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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #387CE5 it is the complementary color #C7831A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #387CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #387CE5 shade: #3D7CE0, #4E8EF3, #5FA0FF, #70B2FF and #81C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #387CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #387CE5 shade: #387CE5, #276AD2, #1658BF, #0546AC and #003499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #387CE5 shade: #387CE5, #384DE5, #5138E5, #8038E5 and #AE38E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #387CE5 shade: #387CE5, #384DE5 and #3838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #387CE5 shade matches the following richer shades: #387CE5 and #2678F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #387CE5 shade: #387CE5, #4A80D3, #5C84C0, #6E87AE and #818B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #387CE5 shade: #38D9E5, #38ABE5, #387DE5, #384FE5 and #4F38E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #387CE5 shade: #1754B3, #1C66D8, #387CE5, #5C94E9 and #81ACEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #387CE5 shade: #387CE5, #C238E5 and #C2E538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #387CE5 shade: #387CE5, #E5387D and #7DE538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #387CE5 shade: #387CE5, #C238E5, #E5A038 and #5AE538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #387CE5 shade: #387CE5, #E538D3, #E5A038 and #38E549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

Complementary color

CMYK 0 / 34 / 87 / 22

HEX #C7831A

RGB 199 131 26

HSL 36.42, 0.77%, 0.44%

LAB 60.29, 18.47, 60.94

 

CMYK 73 / 45 / 0 / 12

HEX #3D7CE0

RGB 61 124 224

HSL 216.81, 0.72%, 0.56%

LAB 52.72, 13.5, -56.84

 

CMYK 68 / 42 / 0 / 5

HEX #4E8EF3

RGB 78 142 243

HSL 216.73, 0.87%, 0.63%

LAB 59.38, 11.68, -56.73

 

CMYK 63 / 37 / 0 / 0

HEX #5FA0FF

RGB 95 160 255

HSL 215.63, 1%, 0.69%

LAB 65.59, 7.87, -53.39

 

CMYK 56 / 30 / 0 / 0

HEX #70B2FF

RGB 112 178 255

HSL 212.31, 1%, 0.72%

LAB 71.22, 0.78, -44.46

 

CMYK 49 / 23 / 0 / 0

HEX #81C4FF

RGB 129 196 255

HSL 208.1, 1%, 0.75%

LAB 76.9, -5.49, -35.55

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 81 / 50 / 0 / 18

HEX #276AD2

RGB 39 106 210

HSL 216.49, 0.69%, 0.49%

LAB 46.17, 17.15, -59.49

 

CMYK 88 / 54 / 0 / 25

HEX #1658BF

RGB 22 88 191

HSL 216.57, 0.79%, 0.42%

LAB 39.43, 20.16, -59.45

 

CMYK 97 / 59 / 0 / 33

HEX #0546AC

RGB 5 70 172

HSL 216.65, 0.94%, 0.35%

LAB 32.68, 23.82, -59.24

 

CMYK 100 / 66 / 0 / 40

HEX #003499

RGB 0 52 153

HSL 219.61, 1%, 0.3%

LAB 26.03, 28.21, -58.67

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 76 / 66 / 0 / 10

HEX #384DE5

RGB 56 77 229

HSL 232.72, 0.77%, 0.56%

LAB 40.91, 44.11, -78.86

 

CMYK 65 / 76 / 0 / 10

HEX #5138E5

RGB 81 56 229

HSL 248.67, 0.77%, 0.56%

LAB 38.26, 58.22, -83.16

 

CMYK 44 / 76 / 0 / 10

HEX #8038E5

RGB 128 56 229

HSL 264.97, 0.77%, 0.56%

LAB 42.88, 64.26, -75.4

 

CMYK 24 / 76 / 0 / 10

HEX #AE38E5

RGB 174 56 229

HSL 280.92, 0.77%, 0.56%

LAB 48.86, 71.88, -65.39

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 76 / 66 / 0 / 10

HEX #384DE5

RGB 56 77 229

HSL 232.72, 0.77%, 0.56%

LAB 40.91, 44.11, -78.86

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 85 / 51 / 0 / 3

HEX #2678F7

RGB 38 120 247

HSL 216.46, 0.93%, 0.56%

LAB 52.46, 22.25, -70.13

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 65 / 39 / 0 / 17

HEX #4A80D3

RGB 74 128 211

HSL 216.35, 0.61%, 0.56%

LAB 53.6, 8.4, -48.08

 

CMYK 52 / 31 / 0 / 25

HEX #5C84C0

RGB 92 132 192

HSL 216, 0.44%, 0.56%

LAB 54.64, 3.34, -35.59

 

CMYK 37 / 22 / 0 / 32

HEX #6E87AE

RGB 110 135 174

HSL 216.56, 0.28%, 0.56%

LAB 55.79, 0.96, -23.44

 

CMYK 17 / 11 / 0 / 39

HEX #818B9C

RGB 129 139 156

HSL 217.78, 0.12%, 0.56%

LAB 57.59, 0.08, -10.25

 

CMYK 76 / 5 / 0 / 10

HEX #38D9E5

RGB 56 217 229

HSL 184.16, 0.77%, 0.56%

LAB 79.68, -35.91, -17.6

 

CMYK 76 / 25 / 0 / 10

HEX #38ABE5

RGB 56 171 229

HSL 200.12, 0.77%, 0.56%

LAB 66.23, -12.74, -38.24

 

CMYK 76 / 45 / 0 / 10

HEX #387DE5

RGB 56 125 229

HSL 216.07, 0.77%, 0.56%

LAB 53.13, 14.09, -58.99

 

CMYK 76 / 66 / 0 / 10

HEX #384FE5

RGB 56 79 229

HSL 232.02, 0.77%, 0.56%

LAB 41.36, 42.89, -78.11

 

CMYK 66 / 76 / 0 / 10

HEX #4F38E5

RGB 79 56 229

HSL 247.98, 0.77%, 0.56%

LAB 38.11, 58.01, -83.42

 

CMYK 87 / 53 / 0 / 30

HEX #1754B3

RGB 23 84 179

HSL 216.54, 0.77%, 0.4%

LAB 37.44, 18.1, -55.64

 

CMYK 87 / 53 / 0 / 15

HEX #1C66D8

RGB 28 102 216

HSL 216.38, 0.77%, 0.48%

LAB 45.23, 21.2, -64.44

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 61 / 36 / 0 / 9

HEX #5C94E9

RGB 92 148 233

HSL 216.17, 0.76%, 0.64%

LAB 61.08, 7.1, -48.46

 

CMYK 46 / 28 / 0 / 7

HEX #81ACEE

RGB 129 172 238

HSL 216.33, 0.76%, 0.72%

LAB 69.71, 2.84, -37.52

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 15 / 76 / 0 / 10

HEX #C238E5

RGB 194 56 229

HSL 287.86, 0.77%, 0.56%

LAB 51.79, 75.53, -60.53

 

CMYK 15 / 0 / 76 / 10

HEX #C2E538

RGB 194 229 56

HSL 72.14, 0.77%, 0.56%

LAB 85.9, -32.99, 74.41

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 0 / 76 / 45 / 10

HEX #E5387D

RGB 229 56 125

HSL 336.07, 0.77%, 0.56%

LAB 52.91, 69.45, 2.4

 

CMYK 45 / 0 / 76 / 10

HEX #7DE538

RGB 125 229 56

HSL 96.07, 0.77%, 0.56%

LAB 82.21, -57.6, 69.61

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 15 / 76 / 0 / 10

HEX #C238E5

RGB 194 56 229

HSL 287.86, 0.77%, 0.56%

LAB 51.79, 75.53, -60.53

 

CMYK 0 / 30 / 76 / 10

HEX #E5A038

RGB 229 160 56

HSL 36.07, 0.77%, 0.56%

LAB 70.93, 16.72, 61.29

 

CMYK 61 / 0 / 76 / 10

HEX #5AE538

RGB 90 229 56

HSL 108.21, 0.77%, 0.56%

LAB 81.01, -66.92, 68.04

 

CMYK 76 / 46 / 0 / 10

HEX #387CE5

RGB 56 124 229

HSL 216.42, 0.77%, 0.56%

LAB 52.85, 14.71, -59.44

 

CMYK 0 / 76 / 8 / 10

HEX #E538D3

RGB 229 56 211

HSL 306.24, 0.77%, 0.56%

LAB 56.28, 79.55, -42.83

 

CMYK 0 / 30 / 76 / 10

HEX #E5A038

RGB 229 160 56

HSL 36.07, 0.77%, 0.56%

LAB 70.93, 16.72, 61.29

 

CMYK 76 / 0 / 68 / 10

HEX #38E549

RGB 56 229 73

HSL 125.9, 0.77%, 0.56%

LAB 80.38, -71.81, 61.19

 

Description

Color code: HEX #387CE5 | qconv.com Color code: HEX #387CE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 124 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 124 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 46 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 46% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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