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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #384916 it is the complementary color #C7B6E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #384916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #384916 shade: #3D4911, #4E5B24, #5F6D37, #707F4A and #81915D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #384916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #384916 shade: #384916, #273703, #162500, #051300 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #384916 shade: #394A16, #474A16, #4A3F16, #4A3116 and #4A2316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #384916 shade: #394A16, #2B4A16, #1C4A16, #164A1D and #164A2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #384916 shade matches the following richer shades: #394A16, #3B520E and #3E5A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #384916 shade: #394A16, #36421E, #333A25, #31332D and #2E2B35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #384916 shade: #4A4016, #474A16, #394A16, #2B4A16 and #1D4A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #384916 shade: #080B03, #202A0C, #394A16, #516A1F and #698A29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #384916 shade: #384916, #164A32 and #47164A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #384916 shade: #384916, #16394A and #4A1639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #384916 shade: #384916, #164A32, #27164A and #4A162E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #384916 shade: #384916, #164A41, #27164A and #4A161F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

Complementary color

CMYK 15 / 22 / 0 / 9

HEX #C7B6E9

RGB 199 182 233

HSL 260, 0.54%, 0.81%

LAB 76.97, 15.9, -23.23

 

CMYK 16 / 0 / 77 / 71

HEX #3D4911

RGB 61 73 17

HSL 72.86, 0.62%, 0.18%

LAB 28.9, -13.87, 30.36

 

CMYK 14 / 0 / 60 / 64

HEX #4E5B24

RGB 78 91 36

HSL 74.18, 0.43%, 0.25%

LAB 36.42, -14.38, 29.5

 

CMYK 13 / 0 / 50 / 57

HEX #5F6D37

RGB 95 109 55

HSL 75.56, 0.33%, 0.32%

LAB 43.72, -14.66, 28.26

 

CMYK 12 / 0 / 42 / 50

HEX #707F4A

RGB 112 127 74

HSL 76.98, 0.26%, 0.39%

LAB 50.82, -14.82, 26.97

 

CMYK 11 / 0 / 36 / 43

HEX #81915D

RGB 129 145 93

HSL 78.46, 0.22%, 0.47%

LAB 57.76, -14.92, 25.74

 

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

CMYK 29 / 0 / 95 / 78

HEX #273703

RGB 39 55 3

HSL 78.46, 0.9%, 0.11%

LAB 20.71, -15.34, 27.4

 

CMYK 41 / 0 / 100 / 85

HEX #162500

RGB 22 37 0

HSL 84.32, 1%, 0.07%

LAB 12.57, -13.85, 18.29

 

CMYK 74 / 0 / 100 / 93

HEX #051300

RGB 5 19 0

HSL 104.21, 1%, 0.04%

LAB 4.5, -7.29, 6.6

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 4 / 0 / 70 / 71

HEX #474A16

RGB 71 74 22

HSL 63.46, 0.54%, 0.19%

LAB 30.15, -9.18, 29.57

 

CMYK 0 / 15 / 70 / 71

HEX #4A3F16

RGB 74 63 22

HSL 47.31, 0.54%, 0.19%

LAB 26.93, -0.92, 26.21

 

CMYK 0 / 34 / 70 / 71

HEX #4A3116

RGB 74 49 22

HSL 31.15, 0.54%, 0.19%

LAB 22.69, 8.12, 21.46

 

CMYK 0 / 53 / 70 / 71

HEX #4A2316

RGB 74 35 22

HSL 15, 0.54%, 0.19%

LAB 18.87, 17.15, 16.95

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 42 / 0 / 70 / 71

HEX #2B4A16

RGB 43 74 22

HSL 95.77, 0.54%, 0.19%

LAB 28.03, -22.03, 26.67

 

CMYK 62 / 0 / 70 / 71

HEX #1C4A16

RGB 28 74 22

HSL 113.08, 0.54%, 0.19%

LAB 27.3, -27.38, 25.66

 

CMYK 70 / 0 / 61 / 71

HEX #164A1D

RGB 22 74 29

HSL 128.08, 0.54%, 0.19%

LAB 27.18, -28.07, 21.68

 

CMYK 70 / 0 / 42 / 71

HEX #164A2B

RGB 22 74 43

HSL 144.23, 0.54%, 0.19%

LAB 27.41, -25.42, 13.6

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 28 / 0 / 83 / 68

HEX #3B520E

RGB 59 82 14

HSL 80.29, 0.71%, 0.19%

LAB 31.8, -19.93, 34.39

 

CMYK 31 / 0 / 93 / 65

HEX #3E5A06

RGB 62 90 6

HSL 80, 0.88%, 0.19%

LAB 34.7, -23.11, 39.63

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 18 / 0 / 55 / 74

HEX #36421E

RGB 54 66 30

HSL 80, 0.38%, 0.19%

LAB 26.08, -11.87, 20.19

 

CMYK 12 / 0 / 36 / 77

HEX #333A25

RGB 51 58 37

HSL 80, 0.22%, 0.19%

LAB 23.21, -7.37, 12.11

 

CMYK 4 / 0 / 12 / 80

HEX #31332D

RGB 49 51 45

HSL 80, 0.06%, 0.19%

LAB 20.87, -2.24, 3.51

 

CMYK 13 / 19 / 0 / 79

HEX #2E2B35

RGB 46 43 53

HSL 258, 0.1%, 0.19%

LAB 18.21, 3.82, -5.94

 

CMYK 0 / 14 / 70 / 71

HEX #4A4016

RGB 74 64 22

HSL 48.46, 0.54%, 0.19%

LAB 27.24, -1.55, 26.55

 

CMYK 4 / 0 / 70 / 71

HEX #474A16

RGB 71 74 22

HSL 63.46, 0.54%, 0.19%

LAB 30.15, -9.18, 29.57

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 42 / 0 / 70 / 71

HEX #2B4A16

RGB 43 74 22

HSL 95.77, 0.54%, 0.19%

LAB 28.03, -22.03, 26.67

 

CMYK 61 / 0 / 70 / 71

HEX #1D4A16

RGB 29 74 22

HSL 111.92, 0.54%, 0.19%

LAB 27.34, -27.07, 25.72

 

CMYK 27 / 0 / 73 / 96

HEX #080B03

RGB 8 11 3

HSL 82.5, 0.57%, 0.03%

LAB 2.69, -1.91, 2.76

 

CMYK 24 / 0 / 71 / 84

HEX #202A0C

RGB 32 42 12

HSL 80, 0.56%, 0.11%

LAB 15.43, -10.35, 17.26

 

CMYK 23 / 0 / 70 / 71

HEX #394A16

RGB 57 74 22

HSL 79.62, 0.54%, 0.19%

LAB 28.97, -15.93, 27.96

 

CMYK 24 / 0 / 71 / 58

HEX #516A1F

RGB 81 106 31

HSL 80, 0.55%, 0.27%

LAB 41.46, -21.54, 37.49

 

CMYK 24 / 0 / 70 / 46

HEX #698A29

RGB 105 138 41

HSL 80.41, 0.54%, 0.35%

LAB 53.32, -26.72, 45.99

 

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

CMYK 70 / 0 / 32 / 71

HEX #164A32

RGB 22 74 50

HSL 152.31, 0.54%, 0.19%

LAB 27.57, -23.77, 9.4

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

CMYK 70 / 23 / 0 / 71

HEX #16394A

RGB 22 57 74

HSL 199.62, 0.54%, 0.19%

LAB 22.27, -6.42, -14.18

 

CMYK 0 / 70 / 23 / 71

HEX #4A1639

RGB 74 22 57

HSL 319.62, 0.54%, 0.19%

LAB 17.11, 29, -10.04

 

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

CMYK 70 / 0 / 32 / 71

HEX #164A32

RGB 22 74 50

HSL 152.31, 0.54%, 0.19%

LAB 27.57, -23.77, 9.4

 

CMYK 47 / 70 / 0 / 71

HEX #27164A

RGB 39 22 74

HSL 259.62, 0.54%, 0.19%

LAB 12.61, 22.56, -29.42

 

CMYK 0 / 70 / 38 / 71

HEX #4A162E

RGB 74 22 46

HSL 332.31, 0.54%, 0.19%

LAB 16.64, 27.31, -2.94

 

CMYK 23 / 0 / 70 / 71

HEX #384916

RGB 56 73 22

HSL 80, 0.54%, 0.19%

LAB 28.55, -15.83, 27.48

 

CMYK 70 / 0 / 12 / 71

HEX #164A41

RGB 22 74 65

HSL 169.62, 0.54%, 0.19%

LAB 27.98, -19.6, 0.33

 

CMYK 47 / 70 / 0 / 71

HEX #27164A

RGB 39 22 74

HSL 259.62, 0.54%, 0.19%

LAB 12.61, 22.56, -29.42

 

CMYK 0 / 70 / 58 / 71

HEX #4A161F

RGB 74 22 31

HSL 349.62, 0.54%, 0.19%

LAB 16.15, 25.5, 7.16

 

Description

Color code: HEX #384916 | qconv.com Color code: HEX #384916 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 73 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 73 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 70 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 70% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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