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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B7EA it is the complementary color #C74815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B7EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B7EA shade: #3DB7E5, #4EC9F8, #5FDBFF, #70EDFF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B7EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B7EA shade: #38B7EA, #27A5D7, #1693C4, #0581B1 and #006F9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B7EA shade: #38B7EA, #3887EA, #3857EA, #4938EA and #7938EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B7EA shade: #38B7EA, #3887EA, #3857EA and #3838EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B7EA shade matches the following richer shades: #38B7EA and #26BEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B7EA shade: #38B7EA, #4AAFD8, #5CA8C6, #6DA0B4 and #7F98A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B7EA shade: #38EABD, #38E7EA, #38B7EA, #3888EA and #3859EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B7EA shade: #138CBC, #17A7E1, #38B7EA, #5DC4EE and #83D2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B7EA shade: #38B7EA, #8E38EA and #EAD538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B7EA shade: #38B7EA, #EA38B7 and #B7EA38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B7EA shade: #38B7EA, #8E38EA, #EA6A38 and #94EA38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B7EA shade: #38B7EA, #C338EA, #EA6A38 and #5FEA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

Complementary color

CMYK 0 / 64 / 89 / 22

HEX #C74815

RGB 199 72 21

HSL 17.19, 0.81%, 0.43%

LAB 48.05, 48.54, 52.92

 

CMYK 73 / 20 / 0 / 10

HEX #3DB7E5

RGB 61 183 229

HSL 196.43, 0.76%, 0.57%

LAB 69.84, -18.56, -32.64

 

CMYK 69 / 19 / 0 / 3

HEX #4EC9F8

RGB 78 201 248

HSL 196.59, 0.92%, 0.64%

LAB 76.17, -19.6, -33.08

 

CMYK 63 / 14 / 0 / 0

HEX #5FDBFF

RGB 95 219 255

HSL 193.5, 1%, 0.69%

LAB 82.01, -24, -27.8

 

CMYK 56 / 7 / 0 / 0

HEX #70EDFF

RGB 112 237 255

HSL 187.55, 1%, 0.72%

LAB 87.6, -29.85, -19.26

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 82 / 23 / 0 / 16

HEX #27A5D7

RGB 39 165 215

HSL 197.05, 0.69%, 0.5%

LAB 63.55, -16, -34.73

 

CMYK 89 / 25 / 0 / 23

HEX #1693C4

RGB 22 147 196

HSL 196.9, 0.8%, 0.43%

LAB 57.1, -14.12, -34.17

 

CMYK 97 / 27 / 0 / 31

HEX #0581B1

RGB 5 129 177

HSL 196.74, 0.95%, 0.36%

LAB 50.58, -11.77, -33.53

 

CMYK 100 / 30 / 0 / 38

HEX #006F9E

RGB 0 111 158

HSL 197.85, 1%, 0.31%

LAB 44, -8.79, -32.76

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 76 / 42 / 0 / 8

HEX #3887EA

RGB 56 135 234

HSL 213.37, 0.81%, 0.57%

LAB 56.2, 9.79, -56.87

 

CMYK 76 / 63 / 0 / 8

HEX #3857EA

RGB 56 87 234

HSL 229.55, 0.81%, 0.57%

LAB 43.65, 39.74, -77.19

 

CMYK 69 / 76 / 0 / 8

HEX #4938EA

RGB 73 56 234

HSL 245.73, 0.81%, 0.57%

LAB 38.17, 58.92, -86.17

 

CMYK 48 / 76 / 0 / 8

HEX #7938EA

RGB 121 56 234

HSL 261.91, 0.81%, 0.57%

LAB 42.51, 64.48, -78.87

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 76 / 42 / 0 / 8

HEX #3887EA

RGB 56 135 234

HSL 213.37, 0.81%, 0.57%

LAB 56.2, 9.79, -56.87

 

CMYK 76 / 63 / 0 / 8

HEX #3857EA

RGB 56 87 234

HSL 229.55, 0.81%, 0.57%

LAB 43.65, 39.74, -77.19

 

CMYK 76 / 76 / 0 / 8

HEX #3838EA

RGB 56 56 234

HSL 240, 0.81%, 0.57%

LAB 37.13, 57.56, -87.92

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 85 / 24 / 0 / 2

HEX #26BEFB

RGB 38 190 251

HSL 197.18, 0.96%, 0.57%

LAB 72.36, -17.04, -40.66

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 66 / 19 / 0 / 15

HEX #4AAFD8

RGB 74 175 216

HSL 197.32, 0.65%, 0.57%

LAB 67.33, -16.7, -29.36

 

CMYK 54 / 15 / 0 / 22

HEX #5CA8C6

RGB 92 168 198

HSL 196.98, 0.48%, 0.57%

LAB 65.25, -15.11, -22.56

 

CMYK 39 / 11 / 0 / 29

HEX #6DA0B4

RGB 109 160 180

HSL 196.9, 0.32%, 0.57%

LAB 63.08, -11.73, -15.72

 

CMYK 22 / 7 / 0 / 36

HEX #7F98A3

RGB 127 152 163

HSL 198.33, 0.16%, 0.57%

LAB 61.32, -6.25, -8.68

 

CMYK 76 / 0 / 19 / 8

HEX #38EABD

RGB 56 234 189

HSL 164.83, 0.81%, 0.57%

LAB 83.63, -54.01, 9.42

 

CMYK 76 / 1 / 0 / 8

HEX #38E7EA

RGB 56 231 234

HSL 181.01, 0.81%, 0.57%

LAB 83.93, -40.87, -13.87

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 76 / 42 / 0 / 8

HEX #3888EA

RGB 56 136 234

HSL 213.03, 0.81%, 0.57%

LAB 56.48, 9.18, -56.42

 

CMYK 76 / 62 / 0 / 8

HEX #3859EA

RGB 56 89 234

HSL 228.88, 0.81%, 0.57%

LAB 44.13, 38.5, -76.41

 

CMYK 90 / 26 / 0 / 26

HEX #138CBC

RGB 19 140 188

HSL 197.04, 0.82%, 0.41%

LAB 54.58, -13.3, -33.57

 

CMYK 90 / 26 / 0 / 12

HEX #17A7E1

RGB 23 167 225

HSL 197.23, 0.81%, 0.49%

LAB 64.37, -14.66, -38.99

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 61 / 18 / 0 / 7

HEX #5DC4EE

RGB 93 196 238

HSL 197.38, 0.81%, 0.65%

LAB 74.81, -17.72, -29.76

 

CMYK 46 / 13 / 0 / 5

HEX #83D2F2

RGB 131 210 242

HSL 197.3, 0.81%, 0.73%

LAB 80.36, -16, -23.29

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 39 / 76 / 0 / 8

HEX #8E38EA

RGB 142 56 234

HSL 268.99, 0.81%, 0.57%

LAB 44.97, 67.58, -74.75

 

CMYK 0 / 9 / 76 / 8

HEX #EAD538

RGB 234 213 56

HSL 52.92, 0.81%, 0.57%

LAB 84.67, -8.76, 74.39

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 0 / 76 / 22 / 8

HEX #EA38B7

RGB 234 56 183

HSL 317.19, 0.81%, 0.57%

LAB 55.83, 76.88, -27.39

 

CMYK 22 / 0 / 76 / 8

HEX #B7EA38

RGB 183 234 56

HSL 77.19, 0.81%, 0.57%

LAB 86.6, -39.53, 74.81

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 39 / 76 / 0 / 8

HEX #8E38EA

RGB 142 56 234

HSL 268.99, 0.81%, 0.57%

LAB 44.97, 67.58, -74.75

 

CMYK 0 / 55 / 76 / 8

HEX #EA6A38

RGB 234 106 56

HSL 16.85, 0.81%, 0.57%

LAB 59.97, 46.63, 50.61

 

CMYK 37 / 0 / 76 / 8

HEX #94EA38

RGB 148 234 56

HSL 88.99, 0.81%, 0.57%

LAB 84.7, -52.17, 72.35

 

CMYK 76 / 22 / 0 / 8

HEX #38B7EA

RGB 56 183 234

HSL 197.19, 0.81%, 0.57%

LAB 69.93, -17.49, -35.22

 

CMYK 17 / 76 / 0 / 8

HEX #C338EA

RGB 195 56 234

HSL 286.85, 0.81%, 0.57%

LAB 52.25, 76.62, -62.59

 

CMYK 0 / 55 / 76 / 8

HEX #EA6A38

RGB 234 106 56

HSL 16.85, 0.81%, 0.57%

LAB 59.97, 46.63, 50.61

 

CMYK 59 / 0 / 76 / 8

HEX #5FEA38

RGB 95 234 56

HSL 106.85, 0.81%, 0.57%

LAB 82.68, -67.46, 69.71

 

Description

Color code: HEX #38B7EA | qconv.com Color code: HEX #38B7EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 183 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 183 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 22 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 22% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Suonper · Crea tu en...
Link: http://www.suonper.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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