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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38854E it is the complementary color #C77AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38854E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38854E shade: #3D8549, #4E975C, #5FA96F, #70BB82 and #81CD95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38854E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38854E shade: #38854E, #27733B, #166128, #054F15 and #003D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38854E shade: #37854D, #378538, #4B8537, #608537 and #758537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38854E shade: #37854D, #378562, #378577, #377D85 and #376885

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38854E shade matches the following richer shades: #37854D, #289447, #19A340 and #09B23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38854E shade: #37854D, #467554, #56665A, #655761 and #744767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38854E shade: #4B8537, #378538, #37854D, #378562 and #378576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38854E shade: #1F4A2B, #2B673C, #37854D, #43A25E and #56B872

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38854E shade: #38854E, #375F85 and #853740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38854E shade: #38854E, #4D3785 and #854D37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38854E shade: #38854E, #375F85, #85376F and #855D37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38854E shade: #38854E, #374885, #85376F and #857437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

Complementary color

CMYK 0 / 39 / 11 / 22

HEX #C77AB1

RGB 199 122 177

HSL 317.14, 0.41%, 0.63%

LAB 60.99, 37.94, -16.47

 

CMYK 54 / 0 / 45 / 48

HEX #3D8549

RGB 61 133 73

HSL 130, 0.37%, 0.38%

LAB 49.8, -36.2, 25.62

 

CMYK 48 / 0 / 39 / 41

HEX #4E975C

RGB 78 151 92

HSL 131.51, 0.32%, 0.45%

LAB 56.61, -36.09, 24.22

 

CMYK 44 / 0 / 34 / 34

HEX #5FA96F

RGB 95 169 111

HSL 132.97, 0.3%, 0.52%

LAB 63.31, -35.89, 22.93

 

CMYK 40 / 0 / 30 / 27

HEX #70BB82

RGB 112 187 130

HSL 134.4, 0.36%, 0.59%

LAB 69.89, -35.64, 21.74

 

CMYK 37 / 0 / 27 / 20

HEX #81CD95

RGB 129 205 149

HSL 135.79, 0.43%, 0.65%

LAB 76.37, -35.37, 20.63

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 66 / 0 / 49 / 55

HEX #27733B

RGB 39 115 59

HSL 135.79, 0.49%, 0.3%

LAB 42.78, -36.47, 24.23

 

CMYK 77 / 0 / 59 / 62

HEX #166128

RGB 22 97 40

HSL 134.4, 0.63%, 0.23%

LAB 35.74, -35.81, 25.87

 

CMYK 94 / 0 / 73 / 69

HEX #054F15

RGB 5 79 21

HSL 132.97, 0.88%, 0.16%

LAB 28.59, -34.27, 27.4

 

CMYK 100 / 0 / 97 / 76

HEX #003D02

RGB 0 61 2

HSL 121.97, 1%, 0.12%

LAB 21.36, -30.82, 28.05

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 59 / 0 / 58 / 48

HEX #378538

RGB 55 133 56

HSL 120.77, 0.41%, 0.37%

LAB 49.34, -40.39, 33.98

 

CMYK 44 / 0 / 59 / 48

HEX #4B8537

RGB 75 133 55

HSL 104.62, 0.41%, 0.37%

LAB 50.15, -34.46, 35.64

 

CMYK 28 / 0 / 59 / 48

HEX #608537

RGB 96 133 55

HSL 88.46, 0.41%, 0.37%

LAB 51.31, -26.7, 37.28

 

CMYK 12 / 0 / 59 / 48

HEX #758537

RGB 117 133 55

HSL 72.31, 0.41%, 0.37%

LAB 52.77, -17.97, 39.33

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 59 / 0 / 26 / 48

HEX #378562

RGB 55 133 98

HSL 153.08, 0.41%, 0.37%

LAB 50.06, -32.75, 11.81

 

CMYK 59 / 0 / 11 / 48

HEX #378577

RGB 55 133 119

HSL 169.23, 0.41%, 0.37%

LAB 50.59, -27.5, 0.37

 

CMYK 59 / 6 / 0 / 48

HEX #377D85

RGB 55 125 133

HSL 186.15, 0.41%, 0.37%

LAB 48.48, -19.36, -10.99

 

CMYK 59 / 22 / 0 / 48

HEX #376885

RGB 55 104 133

HSL 202.31, 0.41%, 0.37%

LAB 41.85, -7.5, -21.09

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 73 / 0 / 52 / 42

HEX #289447

RGB 40 148 71

HSL 137.22, 0.57%, 0.37%

LAB 54.12, -47.27, 32

 

CMYK 85 / 0 / 61 / 36

HEX #19A340

RGB 25 163 64

HSL 136.96, 0.73%, 0.37%

LAB 58.76, -55.56, 40.96

 

CMYK 95 / 0 / 67 / 30

HEX #09B23A

RGB 9 178 58

HSL 137.4, 0.9%, 0.37%

LAB 63.51, -62.14, 48.9

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 40 / 0 / 28 / 54

HEX #467554

RGB 70 117 84

HSL 137.87, 0.25%, 0.37%

LAB 45.17, -23.85, 13.27

 

CMYK 16 / 0 / 12 / 60

HEX #56665A

RGB 86 102 90

HSL 135, 0.09%, 0.37%

LAB 41.56, -8.7, 4.76

 

CMYK 0 / 14 / 4 / 60

HEX #655761

RGB 101 87 97

HSL 317.14, 0.07%, 0.37%

LAB 38.63, 7.68, -3.65

 

CMYK 0 / 39 / 11 / 55

HEX #744767

RGB 116 71 103

HSL 317.33, 0.24%, 0.37%

LAB 36.36, 24.45, -10.61

 

CMYK 44 / 0 / 59 / 48

HEX #4B8537

RGB 75 133 55

HSL 104.62, 0.41%, 0.37%

LAB 50.15, -34.46, 35.64

 

CMYK 59 / 0 / 58 / 48

HEX #378538

RGB 55 133 56

HSL 120.77, 0.41%, 0.37%

LAB 49.34, -40.39, 33.98

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 59 / 0 / 26 / 48

HEX #378562

RGB 55 133 98

HSL 153.08, 0.41%, 0.37%

LAB 50.06, -32.75, 11.81

 

CMYK 59 / 0 / 11 / 48

HEX #378576

RGB 55 133 118

HSL 168.46, 0.41%, 0.37%

LAB 50.56, -27.77, 0.91

 

CMYK 58 / 0 / 42 / 71

HEX #1F4A2B

RGB 31 74 43

HSL 136.74, 0.41%, 0.21%

LAB 27.75, -23.01, 14.1

 

CMYK 58 / 0 / 42 / 60

HEX #2B673C

RGB 43 103 60

HSL 137, 0.41%, 0.29%

LAB 38.8, -30.03, 18.54

 

CMYK 59 / 0 / 42 / 48

HEX #37854D

RGB 55 133 77

HSL 136.92, 0.41%, 0.37%

LAB 49.65, -37.08, 23.18

 

CMYK 59 / 0 / 42 / 36

HEX #43A25E

RGB 67 162 94

HSL 137.05, 0.41%, 0.45%

LAB 59.75, -43.37, 27.18

 

CMYK 53 / 0 / 38 / 28

HEX #56B872

RGB 86 184 114

HSL 137.14, 0.41%, 0.53%

LAB 67.63, -44.38, 27.03

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 59 / 29 / 0 / 48

HEX #375F85

RGB 55 95 133

HSL 209.23, 0.41%, 0.37%

LAB 39.05, -2.04, -25.44

 

CMYK 0 / 59 / 52 / 48

HEX #853740

RGB 133 55 64

HSL 353.08, 0.41%, 0.37%

LAB 34.17, 34.34, 11.33

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 42 / 59 / 0 / 48

HEX #4D3785

RGB 77 55 133

HSL 256.92, 0.41%, 0.37%

LAB 29.42, 29.21, -40.61

 

CMYK 0 / 42 / 59 / 48

HEX #854D37

RGB 133 77 55

HSL 16.92, 0.41%, 0.37%

LAB 38.85, 21.31, 23.09

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 59 / 29 / 0 / 48

HEX #375F85

RGB 55 95 133

HSL 209.23, 0.41%, 0.37%

LAB 39.05, -2.04, -25.44

 

CMYK 0 / 59 / 17 / 48

HEX #85376F

RGB 133 55 111

HSL 316.92, 0.41%, 0.37%

LAB 35.73, 40.52, -16.39

 

CMYK 0 / 30 / 59 / 48

HEX #855D37

RGB 133 93 55

HSL 29.23, 0.41%, 0.37%

LAB 42.9, 11.91, 28.12

 

CMYK 58 / 0 / 41 / 48

HEX #38854E

RGB 56 133 78

HSL 137.14, 0.41%, 0.37%

LAB 49.7, -36.64, 22.69

 

CMYK 59 / 46 / 0 / 48

HEX #374885

RGB 55 72 133

HSL 226.92, 0.41%, 0.37%

LAB 32.12, 12.84, -36.38

 

CMYK 0 / 59 / 17 / 48

HEX #85376F

RGB 133 55 111

HSL 316.92, 0.41%, 0.37%

LAB 35.73, 40.52, -16.39

 

CMYK 0 / 13 / 59 / 48

HEX #857437

RGB 133 116 55

HSL 46.92, 0.41%, 0.37%

LAB 49.2, -1.48, 35.6

 

Description

Color code: HEX #38854E | qconv.com Color code: HEX #38854E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 133 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 133 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 41 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 41% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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