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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #383A2D it is the complementary color #C7C5D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #383A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #383A2D shade: #3D3A28, #4E4C3B, #5F5E4E, #707061 and #818274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #383A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #383A2D shade: #383A2D, #27281A, #161607 and #050400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #383A2D shade: #37392C, #39382C, #39342C, #39302C and #392D2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #383A2D shade: #37392C, #34392C, #30392C, #2C392C and #2C392F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #383A2D shade matches the following richer shades: #37392C, #3D4124, #434A1B, #485213 and #4E5A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #383A2D shade: #37392C, #313134, #2C293C, #262045 and #20184D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #383A2D shade: #39342C, #39382C, #37392C, #34392C and #30392C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #383A2D shade: #0A0B08, #21221A, #37392C, #4E503E and #646850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #383A2D shade: #383A2D, #2C3931 and #362C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #383A2D shade: #383A2D, #2C3739 and #392C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #383A2D shade: #383A2D, #2C3931, #2E2C39 and #392C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #383A2D shade: #383A2D, #2C3934, #2E2C39 and #392C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

Complementary color

CMYK 5 / 6 / 0 / 18

HEX #C7C5D2

RGB 199 197 210

HSL 249.23, 0.13%, 0.8%

LAB 80.03, 3.13, -6.24

 

CMYK 0 / 5 / 34 / 76

HEX #3D3A28

RGB 61 58 40

HSL 51.43, 0.21%, 0.2%

LAB 24.23, -2.13, 11.69

 

CMYK 0 / 3 / 24 / 69

HEX #4E4C3B

RGB 78 76 59

HSL 53.68, 0.14%, 0.27%

LAB 32.04, -2.45, 10.43

 

CMYK 0 / 1 / 18 / 63

HEX #5F5E4E

RGB 95 94 78

HSL 56.47, 0.1%, 0.34%

LAB 39.56, -2.68, 9.33

 

CMYK 0 / 0 / 13 / 56

HEX #707061

RGB 112 112 97

HSL 60, 0.07%, 0.41%

LAB 46.84, -2.87, 8.35

 

CMYK 1 / 0 / 11 / 49

HEX #818274

RGB 129 130 116

HSL 64.29, 0.06%, 0.48%

LAB 53.91, -3.03, 7.45

 

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

CMYK 2 / 0 / 35 / 84

HEX #27281A

RGB 39 40 26

HSL 64.29, 0.21%, 0.13%

LAB 15.61, -3.42, 9.1

 

CMYK 0 / 0 / 68 / 91

HEX #161607

RGB 22 22 7

HSL 60, 0.52%, 0.06%

LAB 6.86, -2.7, 7.35

 

CMYK 0 / 20 / 100 / 98

HEX #050400

RGB 5 4 0

HSL 48, 1%, 0.01%

LAB 1.08, -0.29, 1.61

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 0 / 2 / 23 / 78

HEX #39382C

RGB 57 56 44

HSL 55.38, 0.13%, 0.2%

LAB 23.27, -2.04, 7.68

 

CMYK 0 / 9 / 23 / 78

HEX #39342C

RGB 57 52 44

HSL 36.92, 0.13%, 0.2%

LAB 21.97, 0.59, 5.86

 

CMYK 0 / 16 / 23 / 78

HEX #39302C

RGB 57 48 44

HSL 18.46, 0.13%, 0.2%

LAB 20.7, 3.26, 4.06

 

CMYK 0 / 21 / 23 / 78

HEX #392D2C

RGB 57 45 44

HSL 4.62, 0.13%, 0.2%

LAB 19.76, 5.3, 2.71

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 9 / 0 / 23 / 78

HEX #34392C

RGB 52 57 44

HSL 83.08, 0.13%, 0.2%

LAB 23.13, -4.99, 7.41

 

CMYK 16 / 0 / 23 / 78

HEX #30392C

RGB 48 57 44

HSL 101.54, 0.13%, 0.2%

LAB 22.78, -6.78, 6.87

 

CMYK 23 / 0 / 23 / 78

HEX #2C392C

RGB 44 57 44

HSL 120, 0.13%, 0.2%

LAB 22.46, -8.51, 6.37

 

CMYK 23 / 0 / 18 / 78

HEX #2C392F

RGB 44 57 47

HSL 133.85, 0.13%, 0.2%

LAB 22.54, -7.84, 4.48

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 6 / 0 / 45 / 75

HEX #3D4124

RGB 61 65 36

HSL 68.28, 0.29%, 0.2%

LAB 26.45, -7.14, 17.13

 

CMYK 9 / 0 / 64 / 71

HEX #434A1B

RGB 67 74 27

HSL 68.94, 0.47%, 0.2%

LAB 29.84, -10.71, 26.56

 

CMYK 12 / 0 / 77 / 68

HEX #485213

RGB 72 82 19

HSL 69.52, 0.62%, 0.2%

LAB 32.83, -13.54, 33.72

 

CMYK 13 / 0 / 88 / 65

HEX #4E5A0B

RGB 78 90 11

HSL 69.11, 0.78%, 0.2%

LAB 35.9, -15.55, 39.65

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 6 / 6 / 0 / 80

HEX #313134

RGB 49 49 52

HSL 240, 0.03%, 0.2%

LAB 20.43, 0.72, -1.91

 

CMYK 27 / 32 / 0 / 76

HEX #2C293C

RGB 44 41 60

HSL 249.47, 0.19%, 0.2%

LAB 17.68, 6.39, -11.63

 

CMYK 45 / 54 / 0 / 73

HEX #262045

RGB 38 32 69

HSL 249.73, 0.37%, 0.2%

LAB 14.82, 13.66, -22.41

 

CMYK 58 / 69 / 0 / 70

HEX #20184D

RGB 32 24 77

HSL 249.06, 0.52%, 0.2%

LAB 12.58, 20.61, -31.56

 

CMYK 0 / 9 / 23 / 78

HEX #39342C

RGB 57 52 44

HSL 36.92, 0.13%, 0.2%

LAB 21.97, 0.59, 5.86

 

CMYK 0 / 2 / 23 / 78

HEX #39382C

RGB 57 56 44

HSL 55.38, 0.13%, 0.2%

LAB 23.27, -2.04, 7.68

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 9 / 0 / 23 / 78

HEX #34392C

RGB 52 57 44

HSL 83.08, 0.13%, 0.2%

LAB 23.13, -4.99, 7.41

 

CMYK 16 / 0 / 23 / 78

HEX #30392C

RGB 48 57 44

HSL 101.54, 0.13%, 0.2%

LAB 22.78, -6.78, 6.87

 

CMYK 9 / 0 / 27 / 96

HEX #0A0B08

RGB 10 11 8

HSL 80, 0.16%, 0.04%

LAB 2.9, -0.69, 1.05

 

CMYK 3 / 0 / 24 / 87

HEX #21221A

RGB 33 34 26

HSL 67.5, 0.13%, 0.12%

LAB 12.87, -2.3, 5.25

 

CMYK 4 / 0 / 23 / 78

HEX #37392C

RGB 55 57 44

HSL 69.23, 0.13%, 0.2%

LAB 23.41, -3.61, 7.84

 

CMYK 2 / 0 / 23 / 69

HEX #4E503E

RGB 78 80 62

HSL 66.67, 0.13%, 0.28%

LAB 33.36, -4.38, 10.37

 

CMYK 4 / 0 / 23 / 59

HEX #646850

RGB 100 104 80

HSL 70, 0.13%, 0.36%

LAB 43.05, -6.12, 13.03

 

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

CMYK 23 / 0 / 14 / 78

HEX #2C3931

RGB 44 57 49

HSL 143.08, 0.13%, 0.2%

LAB 22.6, -7.37, 3.22

 

CMYK 5 / 23 / 0 / 78

HEX #362C39

RGB 54 44 57

HSL 286.15, 0.13%, 0.2%

LAB 19.56, 7.5, -6.59

 

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

CMYK 23 / 4 / 0 / 78

HEX #2C3739

RGB 44 55 57

HSL 189.23, 0.13%, 0.2%

LAB 22.17, -4.04, -2.78

 

CMYK 0 / 23 / 4 / 78

HEX #392C37

RGB 57 44 55

HSL 309.23, 0.13%, 0.2%

LAB 19.83, 8.3, -4.77

 

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

CMYK 23 / 0 / 14 / 78

HEX #2C3931

RGB 44 57 49

HSL 143.08, 0.13%, 0.2%

LAB 22.6, -7.37, 3.22

 

CMYK 19 / 23 / 0 / 78

HEX #2E2C39

RGB 46 44 57

HSL 249.23, 0.13%, 0.2%

LAB 18.7, 4.21, -7.97

 

CMYK 0 / 23 / 9 / 78

HEX #392C34

RGB 57 44 52

HSL 323.08, 0.13%, 0.2%

LAB 19.72, 7.63, -2.87

 

CMYK 3 / 0 / 22 / 77

HEX #383A2D

RGB 56 58 45

HSL 69.23, 0.13%, 0.2%

LAB 23.86, -3.61, 7.81

 

CMYK 23 / 0 / 9 / 78

HEX #2C3934

RGB 44 57 52

HSL 156.92, 0.13%, 0.2%

LAB 22.69, -6.63, 1.34

 

CMYK 19 / 23 / 0 / 78

HEX #2E2C39

RGB 46 44 57

HSL 249.23, 0.13%, 0.2%

LAB 18.7, 4.21, -7.97

 

CMYK 0 / 23 / 14 / 78

HEX #392C31

RGB 57 44 49

HSL 336.92, 0.13%, 0.2%

LAB 19.61, 6.98, -0.95

 

Description

Color code: HEX #383A2D | qconv.com Color code: HEX #383A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 58 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 58 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 22 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 22% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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