LAB 69.2, 16.91, 73.13

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 99 / 0 / 96 / 11

HEX #03E20A

RGB 3 226 10

HSL 121.88, 0.97%, 0.45%

LAB 78.71, -78.4, 75.05

 

CMYK 99 / 0 / 69 / 11

HEX #03E246

RGB 3 226 70

HSL 138.03, 0.97%, 0.45%

LAB 78.96, -75.27, 60.68

 

CMYK 99 / 0 / 42 / 11

HEX #03E282

RGB 3 226 130

HSL 154.17, 0.97%, 0.45%

LAB 79.63, -67.04, 34.32

 

CMYK 99 / 0 / 16 / 11

HEX #03E2BE

RGB 3 226 190

HSL 170.31, 0.97%, 0.45%

LAB 80.81, -53.76, 4.78

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 68 / 0 / 89 / 19

HEX #42CF16

RGB 66 207 22

HSL 105.73, 0.81%, 0.45%

LAB 73.44, -66.44, 69.39

 

CMYK 60 / 0 / 79 / 26

HEX #4BBC28

RGB 75 188 40

HSL 105.81, 0.65%, 0.45%

LAB 67.74, -57.38, 60.1

 

CMYK 50 / 0 / 65 / 33

HEX #55AA3B

RGB 85 170 59

HSL 105.95, 0.48%, 0.45%

LAB 62.5, -46.49, 47.83

 

CMYK 37 / 0 / 49 / 41

HEX #5F974D

RGB 95 151 77

HSL 105.41, 0.32%, 0.45%

LAB 57.17, -33, 33.12

 

CMYK 22 / 0 / 99 / 11

HEX #B1E203

RGB 177 226 3

HSL 73.18, 0.97%, 0.45%

LAB 83.83, -39.63, 81.89

 

CMYK 48 / 0 / 99 / 11

HEX #76E203

RGB 118 226 3

HSL 89.06, 0.97%, 0.45%

LAB 80.88, -60.28, 78.32

 

CMYK 74 / 0 / 99 / 11

HEX #3BE203

RGB 59 226 3

HSL 104.93, 0.97%, 0.45%

LAB 79.23, -73.81, 76.31

 

CMYK 99 / 0 / 97 / 11

HEX #03E207

RGB 3 226 7

HSL 121.08, 0.97%, 0.45%

LAB 78.71, -78.45, 75.31

 

CMYK 99 / 0 / 71 / 11

HEX #03E242

RGB 3 226 66

HSL 136.95, 0.97%, 0.45%

LAB 78.93, -75.63, 62.14

 

CMYK 75 / 0 / 99 / 44

HEX #249002

RGB 36 144 2

HSL 105.63, 0.97%, 0.29%

LAB 52.2, -52.47, 54.51

 

CMYK 75 / 0 / 99 / 27

HEX #2EB902

RGB 46 185 2

HSL 105.57, 0.98%, 0.37%

LAB 65.97, -63.62, 65.67

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 71 / 0 / 92 / 2

HEX #4AFB13

RGB 74 251 19

HSL 105.78, 0.97%, 0.53%

LAB 87.24, -78.48, 81.45

 

CMYK 58 / 0 / 77 / 1

HEX #69FC3B

RGB 105 252 59

HSL 105.7, 0.97%, 0.61%

LAB 88.42, -70.99, 74.42

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 99 / 0 / 5 / 11

HEX #03E2D6

RGB 3 226 214

HSL 176.77, 0.97%, 0.45%

LAB 81.44, -47.27, -7.03

 

CMYK 0 / 99 / 35 / 11

HEX #E20394

RGB 226 3 148

HSL 320.99, 0.97%, 0.45%

LAB 49.94, 79.99, -15.9

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 99 / 74 / 0 / 11

HEX #033BE2

RGB 3 59 226

HSL 224.93, 0.97%, 0.45%

LAB 35.28, 51.14, -86.48

 

CMYK 0 / 99 / 74 / 11

HEX #E2033B

RGB 226 3 59

HSL 344.93, 0.97%, 0.45%

LAB 47.69, 73.99, 35.27

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 99 / 0 / 5 / 11

HEX #03E2D6

RGB 3 226 214

HSL 176.77, 0.97%, 0.45%

LAB 81.44, -47.27, -7.03

 

CMYK 25 / 99 / 0 / 11

HEX #AA03E2

RGB 170 3 226

HSL 284.93, 0.97%, 0.45%

LAB 44.38, 81.45, -71

 

CMYK 0 / 99 / 94 / 11

HEX #E2030E

RGB 226 3 14

HSL 357.04, 0.97%, 0.45%

LAB 47.32, 72.99, 57.33

 

CMYK 75 / 0 / 99 / 11

HEX #38E203

RGB 56 226 3

HSL 105.74, 0.97%, 0.45%

LAB 79.18, -74.25, 76.25

 

CMYK 99 / 25 / 0 / 11

HEX #03AAE2

RGB 3 170 226

HSL 195.07, 0.97%, 0.45%

LAB 65.17, -16.62, -38.3

 

CMYK 25 / 99 / 0 / 11

HEX #AA03E2

RGB 170 3 226

HSL 284.93, 0.97%, 0.45%

LAB 44.38, 81.45, -71

 

CMYK 0 / 74 / 99 / 11

HEX #E23B03

RGB 226 59 3

HSL 15.07, 0.97%, 0.45%

LAB 51.04, 62.26, 62.16

 

Description

Color code: HEX #38E203 | qconv.com Color code: HEX #38E203 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 226 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 226 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 99 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 99% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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