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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38BBF5 it is the complementary color #C7440A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38BBF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38BBF5 shade: #3DBBF0, #4ECDFF, #5FDFFF, #70F1FF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38BBF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38BBF5 shade: #38BBF5, #27A9E2, #1697CF, #0585BC and #0073A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38BBF5 shade: #38BAF4, #3888F4, #3855F4, #4E38F4 and #8038F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38BBF5 shade: #38BAF4, #3888F4, #3855F4 and #3838F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38BBF5 shade matches the following richer shades: #38BAF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38BBF5 shade: #38BAF4, #49B4E3, #5AADD2, #6BA7C1 and #7CA0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38BBF5 shade: #38F4C8, #38EEF4, #38BCF4, #3889F4 and #3857F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38BBF5 shade: #0A93CF, #11ADF2, #38BAF4, #5FC8F6 and #86D5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38BBF5 shade: #38BBF5, #9638F4 and #F4E138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38BBF5 shade: #38BBF5, #F438BC and #BCF438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38BBF5 shade: #38BBF5, #9638F4, #F47038 and #96F438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38BBF5 shade: #38BBF5, #CE38F4, #F47038 and #5DF438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

Complementary color

CMYK 0 / 66 / 95 / 22

HEX #C7440A

RGB 199 68 10

HSL 18.41, 0.9%, 0.41%

LAB 47.36, 50.1, 55.78

 

CMYK 75 / 22 / 0 / 6

HEX #3DBBF0

RGB 61 187 240

HSL 197.77, 0.86%, 0.59%

LAB 71.44, -17.06, -36.13

 

CMYK 69 / 20 / 0 / 0

HEX #4ECDFF

RGB 78 205 255

HSL 196.95, 1%, 0.65%

LAB 77.58, -19.46, -34.65

 

CMYK 63 / 13 / 0 / 0

HEX #5FDFFF

RGB 95 223 255

HSL 192, 1%, 0.69%

LAB 83.14, -25.98, -26.07

 

CMYK 56 / 5 / 0 / 0

HEX #70F1FF

RGB 112 241 255

HSL 185.87, 1%, 0.72%

LAB 88.72, -31.75, -17.57

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

CMYK 83 / 25 / 0 / 11

HEX #27A9E2

RGB 39 169 226

HSL 198.29, 0.76%, 0.52%

LAB 65.2, -14.35, -38.23

 

CMYK 89 / 27 / 0 / 19

HEX #1697CF

RGB 22 151 207

HSL 198.16, 0.81%, 0.45%

LAB 58.8, -12.37, -37.71

 

CMYK 97 / 29 / 0 / 26

HEX #0585BC

RGB 5 133 188

HSL 198.03, 0.95%, 0.38%

LAB 52.33, -9.93, -37.1

 

CMYK 100 / 32 / 0 / 34

HEX #0073A9

RGB 0 115 169

HSL 199.17, 1%, 0.33%

LAB 45.81, -6.88, -36.38

 

CMYK 77 / 24 / 0 / 4

HEX #38BAF4

RGB 56 186 244

HSL 198.51, 0.9%, 0.59%

LAB 71.21, -15.75, -38.66

 

CMYK 77 / 44 / 0 / 4

HEX #3888F4

RGB 56 136 244

HSL 214.47, 0.9%, 0.59%

LAB 57.06, 12.82, -61.04

 

CMYK 77 / 65 / 0 / 4

HEX #3855F4

RGB 56 85 244

HSL 230.74, 0.9%, 0.59%

LAB 44.05, 44.45, -82.17

 

CMYK 68 / 77 / 0 / 4

HEX #4E38F4

RGB 78 56 244

HSL 247.02, 0.9%, 0.59%

LAB 39.55, 62.3, -89.54

 

CMYK 48 / 77 / 0 / 4

HEX #8038F4

RGB 128 56 244

HSL 262.98, 0.9%, 0.59%

LAB 44.16, 67.93, -81.78

 

CMYK 77 / 24 / 0 / 4

HEX #38BAF4

RGB 56 186 244

HSL 198.51, 0.9%, 0.59%

LAB 71.21, -15.75, -38.66

 

CMYK 77 / 44 / 0 / 4

HEX #3888F4

RGB 56 136 244

HSL 214.47, 0.9%, 0.59%

LAB 57.06, 12.82, -61.04

 

CMYK 77 / 65 / 0 / 4

HEX #3855F4

RGB 56 85 244

HSL 230.74, 0.9%, 0.59%

LAB 44.05, 44.45, -82.17

 

CMYK 77 / 77 / 0 / 4

HEX #3838F4

RGB 56 56 244

HSL 240, 0.9%, 0.59%

LAB 38.2, 60.64, -91.81

 

CMYK 77 / 24 / 0 / 4

HEX #38BAF4

RGB 56 186 244

HSL 198.51, 0.9%, 0.59%

LAB 71.21, -15.75, -38.66

 

CMYK 77 / 24 / 0 / 4

HEX #38BAF4

RGB 56 186 244

HSL 198.51, 0.9%, 0.59%

LAB 71.21, -15.75, -38.66

 

CMYK 68 / 21 / 0 / 11

HEX #49B4E3

RGB 73 180 227

HSL 198.31, 0.73%, 0.59%

LAB 69.19, -16, -32.52

 

CMYK 57 / 18 / 0 / 18

HEX #5AADD2

RGB 90 173 210

HSL 198.5, 0.57%, 0.59%

LAB 67.06, -14.62, -26.42

 

CMYK 45 / 13 / 0 / 24

HEX #6BA7C1

RGB 107 167 193

HSL 198.14, 0.41%, 0.59%

LAB 65.45, -12.5, -19.41

 

CMYK 30 / 9 / 0 / 31

HEX #7CA0B0

RGB 124 160 176

HSL 198.46, 0.25%, 0.59%

LAB 63.8, -8.47, -12.31

 

CMYK 77 / 0 / 18 / 4

HEX #38F4C8

RGB 56 244 200

HSL 165.96, 0.9%, 0.59%

LAB 86.86, -55.36, 8.28

 

CMYK 77 / 2 / 0 / 4

HEX #38EEF4

RGB 56 238 244

HSL 181.91, 0.9%, 0.59%

LAB 86.27, -41.16, -15.63

 

CMYK 77 / 23 / 0 / 4

HEX #38BCF4

RGB 56 188 244

HSL 197.87, 0.9%, 0.59%

LAB 71.78, -16.81, -37.77

 

CMYK 77 / 44 / 0 / 4

HEX #3889F4

RGB 56 137 244

HSL 214.15, 0.9%, 0.59%

LAB 57.33, 12.22, -60.6

 

CMYK 77 / 64 / 0 / 4

HEX #3857F4

RGB 56 87 244

HSL 230.11, 0.9%, 0.59%

LAB 44.5, 43.24, -81.42

 

CMYK 95 / 29 / 0 / 19

HEX #0A93CF

RGB 10 147 207

HSL 198.27, 0.91%, 0.43%

LAB 57.5, -10.64, -39.75

 

CMYK 93 / 29 / 0 / 5

HEX #11ADF2

RGB 17 173 242

HSL 198.4, 0.9%, 0.51%

LAB 66.84, -12.14, -44.45

 

CMYK 77 / 24 / 0 / 4

HEX #38BAF4

RGB 56 186 244

HSL 198.51, 0.9%, 0.59%

LAB 71.21, -15.75, -38.66

 

CMYK 61 / 19 / 0 / 4

HEX #5FC8F6

RGB 95 200 246

HSL 198.28, 0.89%, 0.67%

LAB 76.31, -17.03, -31.75

 

CMYK 46 / 14 / 0 / 3

HEX #86D5F8

RGB 134 213 248

HSL 198.42, 0.89%, 0.75%

LAB 81.53, -15.23, -24.69

 

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

CMYK 39 / 77 / 0 / 4

HEX #9638F4

RGB 150 56 244

HSL 270, 0.9%, 0.59%

LAB 46.77, 71.09, -77.4

 

CMYK 0 / 8 / 77 / 4

HEX #F4E138

RGB 244 225 56

HSL 53.94, 0.9%, 0.59%

LAB 88.62, -10.57, 78.3

 

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

CMYK 0 / 77 / 23 / 4

HEX #F438BC

RGB 244 56 188

HSL 317.87, 0.9%, 0.59%

LAB 57.74, 79.76, -27.17

 

CMYK 23 / 0 / 77 / 4

HEX #BCF438

RGB 188 244 56

HSL 77.87, 0.9%, 0.59%

LAB 89.71, -42.03, 77.8

 

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

CMYK 39 / 77 / 0 / 4

HEX #9638F4

RGB 150 56 244

HSL 270, 0.9%, 0.59%

LAB 46.77, 71.09, -77.4

 

CMYK 0 / 54 / 77 / 4

HEX #F47038

RGB 244 112 56

HSL 17.87, 0.9%, 0.59%

LAB 62.6, 47.47, 53.76

 

CMYK 39 / 0 / 77 / 4

HEX #96F438

RGB 150 244 56

HSL 90, 0.9%, 0.59%

LAB 87.71, -55.5, 75.22

 

CMYK 77 / 24 / 0 / 4

HEX #38BBF5

RGB 56 187 245

HSL 198.41, 0.9%, 0.59%

LAB 71.54, -15.95, -38.69

 

CMYK 16 / 77 / 0 / 4

HEX #CE38F4

RGB 206 56 244

HSL 287.87, 0.9%, 0.59%

LAB 54.53, 80.39, -64.44

 

CMYK 0 / 54 / 77 / 4

HEX #F47038

RGB 244 112 56

HSL 17.87, 0.9%, 0.59%

LAB 62.6, 47.47, 53.76

 

CMYK 62 / 0 / 77 / 4

HEX #5DF438

RGB 93 244 56

HSL 108.19, 0.9%, 0.59%

LAB 85.66, -71.22, 72.55

 

Description

Color code: HEX #38BBF5 | qconv.com Color code: HEX #38BBF5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 187 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 187 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 24 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 24% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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