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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389FE0 it is the complementary color #C7601F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389FE0 shade: #3D9FDB, #4EB1EE, #5FC3FF, #70D5FF and #81E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389FE0 shade: #389FE0, #278DCD, #167BBA, #0569A7 and #005794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389FE0 shade: #389FE0, #3872E0, #3844E0, #5938E0 and #8638E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389FE0 shade: #389FE0, #3872E0, #3844E0 and #3838E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389FE0 shade matches the following richer shades: #389FE0 and #25A3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389FE0 shade: #389FE0, #4B9BCD, #5D96BA, #7092A8 and #828E95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389FE0 shade: #38E0C6, #38CCE0, #389FE0, #3873E0 and #3846E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389FE0 shade: #1A73AB, #208BCE, #389FE0, #5CB0E5 and #7FC1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389FE0 shade: #389FE0, #9A38E0 and #E0DD38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389FE0 shade: #389FE0, #E0389F and #9FE038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389FE0 shade: #389FE0, #9A38E0, #E07838 and #7EE038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389FE0 shade: #389FE0, #CC38E0, #E07838 and #4CE038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

Complementary color

CMYK 0 / 52 / 84 / 22

HEX #C7601F

RGB 199 96 31

HSL 23.21, 0.73%, 0.45%

LAB 52.52, 37.3, 52.78

 

CMYK 72 / 27 / 0 / 14

HEX #3D9FDB

RGB 61 159 219

HSL 202.78, 0.69%, 0.55%

LAB 62.43, -8.92, -38.67

 

CMYK 67 / 26 / 0 / 7

HEX #4EB1EE

RGB 78 177 238

HSL 202.88, 0.82%, 0.62%

LAB 68.92, -10.08, -38.92

 

CMYK 63 / 24 / 0 / 0

HEX #5FC3FF

RGB 95 195 255

HSL 202.5, 1%, 0.69%

LAB 75.25, -11.64, -38.22

 

CMYK 56 / 16 / 0 / 0

HEX #70D5FF

RGB 112 213 255

HSL 197.62, 1%, 0.72%

LAB 80.88, -17.96, -29.48

 

CMYK 49 / 9 / 0 / 0

HEX #81E7FF

RGB 129 231 255

HSL 191.43, 1%, 0.75%

LAB 86.52, -23.55, -20.83

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 81 / 31 / 0 / 20

HEX #278DCD

RGB 39 141 205

HSL 203.13, 0.68%, 0.48%

LAB 55.98, -6.15, -40.99

 

CMYK 88 / 34 / 0 / 27

HEX #167BBA

RGB 22 123 186

HSL 203.05, 0.79%, 0.41%

LAB 49.35, -4.03, -40.64

 

CMYK 97 / 37 / 0 / 35

HEX #0569A7

RGB 5 105 167

HSL 202.96, 0.94%, 0.34%

LAB 42.65, -1.35, -40.2

 

CMYK 100 / 41 / 0 / 42

HEX #005794

RGB 0 87 148

HSL 204.73, 1%, 0.29%

LAB 35.9, 2.1, -39.62

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 75 / 49 / 0 / 12

HEX #3872E0

RGB 56 114 224

HSL 219.29, 0.73%, 0.55%

LAB 49.81, 19.11, -61.53

 

CMYK 75 / 70 / 0 / 12

HEX #3844E0

RGB 56 68 224

HSL 235.71, 0.73%, 0.55%

LAB 38.48, 47.75, -80.01

 

CMYK 60 / 75 / 0 / 12

HEX #5938E0

RGB 89 56 224

HSL 251.79, 0.73%, 0.55%

LAB 38.44, 57.66, -80

 

CMYK 40 / 75 / 0 / 12

HEX #8638E0

RGB 134 56 224

HSL 267.86, 0.73%, 0.55%

LAB 43.18, 63.99, -72.03

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 75 / 49 / 0 / 12

HEX #3872E0

RGB 56 114 224

HSL 219.29, 0.73%, 0.55%

LAB 49.81, 19.11, -61.53

 

CMYK 75 / 70 / 0 / 12

HEX #3844E0

RGB 56 68 224

HSL 235.71, 0.73%, 0.55%

LAB 38.48, 47.75, -80.01

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 85 / 33 / 0 / 5

HEX #25A3F2

RGB 37 163 242

HSL 203.12, 0.89%, 0.55%

LAB 64.16, -5.51, -48.65

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 63 / 24 / 0 / 20

HEX #4B9BCD

RGB 75 155 205

HSL 203.08, 0.57%, 0.55%

LAB 61.09, -9.19, -32.93

 

CMYK 50 / 19 / 0 / 27

HEX #5D96BA

RGB 93 150 186

HSL 203.23, 0.4%, 0.55%

LAB 59.6, -8.61, -24.48

 

CMYK 33 / 13 / 0 / 34

HEX #7092A8

RGB 112 146 168

HSL 203.57, 0.24%, 0.55%

LAB 58.82, -6.33, -15.38

 

CMYK 13 / 5 / 0 / 42

HEX #828E95

RGB 130 142 149

HSL 202.11, 0.08%, 0.55%

LAB 58.28, -2.84, -5.2

 

CMYK 75 / 0 / 12 / 12

HEX #38E0C6

RGB 56 224 198

HSL 170.71, 0.73%, 0.55%

LAB 80.87, -47.64, 0.67

 

CMYK 75 / 9 / 0 / 12

HEX #38CCE0

RGB 56 204 224

HSL 187.14, 0.73%, 0.55%

LAB 75.7, -31.26, -20.94

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 75 / 49 / 0 / 12

HEX #3873E0

RGB 56 115 224

HSL 218.93, 0.73%, 0.55%

LAB 50.08, 18.49, -61.09

 

CMYK 75 / 69 / 0 / 12

HEX #3846E0

RGB 56 70 224

HSL 235, 0.73%, 0.55%

LAB 38.9, 46.57, -79.3

 

CMYK 85 / 33 / 0 / 33

HEX #1A73AB

RGB 26 115 171

HSL 203.17, 0.74%, 0.39%

LAB 46.21, -4.65, -36.9

 

CMYK 84 / 33 / 0 / 19

HEX #208BCE

RGB 32 139 206

HSL 203.1, 0.73%, 0.47%

LAB 55.31, -5.24, -42.62

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 60 / 23 / 0 / 10

HEX #5CB0E5

RGB 92 176 229

HSL 203.21, 0.72%, 0.63%

LAB 68.74, -10.03, -34.26

 

CMYK 46 / 18 / 0 / 8

HEX #7FC1EB

RGB 127 193 235

HSL 203.33, 0.73%, 0.71%

LAB 75.23, -9.95, -27.38

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 31 / 75 / 0 / 12

HEX #9A38E0

RGB 154 56 224

HSL 275, 0.73%, 0.55%

LAB 45.74, 67.33, -67.74

 

CMYK 0 / 1 / 75 / 12

HEX #E0DD38

RGB 224 221 56

HSL 58.93, 0.73%, 0.55%

LAB 85.93, -16.94, 75.24

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 0 / 75 / 29 / 12

HEX #E0389F

RGB 224 56 159

HSL 323.21, 0.73%, 0.55%

LAB 53.14, 71.63, -17.61

 

CMYK 29 / 0 / 75 / 12

HEX #9FE038

RGB 159 224 56

HSL 83.21, 0.73%, 0.55%

LAB 82.36, -44.14, 70.32

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 31 / 75 / 0 / 12

HEX #9A38E0

RGB 154 56 224

HSL 275, 0.73%, 0.55%

LAB 45.74, 67.33, -67.74

 

CMYK 0 / 46 / 75 / 12

HEX #E07838

RGB 224 120 56

HSL 22.86, 0.73%, 0.55%

LAB 61.28, 35.8, 51.49

 

CMYK 44 / 0 / 75 / 12

HEX #7EE038

RGB 126 224 56

HSL 95, 0.73%, 0.55%

LAB 80.76, -55.38, 68.22

 

CMYK 75 / 29 / 0 / 12

HEX #389FE0

RGB 56 159 224

HSL 203.21, 0.73%, 0.55%

LAB 62.52, -7.83, -41.29

 

CMYK 9 / 75 / 0 / 12

HEX #CC38E0

RGB 204 56 224

HSL 292.86, 0.73%, 0.55%

LAB 53, 76.56, -55.67

 

CMYK 0 / 46 / 75 / 12

HEX #E07838

RGB 224 120 56

HSL 22.86, 0.73%, 0.55%

LAB 61.28, 35.8, 51.49

 

CMYK 66 / 0 / 75 / 12

HEX #4CE038

RGB 76 224 56

HSL 112.86, 0.73%, 0.55%

LAB 79.12, -68.24, 66.06

 

Description

Color code: HEX #389FE0 | qconv.com Color code: HEX #389FE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 159 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 159 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 29 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 29% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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