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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38AC4F it is the complementary color #C753B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38AC4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38AC4F shade: #3DAC4A, #4EBE5D, #5FD070, #70E283 and #81F496

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38AC4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38AC4F shade: #38AC4F, #279A3C, #168829, #057616 and #006403

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38AC4F shade: #38AD4F, #40AD38, #60AD38, #7FAD38 and #9FAD38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38AC4F shade: #38AD4F, #38AD6F, #38AD8E, #38ACAD and #388CAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38AC4F shade matches the following richer shades: #38AD4F, #25BF44, #13D239 and #00E42D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38AC4F shade: #38AD4F, #4A9A5A, #5D8865, #6F7571 and #82637C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38AC4F shade: #61AD38, #41AD38, #38AD4D, #38AD6C and #38AD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38AC4F shade: #246E32, #2E8E41, #38AD4F, #4AC462 and #69CE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38AC4F shade: #38AC4F, #3880AD and #AD3851

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38AC4F shade: #38AC4F, #4D38AD and #AD4D38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38AC4F shade: #38AC4F, #3880AD, #AD3897 and #AD6538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38AC4F shade: #38AC4F, #385DAD, #AD3897 and #AD8838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

Complementary color

CMYK 0 / 58 / 12 / 22

HEX #C753B0

RGB 199 83 176

HSL 311.9, 0.51%, 0.55%

LAB 53.45, 57.24, -27.44

 

CMYK 65 / 0 / 57 / 33

HEX #3DAC4A

RGB 61 172 74

HSL 127.03, 0.48%, 0.46%

LAB 62.5, -51.7, 40.76

 

CMYK 59 / 0 / 51 / 25

HEX #4EBE5D

RGB 78 190 93

HSL 128.04, 0.46%, 0.53%

LAB 68.92, -52.09, 39.38

 

CMYK 54 / 0 / 46 / 18

HEX #5FD070

RGB 95 208 112

HSL 129.03, 0.55%, 0.59%

LAB 75.27, -52.23, 38.01

 

CMYK 50 / 0 / 42 / 11

HEX #70E283

RGB 112 226 131

HSL 130, 0.66%, 0.66%

LAB 81.55, -52.22, 36.69

 

CMYK 47 / 0 / 39 / 4

HEX #81F496

RGB 129 244 150

HSL 130.96, 0.84%, 0.73%

LAB 87.76, -52.12, 35.43

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 75 / 0 / 61 / 40

HEX #279A3C

RGB 39 154 60

HSL 130.96, 0.6%, 0.38%

LAB 55.96, -51.17, 39.65

 

CMYK 84 / 0 / 70 / 47

HEX #168829

RGB 22 136 41

HSL 130, 0.72%, 0.31%

LAB 49.42, -49.66, 40.9

 

CMYK 96 / 0 / 81 / 54

HEX #057616

RGB 5 118 22

HSL 129.03, 0.92%, 0.24%

LAB 42.83, -47.2, 41.54

 

CMYK 100 / 0 / 97 / 61

HEX #006403

RGB 0 100 3

HSL 121.8, 1%, 0.2%

LAB 36.22, -43.21, 40.98

 

CMYK 68 / 0 / 54 / 32

HEX #38AD4F

RGB 56 173 79

HSL 131.79, 0.51%, 0.45%

LAB 62.75, -52.4, 38.61

 

CMYK 63 / 0 / 68 / 32

HEX #40AD38

RGB 64 173 56

HSL 115.9, 0.51%, 0.45%

LAB 62.73, -53.44, 49.14

 

CMYK 45 / 0 / 68 / 32

HEX #60AD38

RGB 96 173 56

HSL 99.49, 0.51%, 0.45%

LAB 63.88, -44.57, 50.72

 

CMYK 27 / 0 / 68 / 32

HEX #7FAD38

RGB 127 173 56

HSL 83.59, 0.51%, 0.45%

LAB 65.5, -33.49, 52.92

 

CMYK 8 / 0 / 68 / 32

HEX #9FAD38

RGB 159 173 56

HSL 67.18, 0.51%, 0.45%

LAB 67.68, -20.44, 55.86

 

CMYK 68 / 0 / 54 / 32

HEX #38AD4F

RGB 56 173 79

HSL 131.79, 0.51%, 0.45%

LAB 62.75, -52.4, 38.61

 

CMYK 68 / 0 / 36 / 32

HEX #38AD6F

RGB 56 173 111

HSL 148.21, 0.51%, 0.45%

LAB 63.24, -46.94, 22.62

 

CMYK 68 / 0 / 18 / 32

HEX #38AD8E

RGB 56 173 142

HSL 164.1, 0.51%, 0.45%

LAB 63.9, -39.96, 6.52

 

CMYK 68 / 1 / 0 / 32

HEX #38ACAD

RGB 56 172 173

HSL 180.51, 0.51%, 0.45%

LAB 64.45, -31.08, -9.95

 

CMYK 68 / 19 / 0 / 32

HEX #388CAD

RGB 56 140 173

HSL 196.92, 0.51%, 0.45%

LAB 54.67, -14.59, -24.8

 

CMYK 68 / 0 / 54 / 32

HEX #38AD4F

RGB 56 173 79

HSL 131.79, 0.51%, 0.45%

LAB 62.75, -52.4, 38.61

 

CMYK 81 / 0 / 64 / 25

HEX #25BF44

RGB 37 191 68

HSL 132.08, 0.68%, 0.45%

LAB 68.07, -62.84, 49.76

 

CMYK 91 / 0 / 73 / 18

HEX #13D239

RGB 19 210 57

HSL 131.94, 0.83%, 0.45%

LAB 73.89, -71.18, 60.21

 

CMYK 100 / 0 / 80 / 11

HEX #00E42D

RGB 0 228 45

HSL 131.84, 1%, 0.45%

LAB 79.43, -77.78, 69.34

 

CMYK 68 / 0 / 54 / 32

HEX #38AD4F

RGB 56 173 79

HSL 131.79, 0.51%, 0.45%

LAB 62.75, -52.4, 38.61

 

CMYK 52 / 0 / 42 / 40

HEX #4A9A5A

RGB 74 154 90

HSL 132, 0.35%, 0.45%

LAB 57.37, -38.89, 26.28

 

CMYK 32 / 0 / 26 / 47

HEX #5D8865

RGB 93 136 101

HSL 131.16, 0.19%, 0.45%

LAB 52.81, -22.46, 14.18

 

CMYK 5 / 0 / 3 / 54

HEX #6F7571

RGB 111 117 113

HSL 140, 0.03%, 0.45%

LAB 48.63, -3.09, 1.41

 

CMYK 0 / 24 / 5 / 49

HEX #82637C

RGB 130 99 124

HSL 311.61, 0.14%, 0.45%

LAB 45.8, 16.99, -9.13

 

CMYK 44 / 0 / 68 / 32

HEX #61AD38

RGB 97 173 56

HSL 98.97, 0.51%, 0.45%

LAB 63.93, -44.24, 50.78

 

CMYK 62 / 0 / 68 / 32

HEX #41AD38

RGB 65 173 56

HSL 115.38, 0.51%, 0.45%

LAB 62.76, -53.21, 49.18

 

CMYK 68 / 0 / 55 / 32

HEX #38AD4D

RGB 56 173 77

HSL 130.77, 0.51%, 0.45%

LAB 62.73, -52.68, 39.56

 

CMYK 68 / 0 / 38 / 32

HEX #38AD6C

RGB 56 173 108

HSL 146.67, 0.51%, 0.45%

LAB 63.19, -47.53, 24.16

 

CMYK 68 / 0 / 19 / 32

HEX #38AD8C

RGB 56 173 140

HSL 163.08, 0.51%, 0.45%

LAB 63.85, -40.45, 7.56

 

CMYK 67 / 0 / 55 / 57

HEX #246E32

RGB 36 110 50

HSL 131.35, 0.51%, 0.29%

LAB 40.83, -36.58, 26.72

 

CMYK 68 / 0 / 54 / 44

HEX #2E8E41

RGB 46 142 65

HSL 131.88, 0.51%, 0.37%

LAB 52.18, -44.79, 32.75

 

CMYK 68 / 0 / 54 / 32

HEX #38AD4F

RGB 56 173 79

HSL 131.79, 0.51%, 0.45%

LAB 62.75, -52.4, 38.61

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 49 / 0 / 39 / 19

HEX #69CE7D

RGB 105 206 125

HSL 131.88, 0.51%, 0.61%

LAB 75.22, -46.81, 31.43

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 68 / 26 / 0 / 32

HEX #3880AD

RGB 56 128 173

HSL 203.08, 0.51%, 0.45%

LAB 51.03, -7.81, -30.44

 

CMYK 0 / 68 / 53 / 32

HEX #AD3851

RGB 173 56 81

HSL 347.18, 0.51%, 0.45%

LAB 41.7, 49.35, 12.04

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 55 / 68 / 0 / 32

HEX #4D38AD

RGB 77 56 173

HSL 250.77, 0.51%, 0.45%

LAB 32.75, 40.82, -59.58

 

CMYK 0 / 55 / 68 / 32

HEX #AD4D38

RGB 173 77 56

HSL 10.77, 0.51%, 0.45%

LAB 44.91, 37.8, 31.31

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 68 / 26 / 0 / 32

HEX #3880AD

RGB 56 128 173

HSL 203.08, 0.51%, 0.45%

LAB 51.03, -7.81, -30.44

 

CMYK 0 / 68 / 13 / 32

HEX #AD3897

RGB 173 56 151

HSL 311.28, 0.51%, 0.45%

LAB 44.16, 57.76, -27.42

 

CMYK 0 / 42 / 68 / 32

HEX #AD6538

RGB 173 101 56

HSL 23.08, 0.51%, 0.45%

LAB 50.07, 24.98, 37.32

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 68 / 46 / 0 / 32

HEX #385DAD

RGB 56 93 173

HSL 221.03, 0.51%, 0.45%

LAB 40.71, 13.74, -46.76

 

CMYK 0 / 68 / 13 / 32

HEX #AD3897

RGB 173 56 151

HSL 311.28, 0.51%, 0.45%

LAB 44.16, 57.76, -27.42

 

CMYK 0 / 21 / 68 / 32

HEX #AD8838

RGB 173 136 56

HSL 41.03, 0.51%, 0.45%

LAB 58.77, 5.4, 46.93

 

Description

Color code: HEX #38AC4F | qconv.com Color code: HEX #38AC4F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 172 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 172 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 54 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 54% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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