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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B125 it is the complementary color #C74EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B125 shade: #3DB120, #4EC333, #5FD546, #70E759 and #81F96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B125 shade: #38B125, #279F12, #168D00, #057B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B125 shade: #38B025, #5DB025, #83B025, #A9B025 and #B09225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B125 shade: #38B025, #25B038, #25B05D, #25B083 and #25B0A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B125 shade matches the following richer shades: #38B025, #2BC214 and #1FD302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B125 shade: #38B025, #459F36, #518E48, #5E7C59 and #6A6B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B125 shade: #84B025, #5FB025, #3AB025, #25B035 and #25B05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B125 shade: #226C17, #2D8E1E, #38B025, #43D22D and #61D94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B125 shade: #38B125, #25A9B0 and #B02572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B125 shade: #38B125, #253AB0 and #B0253A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B125 shade: #38B125, #25A9B0, #9B25B0 and #B02C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B125 shade: #38B125, #257FB0, #9B25B0 and #B05625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

Complementary color

CMYK 9 / 64 / 0 / 15

HEX #C74EDA

RGB 199 78 218

HSL 291.86, 0.65%, 0.58%

LAB 54.71, 66.53, -49.58

 

CMYK 66 / 0 / 82 / 31

HEX #3DB120

RGB 61 177 32

HSL 108, 0.69%, 0.41%

LAB 63.79, -57.27, 58.59

 

CMYK 60 / 0 / 74 / 24

HEX #4EC333

RGB 78 195 51

HSL 108.75, 0.59%, 0.48%

LAB 70.1, -58.39, 58.82

 

CMYK 55 / 0 / 67 / 16

HEX #5FD546

RGB 95 213 70

HSL 109.51, 0.63%, 0.55%

LAB 76.35, -59.09, 58.35

 

CMYK 52 / 0 / 61 / 9

HEX #70E759

RGB 112 231 89

HSL 110.28, 0.75%, 0.63%

LAB 82.55, -59.5, 57.5

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 75 / 0 / 89 / 38

HEX #279F12

RGB 39 159 18

HSL 111.06, 0.8%, 0.35%

LAB 57.34, -56.25, 56.06

 

CMYK 84 / 0 / 100 / 45

HEX #168D00

RGB 22 141 0

HSL 110.64, 1%, 0.28%

LAB 50.94, -53.65, 53.76

 

CMYK 96 / 0 / 100 / 52

HEX #057B00

RGB 5 123 0

HSL 117.56, 1%, 0.24%

LAB 44.52, -49.82, 48.54

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 68 / 0 / 79 / 31

HEX #38B025

RGB 56 176 37

HSL 111.8, 0.65%, 0.42%

LAB 63.36, -57.69, 56.68

 

CMYK 47 / 0 / 79 / 31

HEX #5DB025

RGB 93 176 37

HSL 95.83, 0.65%, 0.42%

LAB 64.57, -48.06, 58.25

 

CMYK 26 / 0 / 79 / 31

HEX #83B025

RGB 131 176 37

HSL 79.42, 0.65%, 0.42%

LAB 66.53, -34.43, 60.77

 

CMYK 4 / 0 / 79 / 31

HEX #A9B025

RGB 169 176 37

HSL 63.02, 0.65%, 0.42%

LAB 69.2, -18.59, 64.19

 

CMYK 0 / 17 / 79 / 31

HEX #B09225

RGB 176 146 37

HSL 47.05, 0.65%, 0.42%

LAB 61.59, 0.3, 57.57

 

CMYK 68 / 0 / 79 / 31

HEX #38B025

RGB 56 176 37

HSL 111.8, 0.65%, 0.42%

LAB 63.36, -57.69, 56.68

 

CMYK 79 / 0 / 68 / 31

HEX #25B038

RGB 37 176 56

HSL 128.2, 0.65%, 0.42%

LAB 63.12, -59.3, 49.39

 

CMYK 79 / 0 / 47 / 31

HEX #25B05D

RGB 37 176 93

HSL 144.17, 0.65%, 0.42%

LAB 63.54, -54.3, 32.44

 

CMYK 79 / 0 / 26 / 31

HEX #25B083

RGB 37 176 131

HSL 160.58, 0.65%, 0.42%

LAB 64.23, -46.52, 13.01

 

CMYK 79 / 0 / 5 / 31

HEX #25B0A8

RGB 37 176 168

HSL 176.55, 0.65%, 0.42%

LAB 65.18, -36.72, -6.12

 

CMYK 68 / 0 / 79 / 31

HEX #38B025

RGB 56 176 37

HSL 111.8, 0.65%, 0.42%

LAB 63.36, -57.69, 56.68

 

CMYK 78 / 0 / 90 / 24

HEX #2BC214

RGB 43 194 20

HSL 112.07, 0.81%, 0.42%

LAB 68.86, -66.33, 65.65

 

CMYK 85 / 0 / 99 / 17

HEX #1FD302

RGB 31 211 2

HSL 111.67, 0.98%, 0.42%

LAB 74.12, -72.97, 72.14

 

CMYK 68 / 0 / 79 / 31

HEX #38B025

RGB 56 176 37

HSL 111.8, 0.65%, 0.42%

LAB 63.36, -57.69, 56.68

 

CMYK 57 / 0 / 66 / 38

HEX #459F36

RGB 69 159 54

HSL 111.43, 0.49%, 0.42%

LAB 58.35, -47.18, 45.29

 

CMYK 43 / 0 / 49 / 44

HEX #518E48

RGB 81 142 72

HSL 112.29, 0.33%, 0.42%

LAB 53.56, -34.3, 31.09

 

CMYK 24 / 0 / 28 / 51

HEX #5E7C59

RGB 94 124 89

HSL 111.43, 0.16%, 0.42%

LAB 48.9, -18.07, 15.71

 

CMYK 1 / 0 / 1 / 58

HEX #6A6B6A

RGB 106 107 106

HSL 120, 0%, 0.42%

LAB 45.11, -0.59, 0.42

 

CMYK 25 / 0 / 79 / 31

HEX #84B025

RGB 132 176 37

HSL 78.99, 0.65%, 0.42%

LAB 66.59, -34.03, 60.85

 

CMYK 46 / 0 / 79 / 31

HEX #5FB025

RGB 95 176 37

HSL 94.96, 0.65%, 0.42%

LAB 64.66, -47.43, 58.36

 

CMYK 67 / 0 / 79 / 31

HEX #3AB025

RGB 58 176 37

HSL 110.94, 0.65%, 0.42%

LAB 63.41, -57.28, 56.74

 

CMYK 79 / 0 / 70 / 31

HEX #25B035

RGB 37 176 53

HSL 126.91, 0.65%, 0.42%

LAB 63.1, -59.6, 50.58

 

CMYK 79 / 0 / 49 / 31

HEX #25B05A

RGB 37 176 90

HSL 142.88, 0.65%, 0.42%

LAB 63.49, -54.8, 33.93

 

CMYK 69 / 0 / 79 / 58

HEX #226C17

RGB 34 108 23

HSL 112.24, 0.65%, 0.26%

LAB 39.79, -39.47, 38.36

 

CMYK 68 / 0 / 79 / 44

HEX #2D8E1E

RGB 45 142 30

HSL 111.96, 0.65%, 0.34%

LAB 51.83, -48.81, 47.76

 

CMYK 68 / 0 / 79 / 31

HEX #38B025

RGB 56 176 37

HSL 111.8, 0.65%, 0.42%

LAB 63.36, -57.69, 56.68

 

CMYK 68 / 0 / 79 / 18

HEX #43D22D

RGB 67 210 45

HSL 112, 0.65%, 0.5%

LAB 74.49, -66.17, 64.94

 

CMYK 55 / 0 / 64 / 15

HEX #61D94F

RGB 97 217 79

HSL 112.17, 0.64%, 0.58%

LAB 77.72, -59.21, 56.19

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 79 / 4 / 0 / 31

HEX #25A9B0

RGB 37 169 176

HSL 183.02, 0.65%, 0.42%

LAB 63.26, -31.04, -13.44

 

CMYK 0 / 79 / 35 / 31

HEX #B02572

RGB 176 37 114

HSL 326.76, 0.65%, 0.42%

LAB 40.85, 60.12, -9.8

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 79 / 67 / 0 / 31

HEX #253AB0

RGB 37 58 176

HSL 230.94, 0.65%, 0.42%

LAB 30.77, 35.33, -64.73

 

CMYK 0 / 79 / 67 / 31

HEX #B0253A

RGB 176 37 58

HSL 350.94, 0.65%, 0.42%

LAB 39.34, 55.49, 23.42

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 79 / 4 / 0 / 31

HEX #25A9B0

RGB 37 169 176

HSL 183.02, 0.65%, 0.42%

LAB 63.26, -31.04, -13.44

 

CMYK 12 / 79 / 0 / 31

HEX #9B25B0

RGB 155 37 176

HSL 290.94, 0.65%, 0.42%

LAB 40.29, 64.44, -48.68

 

CMYK 0 / 75 / 79 / 31

HEX #B02C25

RGB 176 44 37

HSL 3.02, 0.65%, 0.42%

LAB 39.86, 52.3, 36.6

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 79 / 28 / 0 / 31

HEX #257FB0

RGB 37 127 176

HSL 201.15, 0.65%, 0.42%

LAB 50.34, -8.8, -33.29

 

CMYK 12 / 79 / 0 / 31

HEX #9B25B0

RGB 155 37 176

HSL 290.94, 0.65%, 0.42%

LAB 40.29, 64.44, -48.68

 

CMYK 0 / 51 / 79 / 31

HEX #B05625

RGB 176 86 37

HSL 21.15, 0.65%, 0.42%

LAB 47, 33.41, 43.81

 

Description

Color code: HEX #38B125 | qconv.com Color code: HEX #38B125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 177 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 177 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 79 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 79% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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