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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #379B74 it is the complementary color #C8648B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #379B74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #379B74 shade: #3C9B6F, #4DAD82, #5EBF95, #6FD1A8 and #80E3BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #379B74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #379B74 shade: #379B74, #268961, #15774E, #04653B and #005328

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #379B74 shade: #369A73, #369A58, #369A3D, #4A9A36 and #659A36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #379B74 shade: #369A73, #369A8E, #368B9A, #36709A and #36559A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #379B74 shade matches the following richer shades: #369A73, #25AB77, #14BC7B and #03CD7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #379B74 shade: #369A73, #47896F, #58786C, #696768 and #7A5764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #379B74 shade: #369A3D, #369A57, #369A72, #369A8D and #368D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #379B74 shade: #205D45, #2B7C5C, #369A73, #41B98A and #5DC69D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #379B74 shade: #379B74, #364A9A and #9A4A36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #379B74 shade: #379B74, #72369A and #9A7236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #379B74 shade: #379B74, #364A9A, #9A365E and #9A8636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #379B74 shade: #379B74, #40369A, #9A365E and #909A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

Complementary color

CMYK 0 / 50 / 31 / 22

HEX #C8648B

RGB 200 100 139

HSL 336.6, 0.48%, 0.59%

LAB 55.34, 44.07, -2.93

 

CMYK 61 / 0 / 28 / 39

HEX #3C9B6F

RGB 60 155 111

HSL 152.21, 0.44%, 0.42%

LAB 57.61, -38.61, 14.95

 

CMYK 55 / 0 / 25 / 32

HEX #4DAD82

RGB 77 173 130

HSL 153.13, 0.38%, 0.49%

LAB 64.22, -38.64, 13.69

 

CMYK 51 / 0 / 22 / 25

HEX #5EBF95

RGB 94 191 149

HSL 154.02, 0.43%, 0.56%

LAB 70.74, -38.55, 12.56

 

CMYK 47 / 0 / 20 / 18

HEX #6FD1A8

RGB 111 209 168

HSL 154.9, 0.52%, 0.63%

LAB 77.17, -38.4, 11.52

 

CMYK 44 / 0 / 18 / 11

HEX #80E3BB

RGB 128 227 187

HSL 155.76, 0.64%, 0.7%

LAB 83.5, -38.21, 10.55

 

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

CMYK 72 / 0 / 29 / 46

HEX #268961

RGB 38 137 97

HSL 155.76, 0.57%, 0.34%

LAB 50.88, -38.13, 13.46

 

CMYK 82 / 0 / 34 / 53

HEX #15774E

RGB 21 119 78

HSL 154.9, 0.7%, 0.27%

LAB 44.09, -37.36, 15.04

 

CMYK 96 / 0 / 42 / 60

HEX #04653B

RGB 4 101 59

HSL 154.02, 0.92%, 0.21%

LAB 37.2, -36.02, 16.87

 

CMYK 100 / 0 / 52 / 67

HEX #005328

RGB 0 83 40

HSL 148.92, 1%, 0.16%

LAB 30.25, -33.4, 19.02

 

CMYK 65 / 0 / 25 / 40

HEX #369A73

RGB 54 154 115

HSL 156.6, 0.48%, 0.41%

LAB 57.21, -38.48, 12.11

 

CMYK 65 / 0 / 43 / 40

HEX #369A58

RGB 54 154 88

HSL 140.4, 0.48%, 0.41%

LAB 56.68, -44.06, 26.34

 

CMYK 65 / 0 / 60 / 40

HEX #369A3D

RGB 54 154 61

HSL 124.2, 0.48%, 0.41%

LAB 56.32, -48.17, 39.69

 

CMYK 52 / 0 / 65 / 40

HEX #4A9A36

RGB 74 154 54

HSL 108, 0.48%, 0.41%

LAB 56.91, -43.8, 43.76

 

CMYK 34 / 0 / 65 / 40

HEX #659A36

RGB 101 154 54

HSL 91.8, 0.48%, 0.41%

LAB 58.17, -34.79, 45.5

 

CMYK 65 / 0 / 25 / 40

HEX #369A73

RGB 54 154 115

HSL 156.6, 0.48%, 0.41%

LAB 57.21, -38.48, 12.11

 

CMYK 65 / 0 / 8 / 40

HEX #369A8E

RGB 54 154 142

HSL 172.8, 0.48%, 0.41%

LAB 57.89, -31.59, -2.21

 

CMYK 65 / 10 / 0 / 40

HEX #368B9A

RGB 54 139 154

HSL 189, 0.48%, 0.41%

LAB 53.58, -20.51, -15.54

 

CMYK 65 / 27 / 0 / 40

HEX #36709A

RGB 54 112 154

HSL 205.2, 0.48%, 0.41%

LAB 45.23, -5.33, -28.39

 

CMYK 65 / 45 / 0 / 40

HEX #36559A

RGB 54 85 154

HSL 221.4, 0.48%, 0.41%

LAB 37.14, 11.63, -41.17

 

CMYK 65 / 0 / 25 / 40

HEX #369A73

RGB 54 154 115

HSL 156.6, 0.48%, 0.41%

LAB 57.21, -38.48, 12.11

 

CMYK 78 / 0 / 30 / 33

HEX #25AB77

RGB 37 171 119

HSL 156.72, 0.64%, 0.41%

LAB 62.38, -47.28, 17.03

 

CMYK 89 / 0 / 35 / 26

HEX #14BC7B

RGB 20 188 123

HSL 156.79, 0.81%, 0.41%

LAB 67.68, -54.43, 22.09

 

CMYK 99 / 0 / 39 / 20

HEX #03CD7E

RGB 3 205 126

HSL 156.53, 0.97%, 0.41%

LAB 73.02, -60.64, 27.65

 

CMYK 65 / 0 / 25 / 40

HEX #369A73

RGB 54 154 115

HSL 156.6, 0.48%, 0.41%

LAB 57.21, -38.48, 12.11

 

CMYK 48 / 0 / 19 / 46

HEX #47896F

RGB 71 137 111

HSL 156.36, 0.32%, 0.41%

LAB 52.26, -27.6, 7.5

 

CMYK 27 / 0 / 10 / 53

HEX #58786C

RGB 88 120 108

HSL 157.5, 0.15%, 0.41%

LAB 47.74, -14.2, 2.88

 

CMYK 0 / 2 / 1 / 59

HEX #696768

RGB 105 103 104

HSL 330, 0.01%, 0.41%

LAB 43.8, 0.99, -0.29

 

CMYK 0 / 29 / 18 / 52

HEX #7A5764

RGB 122 87 100

HSL 337.71, 0.17%, 0.41%

LAB 41.02, 16.62, -1.73

 

CMYK 65 / 0 / 60 / 40

HEX #369A3D

RGB 54 154 61

HSL 124.2, 0.48%, 0.41%

LAB 56.32, -48.17, 39.69

 

CMYK 65 / 0 / 44 / 40

HEX #369A57

RGB 54 154 87

HSL 139.8, 0.48%, 0.41%

LAB 56.67, -44.24, 26.85

 

CMYK 65 / 0 / 26 / 40

HEX #369A72

RGB 54 154 114

HSL 156, 0.48%, 0.41%

LAB 57.18, -38.71, 12.65

 

CMYK 65 / 0 / 8 / 40

HEX #369A8D

RGB 54 154 141

HSL 172.2, 0.48%, 0.41%

LAB 57.86, -31.86, -1.68

 

CMYK 65 / 8 / 0 / 40

HEX #368D9A

RGB 54 141 154

HSL 187.8, 0.48%, 0.41%

LAB 54.2, -21.56, -14.59

 

CMYK 66 / 0 / 26 / 64

HEX #205D45

RGB 32 93 69

HSL 156.39, 0.49%, 0.25%

LAB 35.13, -26.03, 8.08

 

CMYK 65 / 0 / 26 / 51

HEX #2B7C5C

RGB 43 124 92

HSL 156.3, 0.49%, 0.33%

LAB 46.58, -32.64, 10.38

 

CMYK 65 / 0 / 25 / 40

HEX #369A73

RGB 54 154 115

HSL 156.6, 0.48%, 0.41%

LAB 57.21, -38.48, 12.11

 

CMYK 65 / 0 / 25 / 27

HEX #41B98A

RGB 65 185 138

HSL 156.5, 0.48%, 0.49%

LAB 67.77, -44.52, 14.22

 

CMYK 53 / 0 / 21 / 22

HEX #5DC69D

RGB 93 198 157

HSL 156.57, 0.48%, 0.57%

LAB 72.99, -40.17, 11.41

 

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

CMYK 65 / 52 / 0 / 40

HEX #364A9A

RGB 54 74 154

HSL 228, 0.48%, 0.41%

LAB 34.01, 18.9, -46.19

 

CMYK 0 / 52 / 65 / 40

HEX #9A4A36

RGB 154 74 54

HSL 12, 0.48%, 0.41%

LAB 41.27, 31.74, 27.38

 

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

CMYK 26 / 65 / 0 / 40

HEX #72369A

RGB 114 54 154

HSL 276, 0.48%, 0.41%

LAB 35.1, 44.37, -44.14

 

CMYK 0 / 26 / 65 / 40

HEX #9A7236

RGB 154 114 54

HSL 36, 0.48%, 0.41%

LAB 50.89, 9.14, 38.64

 

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

CMYK 65 / 52 / 0 / 40

HEX #364A9A

RGB 54 74 154

HSL 228, 0.48%, 0.41%

LAB 34.01, 18.9, -46.19

 

CMYK 0 / 65 / 39 / 40

HEX #9A365E

RGB 154 54 94

HSL 336, 0.48%, 0.41%

LAB 38.4, 45.35, -1.29

 

CMYK 0 / 13 / 65 / 40

HEX #9A8636

RGB 154 134 54

HSL 48, 0.48%, 0.41%

LAB 56.27, -2.14, 44.6

 

CMYK 65 / 0 / 25 / 39

HEX #379B74

RGB 55 155 116

HSL 156.6, 0.48%, 0.41%

LAB 57.57, -38.49, 12.07

 

CMYK 58 / 65 / 0 / 40

HEX #40369A

RGB 64 54 154

HSL 246, 0.48%, 0.41%

LAB 29.57, 33.71, -53.37

 

CMYK 0 / 65 / 39 / 40

HEX #9A365E

RGB 154 54 94

HSL 336, 0.48%, 0.41%

LAB 38.4, 45.35, -1.29

 

CMYK 6 / 0 / 65 / 40

HEX #909A36

RGB 144 154 54

HSL 66, 0.48%, 0.41%

LAB 61.05, -17.31, 49.44

 

Description

Color code: HEX #379B74 | qconv.com Color code: HEX #379B74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 155 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 155 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 25 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 25% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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