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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #381857 it is the complementary color #C7E7A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #381857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #381857 shade: #3D1852, #4E2A65, #5F3C78, #704E8B and #81609E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #381857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #381857 shade: #381857, #270644, #160031, #05001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #381857 shade: #381858, #491858, #581855, #581843 and #581832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #381857 shade: #381858, #271858 and #181858

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #381857 shade matches the following richer shades: #381858, #380F61 and #38056A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #381857 shade: #381858, #38214F, #382A45, #38333C and #383C33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #381857 shade: #181A58, #271858, #381858, #491858 and #581855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #381857 shade: #0E0617, #230F37, #381858, #4D2078 and #622998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #381857 shade: #381857, #58182B and #18581E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #381857 shade: #381857, #583818 and #185838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #381857 shade: #381857, #58182B, #385818 and #185844

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #381857 shade: #381857, #581818, #385818 and #185858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

Complementary color

CMYK 14 / 0 / 27 / 9

HEX #C7E7A8

RGB 199 231 168

HSL 90.48, 0.57%, 0.78%

LAB 88.03, -21.4, 27.3

 

CMYK 26 / 71 / 0 / 68

HEX #3D1852

RGB 61 24 82

HSL 278.28, 0.55%, 0.21%

LAB 16.77, 29.33, -28.02

 

CMYK 23 / 58 / 0 / 60

HEX #4E2A65

RGB 78 42 101

HSL 276.61, 0.41%, 0.28%

LAB 24.37, 28.54, -28.35

 

CMYK 21 / 50 / 0 / 53

HEX #5F3C78

RGB 95 60 120

HSL 275, 0.33%, 0.35%

LAB 31.85, 27.59, -28.49

 

CMYK 19 / 44 / 0 / 45

HEX #704E8B

RGB 112 78 139

HSL 273.44, 0.28%, 0.43%

LAB 39.17, 26.68, -28.58

 

CMYK 18 / 39 / 0 / 38

HEX #81609E

RGB 129 96 158

HSL 271.94, 0.24%, 0.5%

LAB 46.31, 25.84, -28.67

 

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

CMYK 43 / 91 / 0 / 73

HEX #270644

RGB 39 6 68

HSL 271.94, 0.84%, 0.15%

LAB 8.81, 29.81, -31.39

 

CMYK 55 / 100 / 0 / 81

HEX #160031

RGB 22 0 49

HSL 266.94, 1%, 0.1%

LAB 3.54, 20.96, -26.27

 

CMYK 83 / 100 / 0 / 88

HEX #05001E

RGB 5 0 30

HSL 250, 1%, 0.06%

LAB 1.14, 7.26, -15.41

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 17 / 73 / 0 / 65

HEX #491858

RGB 73 24 88

HSL 285.94, 0.57%, 0.22%

LAB 19.12, 33.91, -28.2

 

CMYK 0 / 73 / 3 / 65

HEX #581855

RGB 88 24 85

HSL 302.81, 0.57%, 0.22%

LAB 21.52, 37.26, -22.21

 

CMYK 0 / 73 / 24 / 65

HEX #581843

RGB 88 24 67

HSL 319.69, 0.57%, 0.22%

LAB 20.57, 34.16, -11.47

 

CMYK 0 / 73 / 43 / 65

HEX #581832

RGB 88 24 50

HSL 335.63, 0.57%, 0.22%

LAB 19.88, 31.79, -0.68

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 56 / 73 / 0 / 65

HEX #271858

RGB 39 24 88

HSL 254.06, 0.57%, 0.22%

LAB 14.34, 25.91, -36.16

 

CMYK 73 / 73 / 0 / 65

HEX #181858

RGB 24 24 88

HSL 240, 0.57%, 0.22%

LAB 12.94, 23.28, -38.51

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 42 / 85 / 0 / 62

HEX #380F61

RGB 56 15 97

HSL 270, 0.73%, 0.22%

LAB 15.72, 36.59, -39.83

 

CMYK 47 / 95 / 0 / 58

HEX #38056A

RGB 56 5 106

HSL 270.3, 0.91%, 0.22%

LAB 15.43, 42.49, -46.25

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 29 / 58 / 0 / 69

HEX #38214F

RGB 56 33 79

HSL 270, 0.41%, 0.22%

LAB 17.89, 21.63, -24.24

 

CMYK 19 / 39 / 0 / 73

HEX #382A45

RGB 56 42 69

HSL 271.11, 0.24%, 0.22%

LAB 19.75, 12.79, -14.51

 

CMYK 7 / 15 / 0 / 76

HEX #38333C

RGB 56 51 60

HSL 273.33, 0.08%, 0.22%

LAB 22.07, 4.29, -4.85

 

CMYK 7 / 0 / 15 / 76

HEX #383C33

RGB 56 60 51

HSL 86.67, 0.08%, 0.22%

LAB 24.68, -3.69, 4.99

 

CMYK 73 / 70 / 0 / 65

HEX #181A58

RGB 24 26 88

HSL 238.13, 0.57%, 0.22%

LAB 13.46, 21.88, -37.66

 

CMYK 56 / 73 / 0 / 65

HEX #271858

RGB 39 24 88

HSL 254.06, 0.57%, 0.22%

LAB 14.34, 25.91, -36.16

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 17 / 73 / 0 / 65

HEX #491858

RGB 73 24 88

HSL 285.94, 0.57%, 0.22%

LAB 19.12, 33.91, -28.2

 

CMYK 0 / 73 / 3 / 65

HEX #581855

RGB 88 24 85

HSL 302.81, 0.57%, 0.22%

LAB 21.52, 37.26, -22.21

 

CMYK 39 / 74 / 0 / 91

HEX #0E0617

RGB 14 6 23

HSL 268.24, 0.59%, 0.06%

LAB 2.58, 5.31, -7.63

 

CMYK 36 / 73 / 0 / 78

HEX #230F37

RGB 35 15 55

HSL 270, 0.57%, 0.14%

LAB 8.78, 20.08, -22.18

 

CMYK 36 / 73 / 0 / 65

HEX #381858

RGB 56 24 88

HSL 270, 0.57%, 0.22%

LAB 16.5, 29.67, -32.55

 

CMYK 36 / 73 / 0 / 53

HEX #4D2078

RGB 77 32 120

HSL 270.68, 0.58%, 0.3%

LAB 23.56, 38.73, -41.9

 

CMYK 36 / 73 / 0 / 40

HEX #622998

RGB 98 41 152

HSL 270.81, 0.58%, 0.38%

LAB 30.52, 46.77, -50.43

 

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

CMYK 0 / 73 / 51 / 65

HEX #58182B

RGB 88 24 43

HSL 342.19, 0.57%, 0.22%

LAB 19.65, 30.99, 3.92

 

CMYK 73 / 0 / 66 / 65

HEX #18581E

RGB 24 88 30

HSL 125.63, 0.57%, 0.22%

LAB 32.41, -33.29, 27.27

 

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

CMYK 0 / 36 / 73 / 65

HEX #583818

RGB 88 56 24

HSL 30, 0.57%, 0.22%

LAB 26.65, 10.78, 25.29

 

CMYK 73 / 0 / 36 / 65

HEX #185838

RGB 24 88 56

HSL 150, 0.57%, 0.22%

LAB 32.83, -28.52, 12.86

 

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

CMYK 0 / 73 / 51 / 65

HEX #58182B

RGB 88 24 43

HSL 342.19, 0.57%, 0.22%

LAB 19.65, 30.99, 3.92

 

CMYK 36 / 0 / 73 / 65

HEX #385818

RGB 56 88 24

HSL 90, 0.57%, 0.22%

LAB 33.74, -23.57, 32.07

 

CMYK 73 / 0 / 23 / 65

HEX #185844

RGB 24 88 68

HSL 161.25, 0.57%, 0.22%

LAB 33.12, -25.49, 5.82

 

CMYK 36 / 72 / 0 / 66

HEX #381857

RGB 56 24 87

HSL 270.48, 0.57%, 0.22%

LAB 16.42, 29.4, -32.01

 

CMYK 0 / 73 / 73 / 65

HEX #581818

RGB 88 24 24

HSL 0, 0.57%, 0.22%

LAB 19.2, 29.38, 16.61

 

CMYK 36 / 0 / 73 / 65

HEX #385818

RGB 56 88 24

HSL 90, 0.57%, 0.22%

LAB 33.74, -23.57, 32.07

 

CMYK 73 / 0 / 0 / 65

HEX #185858

RGB 24 88 88

HSL 180, 0.57%, 0.22%

LAB 33.73, -19.46, -5.85

 

Description

Color code: HEX #381857 | qconv.com Color code: HEX #381857 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 24 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 24 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 72 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 72% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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