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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B262 it is the complementary color #C74D9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B262. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B262 shade: #3DB25D, #4EC470, #5FD683, #70E896 and #81FAA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B262. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B262 shade: #38B262, #27A04F, #168E3C, #057C29 and #006A16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B262 shade: #38B262, #38B241, #50B238, #70B238 and #91B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B262 shade: #38B262, #38B283, #38B2A4, #389FB2 and #387EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B262 shade matches the following richer shades: #38B262, #25C55C and #12D856

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B262 shade: #38B262, #4B9F68, #5E8C6E, #717974 and #846679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B262 shade: #50B238, #38B240, #38B260, #38B281 and #38B2A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B262 shade: #24733F, #2E9251, #38B262, #4DC676 and #6CD08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B262 shade: #38B262, #3871B2 and #B23840

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B262 shade: #38B262, #6038B2 and #B26038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B262 shade: #38B262, #3871B2, #B23889 and #B27938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B262 shade: #38B262, #384CB2, #B23889 and #B29D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

Complementary color

CMYK 0 / 61 / 21 / 22

HEX #C74D9D

RGB 199 77 157

HSL 320.66, 0.52%, 0.54%

LAB 51.71, 57.06, -19

 

CMYK 66 / 0 / 48 / 30

HEX #3DB25D

RGB 61 178 93

HSL 136.41, 0.49%, 0.47%

LAB 64.66, -51.18, 33.97

 

CMYK 60 / 0 / 43 / 23

HEX #4EC470

RGB 78 196 112

HSL 137.29, 0.5%, 0.54%

LAB 71.06, -51.48, 32.51

 

CMYK 56 / 0 / 39 / 16

HEX #5FD683

RGB 95 214 131

HSL 138.15, 0.59%, 0.61%

LAB 77.38, -51.56, 31.13

 

CMYK 52 / 0 / 35 / 9

HEX #70E896

RGB 112 232 150

HSL 139, 0.72%, 0.67%

LAB 83.63, -51.52, 29.84

 

CMYK 48 / 0 / 32 / 2

HEX #81FAA9

RGB 129 250 169

HSL 139.83, 0.92%, 0.74%

LAB 89.81, -51.39, 28.62

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 76 / 0 / 51 / 37

HEX #27A04F

RGB 39 160 79

HSL 139.83, 0.61%, 0.39%

LAB 58.17, -50.58, 32.9

 

CMYK 85 / 0 / 58 / 44

HEX #168E3C

RGB 22 142 60

HSL 139, 0.73%, 0.32%

LAB 51.66, -49.31, 34.54

 

CMYK 96 / 0 / 67 / 51

HEX #057C29

RGB 5 124 41

HSL 138.15, 0.92%, 0.25%

LAB 45.09, -47.26, 36.12

 

CMYK 100 / 0 / 79 / 58

HEX #006A16

RGB 0 106 22

HSL 132.45, 1%, 0.21%

LAB 38.49, -43.87, 37.25

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 69 / 0 / 63 / 30

HEX #38B241

RGB 56 178 65

HSL 124.43, 0.52%, 0.46%

LAB 64.21, -55.95, 46.85

 

CMYK 55 / 0 / 69 / 30

HEX #50B238

RGB 80 178 56

HSL 108.2, 0.52%, 0.46%

LAB 64.83, -51.29, 51.53

 

CMYK 37 / 0 / 69 / 30

HEX #70B238

RGB 112 178 56

HSL 92.46, 0.52%, 0.46%

LAB 66.19, -41.27, 53.38

 

CMYK 19 / 0 / 69 / 30

HEX #91B238

RGB 145 178 56

HSL 76.23, 0.52%, 0.46%

LAB 68.13, -28.7, 56

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 69 / 0 / 26 / 30

HEX #38B283

RGB 56 178 131

HSL 156.89, 0.52%, 0.46%

LAB 65.22, -44.72, 14.44

 

CMYK 69 / 0 / 8 / 30

HEX #38B2A4

RGB 56 178 164

HSL 173.11, 0.52%, 0.46%

LAB 66.03, -36.44, -2.6

 

CMYK 69 / 11 / 0 / 30

HEX #389FB2

RGB 56 159 178

HSL 189.34, 0.52%, 0.46%

LAB 60.65, -23.09, -18.48

 

CMYK 69 / 29 / 0 / 30

HEX #387EB2

RGB 56 126 178

HSL 205.57, 0.52%, 0.46%

LAB 50.66, -4.91, -33.91

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 81 / 0 / 53 / 23

HEX #25C55C

RGB 37 197 92

HSL 140.63, 0.68%, 0.46%

LAB 70.24, -61.71, 41.29

 

CMYK 92 / 0 / 60 / 15

HEX #12D856

RGB 18 216 86

HSL 140.61, 0.85%, 0.46%

LAB 76.02, -70.04, 50.86

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 53 / 0 / 35 / 38

HEX #4B9F68

RGB 75 159 104

HSL 140.71, 0.36%, 0.46%

LAB 59.24, -38.27, 21.14

 

CMYK 33 / 0 / 21 / 45

HEX #5E8C6E

RGB 94 140 110

HSL 140.87, 0.2%, 0.46%

LAB 54.3, -22.38, 11.12

 

CMYK 7 / 0 / 4 / 53

HEX #717974

RGB 113 121 116

HSL 142.5, 0.03%, 0.46%

LAB 50.03, -4.02, 1.7

 

CMYK 0 / 23 / 8 / 48

HEX #846679

RGB 132 102 121

HSL 322, 0.13%, 0.46%

LAB 46.7, 15.38, -5.98

 

CMYK 55 / 0 / 69 / 30

HEX #50B238

RGB 80 178 56

HSL 108.2, 0.52%, 0.46%

LAB 64.83, -51.29, 51.53

 

CMYK 69 / 0 / 64 / 30

HEX #38B240

RGB 56 178 64

HSL 123.93, 0.52%, 0.46%

LAB 64.2, -56.06, 47.28

 

CMYK 69 / 0 / 46 / 30

HEX #38B260

RGB 56 178 96

HSL 139.67, 0.52%, 0.46%

LAB 64.58, -51.63, 32.31

 

CMYK 69 / 0 / 28 / 30

HEX #38B281

RGB 56 178 129

HSL 155.9, 0.52%, 0.46%

LAB 65.17, -45.17, 15.48

 

CMYK 69 / 0 / 9 / 30

HEX #38B2A2

RGB 56 178 162

HSL 172.13, 0.52%, 0.46%

LAB 65.97, -36.99, -1.58

 

CMYK 69 / 0 / 45 / 55

HEX #24733F

RGB 36 115 63

HSL 140.51, 0.52%, 0.3%

LAB 42.76, -36.39, 21.95

 

CMYK 68 / 0 / 45 / 43

HEX #2E9251

RGB 46 146 81

HSL 141, 0.52%, 0.38%

LAB 53.74, -43.72, 26.26

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 61 / 0 / 40 / 22

HEX #4DC676

RGB 77 198 118

HSL 140.33, 0.51%, 0.54%

LAB 71.74, -51.45, 30.31

 

CMYK 48 / 0 / 32 / 18

HEX #6CD08E

RGB 108 208 142

HSL 140.4, 0.52%, 0.62%

LAB 76.22, -43.9, 23.96

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 69 / 37 / 0 / 30

HEX #3871B2

RGB 56 113 178

HSL 211.97, 0.52%, 0.46%

LAB 46.8, 2.91, -40

 

CMYK 0 / 69 / 64 / 30

HEX #B23840

RGB 178 56 64

HSL 356.07, 0.52%, 0.46%

LAB 42.25, 49.74, 23.47

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 46 / 69 / 0 / 30

HEX #6038B2

RGB 96 56 178

HSL 259.67, 0.52%, 0.46%

LAB 35.06, 45.67, -58.71

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 69 / 37 / 0 / 30

HEX #3871B2

RGB 56 113 178

HSL 211.97, 0.52%, 0.46%

LAB 46.8, 2.91, -40

 

CMYK 0 / 69 / 23 / 30

HEX #B23889

RGB 178 56 137

HSL 320.16, 0.52%, 0.46%

LAB 44.38, 57.06, -18.55

 

CMYK 0 / 32 / 69 / 30

HEX #B27938

RGB 178 121 56

HSL 31.97, 0.52%, 0.46%

LAB 55.51, 15.98, 43.56

 

CMYK 69 / 0 / 45 / 30

HEX #38B262

RGB 56 178 98

HSL 140.66, 0.52%, 0.46%

LAB 64.61, -51.3, 31.31

 

CMYK 69 / 57 / 0 / 30

HEX #384CB2

RGB 56 76 178

HSL 230.16, 0.52%, 0.46%

LAB 36.41, 26.66, -56.66

 

CMYK 0 / 69 / 23 / 30

HEX #B23889

RGB 178 56 137

HSL 320.16, 0.52%, 0.46%

LAB 44.38, 57.06, -18.55

 

CMYK 0 / 12 / 69 / 30

HEX #B29D38

RGB 178 157 56

HSL 49.67, 0.52%, 0.46%

LAB 64.85, -3.85, 53.47

 

Description

Color code: HEX #38B262 | qconv.com Color code: HEX #38B262 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 178 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 178 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 45 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 45% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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