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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #380FEF it is the complementary color #C7F010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #380FEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #380FEF shade: #3D0FEA, #4E21FD, #5F33FF, #7045FF and #8157FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #380FEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #380FEF shade: #380FEF, #2700DC, #1600C9, #0500B6 and #0000A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #380FEF shade: #380FEF, #740FEF, #B10FEF, #ED0FEF and #EF0FB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #380FEF shade: #380FEF and #0F0FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #380FEF shade matches the following richer shades: #380FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #380FEF shade: #380FEF, #4523DB, #5238C6, #5F4DB1 and #6C619D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #380FEF shade: #0F61EF, #0F25EF, #340FEF, #700FEF and #AC0FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #380FEF shade: #260AA2, #2F0CC8, #380FEF, #5836F2 and #785CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #380FEF shade: #380FEF, #EF0F9D and #43EF0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #380FEF shade: #380FEF, #EF340F and #0FEF34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #380FEF shade: #380FEF, #EF0F9D, #CAEF0F and #0FEF61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #380FEF shade: #380FEF, #EF0F5A, #CAEF0F and #0FEFA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

Complementary color

CMYK 17 / 0 / 93 / 6

HEX #C7F010

RGB 199 240 16

HSL 70.98, 0.88%, 0.5%

LAB 89.16, -37.1, 85.47

 

CMYK 74 / 94 / 0 / 8

HEX #3D0FEA

RGB 61 15 234

HSL 252.6, 0.88%, 0.49%

LAB 32.42, 72.7, -95.74

 

CMYK 69 / 87 / 0 / 1

HEX #4E21FD

RGB 78 33 253

HSL 252.27, 0.98%, 0.56%

LAB 37.48, 73.74, -98.02

 

CMYK 63 / 80 / 0 / 0

HEX #5F33FF

RGB 95 51 255

HSL 252.94, 1%, 0.6%

LAB 41.25, 69.06, -92.85

 

CMYK 56 / 73 / 0 / 0

HEX #7045FF

RGB 112 69 255

HSL 253.87, 1%, 0.64%

LAB 45.53, 62.92, -85.75

 

CMYK 49 / 66 / 0 / 0

HEX #8157FF

RGB 129 87 255

HSL 255, 1%, 0.67%

LAB 50.34, 56.41, -77.81

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 82 / 100 / 0 / 14

HEX #2700DC

RGB 39 0 220

HSL 250.64, 1%, 0.43%

LAB 28.38, 71.23, -94.5

 

CMYK 89 / 100 / 0 / 21

HEX #1600C9

RGB 22 0 201

HSL 246.57, 1%, 0.39%

LAB 24.91, 66.37, -89.25

 

CMYK 97 / 100 / 0 / 29

HEX #0500B6

RGB 5 0 182

HSL 241.65, 1%, 0.36%

LAB 21.62, 61.52, -83.53

 

CMYK 100 / 100 / 0 / 36

HEX #0000A3

RGB 0 0 163

HSL 240, 1%, 0.32%

LAB 18.56, 56.66, -77.17

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 51 / 94 / 0 / 6

HEX #740FEF

RGB 116 15 239

HSL 267.05, 0.88%, 0.5%

LAB 38.35, 77.09, -88.57

 

CMYK 26 / 94 / 0 / 6

HEX #B10FEF

RGB 177 15 239

HSL 283.39, 0.88%, 0.5%

LAB 46.87, 83.53, -74.26

 

CMYK 1 / 94 / 0 / 6

HEX #ED0FEF

RGB 237 15 239

HSL 299.46, 0.88%, 0.5%

LAB 56.66, 92.24, -57.96

 

CMYK 0 / 94 / 25 / 6

HEX #EF0FB4

RGB 239 15 180

HSL 315.8, 0.88%, 0.5%

LAB 54.01, 85.02, -28.38

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 68 / 84 / 0 / 14

HEX #4523DB

RGB 69 35 219

HSL 251.09, 0.72%, 0.5%

LAB 33.1, 63.54, -86.01

 

CMYK 59 / 72 / 0 / 22

HEX #5238C6

RGB 82 56 198

HSL 250.99, 0.56%, 0.5%

LAB 35.4, 49.17, -69.99

 

CMYK 46 / 56 / 0 / 31

HEX #5F4DB1

RGB 95 77 177

HSL 250.8, 0.39%, 0.5%

LAB 39.44, 33.09, -51.03

 

CMYK 31 / 38 / 0 / 38

HEX #6C619D

RGB 108 97 157

HSL 251, 0.24%, 0.5%

LAB 44.48, 18.49, -31.1

 

CMYK 94 / 59 / 0 / 6

HEX #0F61EF

RGB 15 97 239

HSL 218.04, 0.88%, 0.5%

LAB 45.47, 32.68, -77.06

 

CMYK 94 / 85 / 0 / 6

HEX #0F25EF

RGB 15 37 239

HSL 234.11, 0.88%, 0.5%

LAB 33.26, 66.26, -97.24

 

CMYK 78 / 94 / 0 / 6

HEX #340FEF

RGB 52 15 239

HSL 249.91, 0.88%, 0.5%

LAB 32.49, 73.63, -98.48

 

CMYK 53 / 94 / 0 / 6

HEX #700FEF

RGB 112 15 239

HSL 265.98, 0.88%, 0.5%

LAB 37.88, 76.77, -89.38

 

CMYK 28 / 94 / 0 / 6

HEX #AC0FEF

RGB 172 15 239

HSL 282.05, 0.88%, 0.5%

LAB 46.1, 82.9, -75.55

 

CMYK 77 / 94 / 0 / 36

HEX #260AA2

RGB 38 10 162

HSL 251.05, 0.88%, 0.34%

LAB 20.97, 54.42, -72.49

 

CMYK 77 / 94 / 0 / 22

HEX #2F0CC8

RGB 47 12 200

HSL 251.17, 0.89%, 0.42%

LAB 26.84, 64.27, -85.41

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 64 / 78 / 0 / 5

HEX #5836F2

RGB 88 54 242

HSL 250.85, 0.88%, 0.58%

LAB 39.79, 63.57, -87.99

 

CMYK 51 / 62 / 0 / 4

HEX #785CF4

RGB 120 92 244

HSL 251.05, 0.87%, 0.66%

LAB 49.71, 49.06, -72.73

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 0 / 94 / 34 / 6

HEX #EF0F9D

RGB 239 15 157

HSL 321.96, 0.88%, 0.5%

LAB 53.09, 82.6, -16.26

 

CMYK 72 / 0 / 94 / 6

HEX #43EF0F

RGB 67 239 15

HSL 106.07, 0.88%, 0.5%

LAB 83.42, -76.17, 78.69

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 0 / 78 / 94 / 6

HEX #EF340F

RGB 239 52 15

HSL 9.91, 0.88%, 0.5%

LAB 52.78, 68.34, 61.51

 

CMYK 94 / 0 / 78 / 6

HEX #0FEF34

RGB 15 239 52

HSL 129.91, 0.88%, 0.5%

LAB 82.96, -79.86, 70.73

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 0 / 94 / 34 / 6

HEX #EF0F9D

RGB 239 15 157

HSL 321.96, 0.88%, 0.5%

LAB 53.09, 82.6, -16.26

 

CMYK 15 / 0 / 94 / 6

HEX #CAEF0F

RGB 202 239 15

HSL 69.91, 0.88%, 0.5%

LAB 89.08, -35.47, 85.59

 

CMYK 94 / 0 / 59 / 6

HEX #0FEF61

RGB 15 239 97

HSL 141.96, 0.88%, 0.5%

LAB 83.28, -75.74, 54.43

 

CMYK 77 / 94 / 0 / 6

HEX #380FEF

RGB 56 15 239

HSL 250.98, 0.88%, 0.5%

LAB 32.73, 73.75, -98.07

 

CMYK 0 / 94 / 62 / 6

HEX #EF0F5A

RGB 239 15 90

HSL 339.91, 0.88%, 0.5%

LAB 51.19, 77.49, 21.46

 

CMYK 15 / 0 / 94 / 6

HEX #CAEF0F

RGB 202 239 15

HSL 69.91, 0.88%, 0.5%

LAB 89.08, -35.47, 85.59

 

CMYK 94 / 0 / 31 / 6

HEX #0FEFA4

RGB 15 239 164

HSL 159.91, 0.88%, 0.5%

LAB 84.23, -64.46, 23.2

 

Description

Color code: HEX #380FEF | qconv.com Color code: HEX #380FEF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 15 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 15 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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