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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #381F6B it is the complementary color #C7E094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #381F6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #381F6B shade: #3D1F66, #4E3179, #5F438C, #70559F and #8167B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #381F6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #381F6B shade: #381F6B, #270D58, #160045, #050032 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #381F6B shade: #371E6A, #4C1E6A, #601E6A, #6A1E60 and #6A1E4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #381F6B shade: #371E6A, #231E6A and #1E1E6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #381F6B shade matches the following richer shades: #371E6A, #341375 and #300880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #381F6B shade: #371E6A, #3B2A5F, #3F3554, #434049 and #474B3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #381F6B shade: #1E2F6A, #221E6A, #361E6A, #4B1E6A and #5F1E6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #381F6B shade: #160C2A, #27154A, #371E6A, #48288A and #5931AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #381F6B shade: #381F6B, #6A1E43 and #256A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #381F6B shade: #381F6B, #6A361E and #1E6A36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #381F6B shade: #381F6B, #6A1E43, #526A1E and #1E6A46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #381F6B shade: #381F6B, #6A1E2C, #526A1E and #1E6A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

Complementary color

CMYK 11 / 0 / 34 / 12

HEX #C7E094

RGB 199 224 148

HSL 79.74, 0.55%, 0.73%

LAB 85.8, -20.75, 34.54

 

CMYK 40 / 70 / 0 / 60

HEX #3D1F66

RGB 61 31 102

HSL 265.35, 0.53%, 0.26%

LAB 19.77, 30.81, -36.52

 

CMYK 36 / 60 / 0 / 53

HEX #4E3179

RGB 78 49 121

HSL 264.17, 0.42%, 0.33%

LAB 27.29, 29.68, -36.51

 

CMYK 32 / 52 / 0 / 45

HEX #5F438C

RGB 95 67 140

HSL 263.01, 0.35%, 0.41%

LAB 34.68, 28.55, -36.4

 

CMYK 30 / 47 / 0 / 38

HEX #70559F

RGB 112 85 159

HSL 261.89, 0.3%, 0.48%

LAB 41.91, 27.53, -36.3

 

CMYK 28 / 42 / 0 / 30

HEX #8167B2

RGB 129 103 178

HSL 260.8, 0.33%, 0.55%

LAB 48.99, 26.6, -36.22

 

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

CMYK 56 / 85 / 0 / 65

HEX #270D58

RGB 39 13 88

HSL 260.8, 0.74%, 0.2%

LAB 12.11, 32.16, -39.8

 

CMYK 68 / 100 / 0 / 73

HEX #160045

RGB 22 0 69

HSL 259.13, 1%, 0.14%

LAB 5.42, 30.38, -37.76

 

CMYK 90 / 100 / 0 / 80

HEX #050032

RGB 5 0 50

HSL 246, 1%, 0.1%

LAB 2.37, 15.93, -28.96

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 48 / 72 / 0 / 58

HEX #371E6A

RGB 55 30 106

HSL 259.74, 0.56%, 0.27%

LAB 19.15, 31.26, -40.17

 

CMYK 28 / 72 / 0 / 58

HEX #4C1E6A

RGB 76 30 106

HSL 276.32, 0.56%, 0.27%

LAB 21.96, 35.96, -35.47

 

CMYK 9 / 72 / 0 / 58

HEX #601E6A

RGB 96 30 106

HSL 292.11, 0.56%, 0.27%

LAB 25.12, 40.85, -30.23

 

CMYK 0 / 72 / 9 / 58

HEX #6A1E60

RGB 106 30 96

HSL 307.89, 0.56%, 0.27%

LAB 26.27, 41.59, -21.81

 

CMYK 0 / 72 / 29 / 58

HEX #6A1E4B

RGB 106 30 75

HSL 324.47, 0.56%, 0.27%

LAB 25.26, 38.29, -9.44

 

CMYK 48 / 72 / 0 / 58

HEX #371E6A

RGB 55 30 106

HSL 259.74, 0.56%, 0.27%

LAB 19.15, 31.26, -40.17

 

CMYK 67 / 72 / 0 / 58

HEX #231E6A

RGB 35 30 106

HSL 243.95, 0.56%, 0.27%

LAB 17.11, 27.61, -43.58

 

CMYK 72 / 72 / 0 / 58

HEX #1E1E6A

RGB 30 30 106

HSL 240, 0.56%, 0.27%

LAB 16.72, 26.88, -44.23

 

CMYK 48 / 72 / 0 / 58

HEX #371E6A

RGB 55 30 106

HSL 259.74, 0.56%, 0.27%

LAB 19.15, 31.26, -40.17

 

CMYK 56 / 84 / 0 / 54

HEX #341375

RGB 52 19 117

HSL 260.2, 0.72%, 0.27%

LAB 17.83, 39.77, -49.48

 

CMYK 63 / 94 / 0 / 50

HEX #300880

RGB 48 8 128

HSL 260, 0.88%, 0.27%

LAB 17.28, 46.41, -57.45

 

CMYK 48 / 72 / 0 / 58

HEX #371E6A

RGB 55 30 106

HSL 259.74, 0.56%, 0.27%

LAB 19.15, 31.26, -40.17

 

CMYK 38 / 56 / 0 / 63

HEX #3B2A5F

RGB 59 42 95

HSL 259.25, 0.39%, 0.27%

LAB 21.62, 21.32, -28.95

 

CMYK 25 / 37 / 0 / 67

HEX #3F3554

RGB 63 53 84

HSL 259.35, 0.23%, 0.27%

LAB 24.46, 11.99, -17.19

 

CMYK 8 / 12 / 0 / 71

HEX #434049

RGB 67 64 73

HSL 260, 0.07%, 0.27%

LAB 27.69, 3.33, -5

 

CMYK 5 / 0 / 17 / 71

HEX #474B3E

RGB 71 75 62

HSL 78.46, 0.09%, 0.27%

LAB 31.16, -4.36, 7.2

 

CMYK 72 / 56 / 0 / 58

HEX #1E2F6A

RGB 30 47 106

HSL 226.58, 0.56%, 0.27%

LAB 21.39, 14.94, -36.63

 

CMYK 68 / 72 / 0 / 58

HEX #221E6A

RGB 34 30 106

HSL 243.16, 0.56%, 0.27%

LAB 17.03, 27.46, -43.71

 

CMYK 49 / 72 / 0 / 58

HEX #361E6A

RGB 54 30 106

HSL 258.95, 0.56%, 0.27%

LAB 19.03, 31.06, -40.37

 

CMYK 29 / 72 / 0 / 58

HEX #4B1E6A

RGB 75 30 106

HSL 275.53, 0.56%, 0.27%

LAB 21.82, 35.72, -35.72

 

CMYK 10 / 72 / 0 / 58

HEX #5F1E6A

RGB 95 30 106

HSL 291.32, 0.56%, 0.27%

LAB 24.96, 40.6, -30.51

 

CMYK 48 / 71 / 0 / 84

HEX #160C2A

RGB 22 12 42

HSL 260, 0.56%, 0.11%

LAB 5.43, 12.65, -18.02

 

CMYK 47 / 72 / 0 / 71

HEX #27154A

RGB 39 21 74

HSL 260.38, 0.56%, 0.19%

LAB 12.36, 23.21, -29.81

 

CMYK 48 / 72 / 0 / 58

HEX #371E6A

RGB 55 30 106

HSL 259.74, 0.56%, 0.27%

LAB 19.15, 31.26, -40.17

 

CMYK 48 / 71 / 0 / 46

HEX #48288A

RGB 72 40 138

HSL 259.59, 0.55%, 0.35%

LAB 25.95, 38.47, -49.37

 

CMYK 48 / 71 / 0 / 33

HEX #5931AA

RGB 89 49 170

HSL 259.83, 0.55%, 0.43%

LAB 32.31, 45.86, -58.46

 

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

CMYK 0 / 72 / 37 / 58

HEX #6A1E43

RGB 106 30 67

HSL 330.79, 0.56%, 0.27%

LAB 24.95, 37.22, -4.52

 

CMYK 65 / 0 / 72 / 58

HEX #256A1E

RGB 37 106 30

HSL 114.47, 0.56%, 0.27%

LAB 39.23, -37.33, 34.91

 

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

CMYK 0 / 49 / 72 / 58

HEX #6A361E

RGB 106 54 30

HSL 18.95, 0.56%, 0.27%

LAB 28.89, 20.93, 25.06

 

CMYK 72 / 0 / 49 / 58

HEX #1E6A36

RGB 30 106 54

HSL 138.95, 0.56%, 0.27%

LAB 39.33, -35.54, 22.6

 

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

CMYK 0 / 72 / 37 / 58

HEX #6A1E43

RGB 106 30 67

HSL 330.79, 0.56%, 0.27%

LAB 24.95, 37.22, -4.52

 

CMYK 23 / 0 / 72 / 58

HEX #526A1E

RGB 82 106 30

HSL 78.95, 0.56%, 0.27%

LAB 41.53, -21.18, 38.01

 

CMYK 72 / 0 / 34 / 58

HEX #1E6A46

RGB 30 106 70

HSL 151.58, 0.56%, 0.27%

LAB 39.62, -32.25, 13.69

 

CMYK 48 / 71 / 0 / 58

HEX #381F6B

RGB 56 31 107

HSL 259.74, 0.55%, 0.27%

LAB 19.57, 31.19, -40.14

 

CMYK 0 / 72 / 58 / 58

HEX #6A1E2C

RGB 106 30 44

HSL 348.95, 0.56%, 0.27%

LAB 24.24, 34.75, 10.16

 

CMYK 23 / 0 / 72 / 58

HEX #526A1E

RGB 82 106 30

HSL 78.95, 0.56%, 0.27%

LAB 41.53, -21.18, 38.01

 

CMYK 72 / 0 / 13 / 58

HEX #1E6A5C

RGB 30 106 92

HSL 168.95, 0.56%, 0.27%

LAB 40.18, -26.53, 1.19

 

Description

Color code: HEX #381F6B | qconv.com Color code: HEX #381F6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 31 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 31 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 71 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 71% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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