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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38D402 it is the complementary color #C72BFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38D402. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38D402 shade: #3DD400, #4EE610, #5FF823, #70FF36 and #81FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38D402. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38D402 shade: #38D402, #27C200, #16B000, #059E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38D402 shade: #38D402, #70D402, #A9D402, #D4C602 and #D48D02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38D402 shade: #38D402, #02D404, #02D43D, #02D475 and #02D4AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38D402 shade matches the following richer shades: #38D402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38D402 shade: #38D402, #40C213, #48B124, #51A036 and #598E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38D402 shade: #AAD402, #72D402, #3AD402, #02D402 and #02D43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38D402 shade: #228201, #2DAB01, #38D402, #43FC03 and #61FC2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38D402 shade: #38D402, #02D4C6 and #D4028E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38D402 shade: #38D402, #023AD4 and #D4023A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38D402 shade: #38D402, #02D4C6, #9C02D4 and #D40210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38D402 shade: #38D402, #02A3D4, #9C02D4 and #D43302

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

Complementary color

CMYK 21 / 83 / 0 / 1

HEX #C72BFD

RGB 199 43 253

HSL 284.57, 0.98%, 0.58%

LAB 52.91, 84.27, -72.14

 

CMYK 71 / 0 / 100 / 17

HEX #3DD400

RGB 61 212 0

HSL 102.74, 1%, 0.42%

LAB 74.87, -69.36, 73.13

 

CMYK 66 / 0 / 93 / 10

HEX #4EE610

RGB 78 230 16

HSL 102.62, 0.87%, 0.48%

LAB 80.88, -71.45, 76.58

 

CMYK 62 / 0 / 86 / 3

HEX #5FF823

RGB 95 248 35

HSL 103.1, 0.94%, 0.55%

LAB 86.84, -73.05, 78.82

 

CMYK 56 / 0 / 79 / 0

HEX #70FF36

RGB 112 255 54

HSL 102.69, 1%, 0.61%

LAB 89.5, -70.59, 76.94

 

CMYK 49 / 0 / 71 / 0

HEX #81FF49

RGB 129 255 73

HSL 101.54, 1%, 0.64%

LAB 90.17, -65.02, 71.93

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 80 / 0 / 100 / 24

HEX #27C200

RGB 39 194 0

HSL 107.94, 1%, 0.38%

LAB 68.76, -67.32, 68.1

 

CMYK 88 / 0 / 100 / 31

HEX #16B000

RGB 22 176 0

HSL 112.5, 1%, 0.35%

LAB 62.69, -63.95, 63.16

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 47 / 0 / 99 / 17

HEX #70D402

RGB 112 212 2

HSL 88.57, 0.98%, 0.42%

LAB 76.4, -56.94, 74.78

 

CMYK 20 / 0 / 99 / 17

HEX #A9D402

RGB 169 212 2

HSL 72.29, 0.98%, 0.42%

LAB 79.34, -36.53, 78.34

 

CMYK 0 / 7 / 99 / 17

HEX #D4C602

RGB 212 198 2

HSL 56, 0.98%, 0.42%

LAB 78.69, -11.75, 79.28

 

CMYK 0 / 33 / 99 / 17

HEX #D48D02

RGB 212 141 2

HSL 39.71, 0.98%, 0.42%

LAB 64.2, 18.35, 69.11

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 99 / 0 / 98 / 17

HEX #02D404

RGB 2 212 4

HSL 120.57, 0.98%, 0.42%

LAB 74.26, -74.83, 71.98

 

CMYK 99 / 0 / 71 / 17

HEX #02D43D

RGB 2 212 61

HSL 136.86, 0.98%, 0.42%

LAB 74.47, -72.13, 59.34

 

CMYK 99 / 0 / 45 / 17

HEX #02D475

RGB 2 212 117

HSL 152.86, 0.98%, 0.42%

LAB 75.07, -64.74, 34.94

 

CMYK 99 / 0 / 18 / 17

HEX #02D4AE

RGB 2 212 174

HSL 169.14, 0.98%, 0.42%

LAB 76.16, -52.32, 6.6

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 67 / 0 / 90 / 24

HEX #40C213

RGB 64 194 19

HSL 104.57, 0.82%, 0.42%

LAB 69.27, -62.78, 66.33

 

CMYK 59 / 0 / 80 / 31

HEX #48B124

RGB 72 177 36

HSL 104.68, 0.66%, 0.42%

LAB 64.12, -54.47, 57.86

 

CMYK 49 / 0 / 66 / 37

HEX #51A036

RGB 81 160 54

HSL 104.72, 0.5%, 0.42%

LAB 59.12, -44.14, 46.26

 

CMYK 37 / 0 / 50 / 44

HEX #598E47

RGB 89 142 71

HSL 104.79, 0.33%, 0.42%

LAB 53.95, -31.71, 32.19

 

CMYK 20 / 0 / 99 / 17

HEX #AAD402

RGB 170 212 2

HSL 72, 0.98%, 0.42%

LAB 79.41, -36.13, 78.41

 

CMYK 46 / 0 / 99 / 17

HEX #72D402

RGB 114 212 2

HSL 88, 0.98%, 0.42%

LAB 76.48, -56.32, 74.88

 

CMYK 73 / 0 / 99 / 17

HEX #3AD402

RGB 58 212 2

HSL 104, 0.98%, 0.42%

LAB 74.82, -69.83, 72.86

 

CMYK 99 / 0 / 99 / 17

HEX #02D402

RGB 2 212 2

HSL 120, 0.98%, 0.42%

LAB 74.26, -74.86, 72.17

 

CMYK 99 / 0 / 73 / 17

HEX #02D43A

RGB 2 212 58

HSL 136, 0.98%, 0.42%

LAB 74.45, -72.38, 60.4

 

CMYK 74 / 0 / 99 / 49

HEX #228201

RGB 34 130 1

HSL 104.65, 0.98%, 0.26%

LAB 47.38, -48.29, 50.8

 

CMYK 74 / 0 / 99 / 33

HEX #2DAB01

RGB 45 171 1

HSL 104.47, 0.99%, 0.34%

LAB 61.38, -59.49, 62.12

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 73 / 0 / 99 / 1

HEX #43FC03

RGB 67 252 3

HSL 104.58, 0.98%, 0.5%

LAB 87.4, -80.13, 82.92

 

CMYK 62 / 0 / 83 / 1

HEX #61FC2B

RGB 97 252 43

HSL 104.5, 0.97%, 0.58%

LAB 88.13, -73.59, 78.28

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 99 / 0 / 7 / 17

HEX #02D4C6

RGB 2 212 198

HSL 176, 0.98%, 0.42%

LAB 76.79, -45.84, -5.37

 

CMYK 0 / 99 / 33 / 17

HEX #D4028E

RGB 212 2 142

HSL 320, 0.98%, 0.42%

LAB 46.97, 76.63, -17.07

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 99 / 73 / 0 / 17

HEX #023AD4

RGB 2 58 212

HSL 224, 0.98%, 0.42%

LAB 33.55, 46.81, -81.31

 

CMYK 0 / 99 / 73 / 17

HEX #D4023A

RGB 212 2 58

HSL 344, 0.98%, 0.42%

LAB 44.73, 70.7, 31.68

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 99 / 0 / 7 / 17

HEX #02D4C6

RGB 2 212 198

HSL 176, 0.98%, 0.42%

LAB 76.79, -45.84, -5.37

 

CMYK 26 / 99 / 0 / 17

HEX #9C02D4

RGB 156 2 212

HSL 284, 0.98%, 0.42%

LAB 41, 77.28, -68.58

 

CMYK 0 / 99 / 92 / 17

HEX #D40210

RGB 212 2 16

HSL 356, 0.98%, 0.42%

LAB 44.34, 69.66, 53.37

 

CMYK 74 / 0 / 99 / 17

HEX #38D402

RGB 56 212 2

HSL 104.57, 0.98%, 0.42%

LAB 74.78, -70.15, 72.82

 

CMYK 99 / 23 / 0 / 17

HEX #02A3D4

RGB 2 163 212

HSL 194, 0.98%, 0.42%

LAB 62.47, -17.87, -34.76

 

CMYK 26 / 99 / 0 / 17

HEX #9C02D4

RGB 156 2 212

HSL 284, 0.98%, 0.42%

LAB 41, 77.28, -68.58

 

CMYK 0 / 76 / 99 / 17

HEX #D43302

RGB 212 51 2

HSL 14, 0.98%, 0.42%

LAB 47.46, 60.54, 59.19

 

Description

Color code: HEX #38D402 | qconv.com Color code: HEX #38D402 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 212 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 212 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 99 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 99% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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