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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38D0B9 it is the complementary color #C72F46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38D0B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38D0B9 shade: #3DD0B4, #4EE2C7, #5FF4DA, #70FFED and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38D0B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38D0B9 shade: #38D0B9, #27BEA6, #16AC93, #059A80 and #00886D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38D0B9 shade: #38D0B9, #38D090, #38D067, #38D03E and #5BD038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38D0B9 shade: #38D0B9, #38BED0, #3895D0, #386CD0 and #3843D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38D0B9 shade matches the following richer shades: #38D0B9, #24E4C7 and #11F8D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38D0B9 shade: #38D0B9, #4CBCAB, #60A89D, #749590 and #878182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38D0B9 shade: #38D066, #38D08E, #38D0B7, #38C1D0 and #3898D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38D0B9 shade: #229382, #2AB5A0, #38D0B9, #5AD8C5 and #7BE0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38D0B9 shade: #38D0B9, #3D38D0 and #D07A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38D0B9 shade: #38D0B9, #B738D0 and #D0B738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38D0B9 shade: #38D0B9, #3D38D0, #D03852 and #CBD038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38D0B9 shade: #38D0B9, #6B38D0, #D03852 and #9DD038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

Complementary color

CMYK 0 / 76 / 65 / 22

HEX #C72F46

RGB 199 47 70

HSL 350.92, 0.62%, 0.48%

LAB 45.11, 59.83, 24.24

 

CMYK 71 / 0 / 13 / 18

HEX #3DD0B4

RGB 61 208 180

HSL 168.57, 0.61%, 0.53%

LAB 75.7, -44.83, 2.79

 

CMYK 65 / 0 / 12 / 11

HEX #4EE2C7

RGB 78 226 199

HSL 169.05, 0.72%, 0.6%

LAB 81.91, -45.33, 1.72

 

CMYK 61 / 0 / 11 / 4

HEX #5FF4DA

RGB 95 244 218

HSL 169.53, 0.87%, 0.66%

LAB 88.06, -45.66, 0.74

 

CMYK 56 / 0 / 7 / 0

HEX #70FFED

RGB 112 255 237

HSL 172.45, 1%, 0.72%

LAB 92.17, -42.8, -3.08

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 79 / 0 / 13 / 25

HEX #27BEA6

RGB 39 190 166

HSL 170.46, 0.66%, 0.45%

LAB 69.48, -43.31, 1.3

 

CMYK 87 / 0 / 15 / 33

HEX #16AC93

RGB 22 172 147

HSL 170, 0.77%, 0.38%

LAB 63.16, -42.1, 2.6

 

CMYK 97 / 0 / 17 / 40

HEX #059A80

RGB 5 154 128

HSL 169.53, 0.94%, 0.31%

LAB 56.78, -40.47, 4.05

 

CMYK 100 / 0 / 20 / 47

HEX #00886D

RGB 0 136 109

HSL 168.09, 1%, 0.27%

LAB 50.35, -38.23, 5.72

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 73 / 0 / 31 / 18

HEX #38D090

RGB 56 208 144

HSL 154.74, 0.62%, 0.52%

LAB 74.8, -53.94, 20.73

 

CMYK 73 / 0 / 50 / 18

HEX #38D067

RGB 56 208 103

HSL 138.55, 0.62%, 0.52%

LAB 74.15, -61.36, 40.82

 

CMYK 73 / 0 / 70 / 18

HEX #38D03E

RGB 56 208 62

HSL 122.37, 0.62%, 0.52%

LAB 73.74, -66.21, 58.37

 

CMYK 56 / 0 / 73 / 18

HEX #5BD038

RGB 91 208 56

HSL 106.18, 0.62%, 0.52%

LAB 74.59, -59.42, 61.7

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 73 / 9 / 0 / 18

HEX #38BED0

RGB 56 190 208

HSL 187.11, 0.62%, 0.52%

LAB 71.02, -29.35, -19.36

 

CMYK 73 / 28 / 0 / 18

HEX #3895D0

RGB 56 149 208

HSL 203.29, 0.62%, 0.52%

LAB 58.87, -7.74, -38.11

 

CMYK 73 / 48 / 0 / 18

HEX #386CD0

RGB 56 108 208

HSL 219.47, 0.62%, 0.52%

LAB 47.13, 17.01, -56.76

 

CMYK 73 / 68 / 0 / 18

HEX #3843D0

RGB 56 67 208

HSL 235.66, 0.62%, 0.52%

LAB 36.76, 42.93, -73.64

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 84 / 0 / 13 / 11

HEX #24E4C7

RGB 36 228 199

HSL 170.94, 0.78%, 0.52%

LAB 81.83, -50.84, 1.52

 

CMYK 93 / 0 / 14 / 3

HEX #11F8D5

RGB 17 248 213

HSL 170.91, 0.94%, 0.52%

LAB 88, -56.24, 3.11

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 60 / 0 / 9 / 26

HEX #4CBCAB

RGB 76 188 171

HSL 170.89, 0.46%, 0.52%

LAB 69.78, -35.83, -0.9

 

CMYK 43 / 0 / 7 / 34

HEX #60A89D

RGB 96 168 157

HSL 170.83, 0.29%, 0.52%

LAB 64.1, -25.28, -1.39

 

CMYK 22 / 0 / 3 / 42

HEX #749590

RGB 116 149 144

HSL 170.91, 0.13%, 0.52%

LAB 59.18, -12.54, -1.14

 

CMYK 0 / 4 / 4 / 47

HEX #878182

RGB 135 129 130

HSL 350, 0.02%, 0.52%

LAB 54.51, 2.45, 0.26

 

CMYK 73 / 0 / 51 / 18

HEX #38D066

RGB 56 208 102

HSL 138.16, 0.62%, 0.52%

LAB 74.13, -61.51, 41.29

 

CMYK 73 / 0 / 32 / 18

HEX #38D08E

RGB 56 208 142

HSL 153.95, 0.62%, 0.52%

LAB 74.77, -54.35, 21.74

 

CMYK 73 / 0 / 12 / 18

HEX #38D0B7

RGB 56 208 183

HSL 170.13, 0.62%, 0.52%

LAB 75.68, -44.71, 1.14

 

CMYK 73 / 7 / 0 / 18

HEX #38C1D0

RGB 56 193 208

HSL 185.92, 0.62%, 0.52%

LAB 71.92, -30.8, -18.01

 

CMYK 73 / 27 / 0 / 18

HEX #3898D0

RGB 56 152 208

HSL 202.11, 0.62%, 0.52%

LAB 59.75, -9.43, -36.72

 

CMYK 77 / 0 / 12 / 42

HEX #229382

RGB 34 147 130

HSL 170.97, 0.62%, 0.35%

LAB 54.89, -34.61, 0.2

 

CMYK 77 / 0 / 12 / 29

HEX #2AB5A0

RGB 42 181 160

HSL 170.94, 0.62%, 0.44%

LAB 66.58, -40.69, 0.38

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 58 / 0 / 9 / 15

HEX #5AD8C5

RGB 90 216 197

HSL 170.95, 0.62%, 0.6%

LAB 79.22, -39.38, -1.1

 

CMYK 45 / 0 / 7 / 12

HEX #7BE0D0

RGB 123 224 208

HSL 170.5, 0.62%, 0.68%

LAB 82.95, -33.37, -1.36

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 71 / 73 / 0 / 18

HEX #3D38D0

RGB 61 56 208

HSL 241.97, 0.62%, 0.52%

LAB 34.75, 49.78, -76.93

 

CMYK 0 / 41 / 73 / 18

HEX #D07A38

RGB 208 122 56

HSL 26.05, 0.62%, 0.52%

LAB 59.54, 28.24, 49.01

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 12 / 73 / 0 / 18

HEX #B738D0

RGB 183 56 208

HSL 290.13, 0.62%, 0.52%

LAB 48.82, 69.62, -53.42

 

CMYK 0 / 12 / 73 / 18

HEX #D0B738

RGB 208 183 56

HSL 50.13, 0.62%, 0.52%

LAB 74.55, -4.5, 64.05

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 71 / 73 / 0 / 18

HEX #3D38D0

RGB 61 56 208

HSL 241.97, 0.62%, 0.52%

LAB 34.75, 49.78, -76.93

 

CMYK 0 / 73 / 61 / 18

HEX #D03852

RGB 208 56 82

HSL 349.74, 0.62%, 0.52%

LAB 48.07, 60.26, 21.11

 

CMYK 2 / 0 / 73 / 18

HEX #CBD038

RGB 203 208 56

HSL 61.97, 0.62%, 0.52%

LAB 80.79, -19.31, 69.86

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 49 / 73 / 0 / 18

HEX #6B38D0

RGB 107 56 208

HSL 260.13, 0.62%, 0.52%

LAB 38.74, 55.7, -70.23

 

CMYK 0 / 73 / 61 / 18

HEX #D03852

RGB 208 56 82

HSL 349.74, 0.62%, 0.52%

LAB 48.07, 60.26, 21.11

 

CMYK 25 / 0 / 73 / 18

HEX #9DD038

RGB 157 208 56

HSL 80.13, 0.62%, 0.52%

LAB 77.62, -37.87, 65.71

 

Description

Color code: HEX #38D0B9 | qconv.com Color code: HEX #38D0B9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 208 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 208 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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