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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389A06 it is the complementary color #C765F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389A06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389A06 shade: #3D9A01, #4EAC14, #5FBE27, #70D03A and #81E24D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389A06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389A06 shade: #389A06, #278800, #167600, #056400 and #005200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389A06 shade: #379805, #5E9805, #869805, #988205 and #985B05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389A06 shade: #379805, #0F9805, #059823, #05984A and #059872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389A06 shade matches the following richer shades: #379805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389A06 shade: #379805, #3B8B12, #3F7E1F, #43722B and #476538

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389A06 shade: #879805, #609805, #389805, #119805 and #059820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389A06 shade: #1A4802, #287004, #379805, #45C006 and #54E808

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389A06 shade: #389A06, #059882 and #980573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389A06 shade: #389A06, #053898 and #980538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389A06 shade: #389A06, #059882, #650598 and #98051B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389A06 shade: #389A06, #058298, #650598 and #981B05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

Complementary color

CMYK 20 / 59 / 0 / 2

HEX #C765F9

RGB 199 101 249

HSL 279.73, 0.93%, 0.69%

LAB 60.15, 62.35, -58.26

 

CMYK 60 / 0 / 99 / 40

HEX #3D9A01

RGB 61 154 1

HSL 96.47, 0.99%, 0.3%

LAB 56.19, -50.39, 58.15

 

CMYK 55 / 0 / 88 / 33

HEX #4EAC14

RGB 78 172 20

HSL 97.11, 0.79%, 0.38%

LAB 62.66, -51.79, 60.67

 

CMYK 50 / 0 / 79 / 25

HEX #5FBE27

RGB 95 190 39

HSL 97.75, 0.66%, 0.45%

LAB 69.04, -52.76, 61.87

 

CMYK 46 / 0 / 72 / 18

HEX #70D03A

RGB 112 208 58

HSL 98.4, 0.61%, 0.52%

LAB 75.37, -53.38, 62.03

 

CMYK 43 / 0 / 66 / 11

HEX #81E24D

RGB 129 226 77

HSL 99.06, 0.72%, 0.59%

LAB 81.62, -53.76, 61.59

 

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

CMYK 71 / 0 / 100 / 47

HEX #278800

RGB 39 136 0

HSL 102.79, 1%, 0.27%

LAB 49.54, -49.34, 52.78

 

CMYK 81 / 0 / 100 / 54

HEX #167600

RGB 22 118 0

HSL 108.81, 1%, 0.23%

LAB 42.95, -46.45, 47.38

 

CMYK 95 / 0 / 100 / 61

HEX #056400

RGB 5 100 0

HSL 117, 1%, 0.2%

LAB 36.27, -42.81, 41.93

 

CMYK 100 / 0 / 100 / 68

HEX #005200

RGB 0 82 0

HSL 120, 1%, 0.16%

LAB 29.5, -37.8, 36.48

 

CMYK 64 / 0 / 97 / 40

HEX #379805

RGB 55 152 5

HSL 99.59, 0.94%, 0.31%

LAB 55.36, -51.09, 56.77

 

CMYK 38 / 0 / 97 / 40

HEX #5E9805

RGB 94 152 5

HSL 83.67, 0.94%, 0.31%

LAB 56.93, -39, 58.68

 

CMYK 12 / 0 / 97 / 40

HEX #869805

RGB 134 152 5

HSL 67.35, 0.94%, 0.31%

LAB 59.47, -22.6, 61.76

 

CMYK 0 / 14 / 97 / 40

HEX #988205

RGB 152 130 5

HSL 51.02, 0.94%, 0.31%

LAB 54.71, -2.72, 58.87

 

CMYK 0 / 40 / 97 / 40

HEX #985B05

RGB 152 91 5

HSL 35.1, 0.94%, 0.31%

LAB 44.47, 19.48, 51.52

 

CMYK 64 / 0 / 97 / 40

HEX #379805

RGB 55 152 5

HSL 99.59, 0.94%, 0.31%

LAB 55.36, -51.09, 56.77

 

CMYK 90 / 0 / 97 / 40

HEX #0F9805

RGB 15 152 5

HSL 115.92, 0.94%, 0.31%

LAB 54.63, -57.46, 55.86

 

CMYK 97 / 0 / 77 / 40

HEX #059823

RGB 5 152 35

HSL 132.24, 0.94%, 0.31%

LAB 54.67, -56.63, 48.62

 

CMYK 97 / 0 / 51 / 40

HEX #05984A

RGB 5 152 74

HSL 148.16, 0.94%, 0.31%

LAB 55.05, -51.82, 31.51

 

CMYK 97 / 0 / 25 / 40

HEX #059872

RGB 5 152 114

HSL 164.49, 0.94%, 0.31%

LAB 55.79, -43.33, 10.58

 

CMYK 64 / 0 / 97 / 40

HEX #379805

RGB 55 152 5

HSL 99.59, 0.94%, 0.31%

LAB 55.36, -51.09, 56.77

 

CMYK 64 / 0 / 97 / 40

HEX #379805

RGB 55 152 5

HSL 99.59, 0.94%, 0.31%

LAB 55.36, -51.09, 56.77

 

CMYK 58 / 0 / 87 / 45

HEX #3B8B12

RGB 59 139 18

HSL 99.67, 0.77%, 0.31%

LAB 51.2, -44.91, 50.86

 

CMYK 50 / 0 / 75 / 51

HEX #3F7E1F

RGB 63 126 31

HSL 99.79, 0.61%, 0.31%

LAB 47.08, -37.76, 42.91

 

CMYK 41 / 0 / 62 / 55

HEX #43722B

RGB 67 114 43

HSL 99.72, 0.45%, 0.31%

LAB 43.36, -29.95, 33.66

 

CMYK 30 / 0 / 45 / 60

HEX #476538

RGB 71 101 56

HSL 100, 0.29%, 0.31%

LAB 39.47, -20.27, 22.01

 

CMYK 11 / 0 / 97 / 40

HEX #879805

RGB 135 152 5

HSL 66.94, 0.94%, 0.31%

LAB 59.54, -22.16, 61.85

 

CMYK 37 / 0 / 97 / 40

HEX #609805

RGB 96 152 5

HSL 82.86, 0.94%, 0.31%

LAB 57.03, -38.25, 58.81

 

CMYK 63 / 0 / 97 / 40

HEX #389805

RGB 56 152 5

HSL 99.18, 0.94%, 0.31%

LAB 55.39, -50.85, 56.8

 

CMYK 89 / 0 / 97 / 40

HEX #119805

RGB 17 152 5

HSL 115.1, 0.94%, 0.31%

LAB 54.64, -57.3, 55.88

 

CMYK 97 / 0 / 79 / 40

HEX #059820

RGB 5 152 32

HSL 131.02, 0.94%, 0.31%

LAB 54.65, -56.86, 49.63

 

CMYK 64 / 0 / 97 / 72

HEX #1A4802

RGB 26 72 2

HSL 99.43, 0.95%, 0.15%

LAB 26.33, -28.87, 33.23

 

CMYK 64 / 0 / 96 / 56

HEX #287004

RGB 40 112 4

HSL 100, 0.93%, 0.23%

LAB 41.29, -40.5, 45.25

 

CMYK 64 / 0 / 97 / 40

HEX #379805

RGB 55 152 5

HSL 99.59, 0.94%, 0.31%

LAB 55.36, -51.09, 56.77

 

CMYK 64 / 0 / 97 / 25

HEX #45C006

RGB 69 192 6

HSL 99.68, 0.94%, 0.39%

LAB 68.74, -61.36, 67.65

 

CMYK 64 / 0 / 97 / 9

HEX #54E808

RGB 84 232 8

HSL 99.64, 0.93%, 0.47%

LAB 81.63, -70.97, 78.03

 

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

CMYK 97 / 0 / 14 / 40

HEX #059882

RGB 5 152 130

HSL 171.02, 0.94%, 0.31%

LAB 56.19, -39.05, 2.05

 

CMYK 0 / 97 / 24 / 40

HEX #980573

RGB 152 5 115

HSL 315.1, 0.94%, 0.31%

LAB 34.03, 61, -21.27

 

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

CMYK 97 / 63 / 0 / 40

HEX #053898

RGB 5 56 152

HSL 219.18, 0.94%, 0.31%

LAB 27.1, 25.26, -56.3

 

CMYK 0 / 97 / 63 / 40

HEX #980538

RGB 152 5 56

HSL 339.18, 0.94%, 0.31%

LAB 31.96, 55.52, 14.15

 

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

CMYK 97 / 0 / 14 / 40

HEX #059882

RGB 5 152 130

HSL 171.02, 0.94%, 0.31%

LAB 56.19, -39.05, 2.05

 

CMYK 34 / 97 / 0 / 40

HEX #650598

RGB 101 5 152

HSL 279.18, 0.94%, 0.31%

LAB 27.14, 58.38, -55.93

 

CMYK 0 / 97 / 82 / 40

HEX #98051B

RGB 152 5 27

HSL 351.02, 0.94%, 0.31%

LAB 31.49, 54.22, 32.23

 

CMYK 64 / 0 / 96 / 40

HEX #389A06

RGB 56 154 6

HSL 99.73, 0.93%, 0.31%

LAB 56.05, -51.52, 57.19

 

CMYK 97 / 14 / 0 / 40

HEX #058298

RGB 5 130 152

HSL 188.98, 0.94%, 0.31%

LAB 49.82, -21.45, -20.2

 

CMYK 34 / 97 / 0 / 40

HEX #650598

RGB 101 5 152

HSL 279.18, 0.94%, 0.31%

LAB 27.14, 58.38, -55.93

 

CMYK 0 / 82 / 97 / 40

HEX #981B05

RGB 152 27 5

HSL 8.98, 0.94%, 0.31%

LAB 32.85, 49.45, 44.05

 

Description

Color code: HEX #389A06 | qconv.com Color code: HEX #389A06 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 154 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 154 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 96 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 96% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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