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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #385A6F it is the complementary color #C7A590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #385A6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #385A6F shade: #3D5A6A, #4E6C7D, #5F7E90, #7090A3 and #81A2B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #385A6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #385A6F shade: #385A6F, #27485C, #163649, #052436 and #001223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #385A6F shade: #385A6F, #384B6F, #383C6F, #42386F and #51386F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #385A6F shade: #385A6F, #384B6F, #383C6F and #38386F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #385A6F shade matches the following richer shades: #385A6F, #2A5D7D, #1D618B, #0F6498 and #0167A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #385A6F shade: #385A6F, #455762, #535454, #615147 and #6E4D39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #385A6F shade: #386F66, #386A6F, #385B6F, #384C6F and #383D6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #385A6F shade: #1C2E39, #2A4454, #385A6F, #46708B and #5487A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #385A6F shade: #385A6F, #57386F and #6F6E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #385A6F shade: #385A6F, #6F385B and #5B6F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #385A6F shade: #385A6F, #57386F, #6F4C38 and #506F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #385A6F shade: #385A6F, #68386F, #6F4C38 and #3F6F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

Complementary color

CMYK 0 / 17 / 28 / 22

HEX #C7A590

RGB 199 165 144

HSL 22.91, 0.33%, 0.67%

LAB 70.22, 9.32, 15.55

 

CMYK 42 / 15 / 0 / 58

HEX #3D5A6A

RGB 61 90 106

HSL 201.33, 0.27%, 0.33%

LAB 36.64, -6.12, -12.55

 

CMYK 38 / 14 / 0 / 51

HEX #4E6C7D

RGB 78 108 125

HSL 201.7, 0.23%, 0.4%

LAB 43.98, -6.28, -12.92

 

CMYK 34 / 13 / 0 / 44

HEX #5F7E90

RGB 95 126 144

HSL 202.04, 0.21%, 0.47%

LAB 51.12, -6.4, -13.28

 

CMYK 31 / 12 / 0 / 36

HEX #7090A3

RGB 112 144 163

HSL 202.35, 0.22%, 0.54%

LAB 58.07, -6.5, -13.66

 

CMYK 29 / 11 / 0 / 29

HEX #81A2B6

RGB 129 162 182

HSL 202.64, 0.27%, 0.61%

LAB 64.87, -6.58, -14.03

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 58 / 22 / 0 / 64

HEX #27485C

RGB 39 72 92

HSL 202.64, 0.4%, 0.26%

LAB 29, -5.56, -15.51

 

CMYK 70 / 26 / 0 / 71

HEX #163649

RGB 22 54 73

HSL 202.35, 0.54%, 0.19%

LAB 21.17, -4.83, -15.22

 

CMYK 91 / 33 / 0 / 79

HEX #052436

RGB 5 36 54

HSL 202.04, 0.83%, 0.12%

LAB 12.99, -3.58, -14.92

 

CMYK 100 / 49 / 0 / 86

HEX #001223

RGB 0 18 35

HSL 209.14, 1%, 0.07%

LAB 5, -0.28, -13.47

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 50 / 32 / 0 / 56

HEX #384B6F

RGB 56 75 111

HSL 219.27, 0.33%, 0.33%

LAB 31.85, 3.48, -23.09

 

CMYK 50 / 46 / 0 / 56

HEX #383C6F

RGB 56 60 111

HSL 235.64, 0.33%, 0.33%

LAB 27.35, 13.49, -30.18

 

CMYK 41 / 50 / 0 / 56

HEX #42386F

RGB 66 56 111

HSL 250.91, 0.33%, 0.33%

LAB 27.11, 18.95, -30.51

 

CMYK 27 / 50 / 0 / 56

HEX #51386F

RGB 81 56 111

HSL 267.27, 0.33%, 0.33%

LAB 28.71, 23.42, -27.88

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 50 / 32 / 0 / 56

HEX #384B6F

RGB 56 75 111

HSL 219.27, 0.33%, 0.33%

LAB 31.85, 3.48, -23.09

 

CMYK 50 / 46 / 0 / 56

HEX #383C6F

RGB 56 60 111

HSL 235.64, 0.33%, 0.33%

LAB 27.35, 13.49, -30.18

 

CMYK 50 / 50 / 0 / 56

HEX #38386F

RGB 56 56 111

HSL 240, 0.33%, 0.33%

LAB 26.21, 16.21, -32.01

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 66 / 26 / 0 / 51

HEX #2A5D7D

RGB 42 93 125

HSL 203.13, 0.5%, 0.33%

LAB 37.48, -6.32, -23.05

 

CMYK 79 / 30 / 0 / 45

HEX #1D618B

RGB 29 97 139

HSL 202.91, 0.65%, 0.33%

LAB 39.03, -5.62, -29.19

 

CMYK 90 / 34 / 0 / 40

HEX #0F6498

RGB 15 100 152

HSL 202.77, 0.82%, 0.33%

LAB 40.38, -3.71, -34.89

 

CMYK 99 / 38 / 0 / 35

HEX #0167A6

RGB 1 103 166

HSL 202.91, 0.99%, 0.33%

LAB 41.94, -0.69, -40.75

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 30 / 11 / 0 / 62

HEX #455762

RGB 69 87 98

HSL 202.76, 0.17%, 0.33%

LAB 35.91, -4.03, -8.62

 

CMYK 1 / 0 / 0 / 67

HEX #535454

RGB 83 84 84

HSL 180, 0.01%, 0.33%

LAB 35.63, -0.4, -0.15

 

CMYK 0 / 16 / 27 / 62

HEX #615147

RGB 97 81 71

HSL 23.08, 0.15%, 0.33%

LAB 35.75, 4.9, 8.35

 

CMYK 0 / 30 / 48 / 57

HEX #6E4D39

RGB 110 77 57

HSL 22.64, 0.32%, 0.33%

LAB 35.83, 11.25, 17.38

 

CMYK 50 / 0 / 8 / 56

HEX #386F66

RGB 56 111 102

HSL 170.18, 0.33%, 0.33%

LAB 43.02, -20.61, -0.61

 

CMYK 50 / 5 / 0 / 56

HEX #386A6F

RGB 56 106 111

HSL 185.45, 0.33%, 0.33%

LAB 41.68, -15.35, -8.04

 

CMYK 50 / 18 / 0 / 56

HEX #385B6F

RGB 56 91 111

HSL 201.82, 0.33%, 0.33%

LAB 36.88, -6.61, -15.32

 

CMYK 50 / 32 / 0 / 56

HEX #384C6F

RGB 56 76 111

HSL 218.18, 0.33%, 0.33%

LAB 32.16, 2.83, -22.6

 

CMYK 50 / 45 / 0 / 56

HEX #383D6F

RGB 56 61 111

HSL 234.55, 0.33%, 0.33%

LAB 27.64, 12.82, -29.72

 

CMYK 51 / 19 / 0 / 78

HEX #1C2E39

RGB 28 46 57

HSL 202.76, 0.34%, 0.17%

LAB 17.9, -3.75, -9.32

 

CMYK 50 / 19 / 0 / 67

HEX #2A4454

RGB 42 68 84

HSL 202.86, 0.33%, 0.25%

LAB 27.48, -4.91, -12.67

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 50 / 19 / 0 / 45

HEX #46708B

RGB 70 112 139

HSL 203.48, 0.33%, 0.41%

LAB 45.3, -6.72, -19.33

 

CMYK 49 / 19 / 0 / 35

HEX #5487A6

RGB 84 135 166

HSL 202.68, 0.33%, 0.49%

LAB 53.99, -8.29, -21.73

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 22 / 50 / 0 / 56

HEX #57386F

RGB 87 56 111

HSL 273.82, 0.33%, 0.33%

LAB 29.42, 25.29, -26.71

 

CMYK 0 / 1 / 50 / 56

HEX #6F6E38

RGB 111 110 56

HSL 58.91, 0.33%, 0.33%

LAB 45.38, -7.99, 30.05

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 0 / 50 / 18 / 56

HEX #6F385B

RGB 111 56 91

HSL 321.82, 0.33%, 0.33%

LAB 31.72, 29.22, -10.08

 

CMYK 18 / 0 / 50 / 56

HEX #5B6F38

RGB 91 111 56

HSL 81.82, 0.33%, 0.33%

LAB 44.06, -17.35, 28.06

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 22 / 50 / 0 / 56

HEX #57386F

RGB 87 56 111

HSL 273.82, 0.33%, 0.33%

LAB 29.42, 25.29, -26.71

 

CMYK 0 / 32 / 50 / 56

HEX #6F4C38

RGB 111 76 56

HSL 21.82, 0.33%, 0.33%

LAB 35.66, 12.2, 17.8

 

CMYK 28 / 0 / 50 / 56

HEX #506F38

RGB 80 111 56

HSL 93.82, 0.33%, 0.33%

LAB 43.3, -21.9, 26.95

 

CMYK 50 / 19 / 0 / 56

HEX #385A6F

RGB 56 90 111

HSL 202.91, 0.33%, 0.33%

LAB 36.56, -6, -15.81

 

CMYK 6 / 50 / 0 / 56

HEX #68386F

RGB 104 56 111

HSL 292.36, 0.33%, 0.33%

LAB 31.62, 30.72, -23.1

 

CMYK 0 / 32 / 50 / 56

HEX #6F4C38

RGB 111 76 56

HSL 21.82, 0.33%, 0.33%

LAB 35.66, 12.2, 17.8

 

CMYK 43 / 0 / 50 / 56

HEX #3F6F38

RGB 63 111 56

HSL 112.36, 0.33%, 0.33%

LAB 42.32, -28.26, 25.53

 

Description

Color code: HEX #385A6F | qconv.com Color code: HEX #385A6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 90 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 90 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 19 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 19% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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