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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E134 it is the complementary color #C71ECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E134 shade: #3DE12F, #4EF342, #5FFF55, #70FF68 and #81FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E134 shade: #38E134, #27CF21, #16BD0E, #05AB00 and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E134 shade: #36E032, #65E032, #94E032, #C3E032 and #E0CE32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E134 shade: #36E032, #32E05D, #32E08C, #32E0BB and #32D6E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E134 shade matches the following richer shades: #36E032 and #24F31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E134 shade: #36E032, #49CD45, #5BBA58, #6DA76B and #7F947E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E134 shade: #95E032, #66E032, #38E032, #32E05B and #32E089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E134 shade: #1CA719, #22CB1E, #36E032, #5AE556 and #7DEB7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E134 shade: #38E134, #32C3E0 and #E0327E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E134 shade: #38E134, #3238E0 and #E03238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E134 shade: #38E134, #32C3E0, #DA32E0 and #E04F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E134 shade: #38E134, #328FE0, #DA32E0 and #E08332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

Complementary color

CMYK 2 / 85 / 0 / 20

HEX #C71ECB

RGB 199 30 203

HSL 298.61, 0.74%, 0.46%

LAB 48.74, 78.64, -50.53

 

CMYK 73 / 0 / 79 / 12

HEX #3DE12F

RGB 61 225 47

HSL 115.28, 0.75%, 0.53%

LAB 79.07, -71.77, 68.65

 

CMYK 68 / 0 / 73 / 5

HEX #4EF342

RGB 78 243 66

HSL 115.93, 0.88%, 0.61%

LAB 85.05, -73.23, 68.67

 

CMYK 63 / 0 / 67 / 0

HEX #5FFF55

RGB 95 255 85

HSL 116.47, 1%, 0.67%

LAB 89.21, -72.29, 66.26

 

CMYK 56 / 0 / 59 / 0

HEX #70FF68

RGB 112 255 104

HSL 116.82, 1%, 0.7%

LAB 89.84, -66.69, 59.38

 

CMYK 49 / 0 / 52 / 0

HEX #81FF7B

RGB 129 255 123

HSL 117.27, 1%, 0.74%

LAB 90.6, -60.26, 51.99

 

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

CMYK 81 / 0 / 84 / 19

HEX #27CF21

RGB 39 207 33

HSL 117.93, 0.73%, 0.47%

LAB 73, -70.15, 66.58

 

CMYK 88 / 0 / 93 / 26

HEX #16BD0E

RGB 22 189 14

HSL 117.26, 0.86%, 0.4%

LAB 66.97, -67.32, 64.9

 

CMYK 97 / 0 / 100 / 33

HEX #05AB00

RGB 5 171 0

HSL 118.25, 1%, 0.34%

LAB 60.92, -63.62, 61.69

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 76 / 0 / 78 / 12

HEX #36E032

RGB 54 224 50

HSL 118.62, 0.74%, 0.54%

LAB 78.65, -72.33, 67.33

 

CMYK 55 / 0 / 78 / 12

HEX #65E032

RGB 101 224 50

HSL 102.41, 0.74%, 0.54%

LAB 79.79, -62.89, 68.82

 

CMYK 34 / 0 / 78 / 12

HEX #94E032

RGB 148 224 50

HSL 86.21, 0.74%, 0.54%

LAB 81.75, -48.38, 71.36

 

CMYK 13 / 0 / 78 / 12

HEX #C3E032

RGB 195 224 50

HSL 70, 0.74%, 0.54%

LAB 84.56, -30.52, 74.97

 

CMYK 0 / 8 / 78 / 12

HEX #E0CE32

RGB 224 206 50

HSL 53.79, 0.74%, 0.54%

LAB 81.96, -9.69, 73.47

 

CMYK 76 / 0 / 78 / 12

HEX #36E032

RGB 54 224 50

HSL 118.62, 0.74%, 0.54%

LAB 78.65, -72.33, 67.33

 

CMYK 78 / 0 / 58 / 12

HEX #32E05D

RGB 50 224 93

HSL 134.83, 0.74%, 0.54%

LAB 78.91, -68.88, 51.2

 

CMYK 78 / 0 / 38 / 12

HEX #32E08C

RGB 50 224 140

HSL 151.03, 0.74%, 0.54%

LAB 79.55, -61.47, 29.22

 

CMYK 78 / 0 / 17 / 12

HEX #32E0BB

RGB 50 224 187

HSL 167.24, 0.74%, 0.54%

LAB 80.5, -51.07, 5.97

 

CMYK 78 / 4 / 0 / 12

HEX #32D6E0

RGB 50 214 224

HSL 183.45, 0.74%, 0.54%

LAB 78.55, -36.59, -16.64

 

CMYK 76 / 0 / 78 / 12

HEX #36E032

RGB 54 224 50

HSL 118.62, 0.74%, 0.54%

LAB 78.65, -72.33, 67.33

 

CMYK 85 / 0 / 87 / 5

HEX #24F31F

RGB 36 243 31

HSL 118.58, 0.9%, 0.54%

LAB 84.26, -80.66, 76.93

 

CMYK 76 / 0 / 78 / 12

HEX #36E032

RGB 54 224 50

HSL 118.62, 0.74%, 0.54%

LAB 78.65, -72.33, 67.33

 

CMYK 64 / 0 / 66 / 20

HEX #49CD45

RGB 73 205 69

HSL 118.24, 0.58%, 0.54%

LAB 73.23, -61.47, 55.2

 

CMYK 51 / 0 / 53 / 27

HEX #5BBA58

RGB 91 186 88

HSL 118.16, 0.42%, 0.54%

LAB 68.05, -47.89, 40.88

 

CMYK 35 / 0 / 36 / 35

HEX #6DA76B

RGB 109 167 107

HSL 118, 0.25%, 0.54%

LAB 63.3, -31.24, 25.21

 

CMYK 14 / 0 / 15 / 42

HEX #7F947E

RGB 127 148 126

HSL 117.27, 0.09%, 0.54%

LAB 59.16, -11.89, 9.15

 

CMYK 33 / 0 / 78 / 12

HEX #95E032

RGB 149 224 50

HSL 85.86, 0.74%, 0.54%

LAB 81.8, -48.03, 71.43

 

CMYK 54 / 0 / 78 / 12

HEX #66E032

RGB 102 224 50

HSL 102.07, 0.74%, 0.54%

LAB 79.82, -62.63, 68.86

 

CMYK 75 / 0 / 78 / 12

HEX #38E032

RGB 56 224 50

HSL 117.93, 0.74%, 0.54%

LAB 78.68, -72.05, 67.38

 

CMYK 78 / 0 / 59 / 12

HEX #32E05B

RGB 50 224 91

HSL 134.14, 0.74%, 0.54%

LAB 78.89, -69.13, 52.06

 

CMYK 78 / 0 / 39 / 12

HEX #32E089

RGB 50 224 137

HSL 150, 0.74%, 0.54%

LAB 79.5, -62.04, 30.68

 

CMYK 83 / 0 / 85 / 35

HEX #1CA719

RGB 28 167 25

HSL 118.73, 0.74%, 0.38%

LAB 59.85, -59.93, 56.6

 

CMYK 83 / 0 / 85 / 20

HEX #22CB1E

RGB 34 203 30

HSL 118.61, 0.74%, 0.46%

LAB 71.65, -69.66, 66.04

 

CMYK 76 / 0 / 78 / 12

HEX #36E032

RGB 54 224 50

HSL 118.62, 0.74%, 0.54%

LAB 78.65, -72.33, 67.33

 

CMYK 61 / 0 / 62 / 10

HEX #5AE556

RGB 90 229 86

HSL 118.32, 0.73%, 0.62%

LAB 81.23, -64.44, 57.1

 

CMYK 47 / 0 / 48 / 8

HEX #7DEB7A

RGB 125 235 122

HSL 118.41, 0.74%, 0.7%

LAB 84.58, -53.66, 45.03

 

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

CMYK 78 / 13 / 0 / 12

HEX #32C3E0

RGB 50 195 224

HSL 190, 0.74%, 0.54%

LAB 72.95, -27.49, -25.14

 

CMYK 0 / 78 / 44 / 12

HEX #E0327E

RGB 224 50 126

HSL 333.79, 0.74%, 0.54%

LAB 51.42, 69.97, -0.49

 

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

CMYK 78 / 75 / 0 / 12

HEX #3238E0

RGB 50 56 224

HSL 237.93, 0.74%, 0.54%

LAB 35.77, 53.99, -84.49

 

CMYK 0 / 78 / 75 / 12

HEX #E03238

RGB 224 50 56

HSL 357.93, 0.74%, 0.54%

LAB 49.99, 65.52, 39.51

 

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

CMYK 78 / 13 / 0 / 12

HEX #32C3E0

RGB 50 195 224

HSL 190, 0.74%, 0.54%

LAB 72.95, -27.49, -25.14

 

CMYK 3 / 78 / 0 / 12

HEX #DA32E0

RGB 218 50 224

HSL 297.93, 0.74%, 0.54%

LAB 54.63, 80.93, -52.95

 

CMYK 0 / 65 / 78 / 12

HEX #E04F32

RGB 224 79 50

HSL 10, 0.74%, 0.54%

LAB 53.67, 55, 46.64

 

CMYK 75 / 0 / 77 / 12

HEX #38E134

RGB 56 225 52

HSL 118.61, 0.74%, 0.54%

LAB 79.01, -72.22, 67.08

 

CMYK 78 / 36 / 0 / 12

HEX #328FE0

RGB 50 143 224

HSL 207.93, 0.74%, 0.54%

LAB 57.76, 0.7, -48.82

 

CMYK 3 / 78 / 0 / 12

HEX #DA32E0

RGB 218 50 224

HSL 297.93, 0.74%, 0.54%

LAB 54.63, 80.93, -52.95

 

CMYK 0 / 42 / 78 / 12

HEX #E08332

RGB 224 131 50

HSL 27.93, 0.74%, 0.54%

LAB 63.6, 29.82, 56.45

 

Description

Color code: HEX #38E134 | qconv.com Color code: HEX #38E134 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 225 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 225 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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