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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #378C30 it is the complementary color #C873CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #378C30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #378C30 shade: #3C8C2B, #4D9E3E, #5EB051, #6FC264 and #80D477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #378C30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #378C30 shade: #378C30, #267A1D, #15680A, #045600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #378C30 shade: #378C30, #508C30, #698C30, #818C30 and #8C7E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #378C30 shade: #378C30, #308C42, #308C5A, #308C73 and #308C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #378C30 shade matches the following richer shades: #378C30, #2A9B20, #1DAB11 and #10BA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #378C30 shade: #378C30, #447D3F, #516E4E, #5D5E5D and #6A4F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #378C30 shade: #698C30, #508C30, #378C30, #308C41 and #308C59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #378C30 shade: #1F4F1B, #2B6D25, #378C30, #43AB3A and #56C24D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #378C30 shade: #378C30, #30818C and #8C305C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #378C30 shade: #378C30, #30378C and #8C3037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #378C30 shade: #378C30, #30818C, #84308C and #8C3A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #378C30 shade: #378C30, #30668C, #84308C and #8C5630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

Complementary color

CMYK 3 / 44 / 0 / 19

HEX #C873CF

RGB 200 115 207

HSL 295.43, 0.49%, 0.63%

LAB 60.82, 47.31, -33.73

 

CMYK 57 / 0 / 69 / 45

HEX #3C8C2B

RGB 60 140 43

HSL 109.48, 0.53%, 0.36%

LAB 51.71, -43.3, 42.77

 

CMYK 51 / 0 / 61 / 38

HEX #4D9E3E

RGB 77 158 62

HSL 110.63, 0.44%, 0.43%

LAB 58.4, -43.69, 41.8

 

CMYK 47 / 0 / 54 / 31

HEX #5EB051

RGB 94 176 81

HSL 111.79, 0.38%, 0.5%

LAB 64.98, -43.81, 40.61

 

CMYK 43 / 0 / 48 / 24

HEX #6FC264

RGB 111 194 100

HSL 112.98, 0.44%, 0.58%

LAB 71.48, -43.77, 39.35

 

CMYK 40 / 0 / 44 / 17

HEX #80D477

RGB 128 212 119

HSL 114.19, 0.52%, 0.65%

LAB 77.88, -43.64, 38.1

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 69 / 0 / 76 / 52

HEX #267A1D

RGB 38 122 29

HSL 114.19, 0.62%, 0.3%

LAB 44.83, -43.25, 41.13

 

CMYK 80 / 0 / 90 / 59

HEX #15680A

RGB 21 104 10

HSL 112.98, 0.82%, 0.22%

LAB 37.99, -41.52, 40.73

 

CMYK 95 / 0 / 100 / 66

HEX #045600

RGB 4 86 0

HSL 117.21, 1%, 0.17%

LAB 31.07, -38.5, 37.77

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 43 / 0 / 66 / 45

HEX #508C30

RGB 80 140 48

HSL 99.13, 0.49%, 0.37%

LAB 52.59, -36.6, 41.78

 

CMYK 25 / 0 / 66 / 45

HEX #698C30

RGB 105 140 48

HSL 82.83, 0.49%, 0.37%

LAB 54, -27.16, 43.71

 

CMYK 8 / 0 / 66 / 45

HEX #818C30

RGB 129 140 48

HSL 67.17, 0.49%, 0.37%

LAB 55.72, -16.97, 46.06

 

CMYK 0 / 10 / 66 / 45

HEX #8C7E30

RGB 140 126 48

HSL 50.87, 0.49%, 0.37%

LAB 52.63, -4.45, 43.07

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 0 / 53 / 45

HEX #308C42

RGB 48 140 66

HSL 131.74, 0.49%, 0.37%

LAB 51.59, -43.44, 31.52

 

CMYK 66 / 0 / 36 / 45

HEX #308C5A

RGB 48 140 90

HSL 147.39, 0.49%, 0.37%

LAB 51.98, -39.12, 18.97

 

CMYK 66 / 0 / 18 / 45

HEX #308C73

RGB 48 140 115

HSL 163.7, 0.49%, 0.37%

LAB 52.53, -33.3, 5.47

 

CMYK 66 / 0 / 0 / 45

HEX #308C8C

RGB 48 140 140

HSL 180, 0.49%, 0.37%

LAB 53.25, -26.33, -7.95

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 73 / 0 / 79 / 39

HEX #2A9B20

RGB 42 155 32

HSL 115.12, 0.66%, 0.37%

LAB 56.13, -53.69, 51.22

 

CMYK 83 / 0 / 90 / 33

HEX #1DAB11

RGB 29 171 17

HSL 115.32, 0.82%, 0.37%

LAB 61.16, -61.35, 59.5

 

CMYK 91 / 0 / 99 / 27

HEX #10BA02

RGB 16 186 2

HSL 115.43, 0.98%, 0.37%

LAB 65.93, -67.17, 65.49

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 46 / 0 / 50 / 51

HEX #447D3F

RGB 68 125 63

HSL 115.16, 0.33%, 0.37%

LAB 47.31, -32.09, 27.97

 

CMYK 26 / 0 / 29 / 57

HEX #516E4E

RGB 81 110 78

HSL 114.38, 0.17%, 0.37%

LAB 43.44, -17.47, 14.53

 

CMYK 1 / 0 / 1 / 63

HEX #5D5E5D

RGB 93 94 93

HSL 120, 0.01%, 0.37%

LAB 39.79, -0.6, 0.43

 

CMYK 3 / 28 / 0 / 57

HEX #6A4F6D

RGB 106 79 109

HSL 294, 0.16%, 0.37%

LAB 37.41, 17.09, -12.89

 

CMYK 25 / 0 / 66 / 45

HEX #698C30

RGB 105 140 48

HSL 82.83, 0.49%, 0.37%

LAB 54, -27.16, 43.71

 

CMYK 43 / 0 / 66 / 45

HEX #508C30

RGB 80 140 48

HSL 99.13, 0.49%, 0.37%

LAB 52.59, -36.6, 41.78

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 0 / 54 / 45

HEX #308C41

RGB 48 140 65

HSL 131.09, 0.49%, 0.37%

LAB 51.57, -43.59, 32.02

 

CMYK 66 / 0 / 36 / 45

HEX #308C59

RGB 48 140 89

HSL 146.74, 0.49%, 0.37%

LAB 51.96, -39.33, 19.5

 

CMYK 61 / 0 / 66 / 69

HEX #1F4F1B

RGB 31 79 27

HSL 115.38, 0.49%, 0.21%

LAB 29.32, -28.06, 25.36

 

CMYK 61 / 0 / 66 / 57

HEX #2B6D25

RGB 43 109 37

HSL 115, 0.49%, 0.29%

LAB 40.55, -36.18, 33.14

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 61 / 0 / 66 / 33

HEX #43AB3A

RGB 67 171 58

HSL 115.22, 0.49%, 0.45%

LAB 62.19, -51.81, 47.74

 

CMYK 56 / 0 / 60 / 24

HEX #56C24D

RGB 86 194 77

HSL 115.38, 0.49%, 0.53%

LAB 70.24, -53.67, 48.57

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 8 / 0 / 45

HEX #30818C

RGB 48 129 140

HSL 187.17, 0.49%, 0.37%

LAB 49.76, -20.66, -13.19

 

CMYK 0 / 66 / 34 / 45

HEX #8C305C

RGB 140 48 92

HSL 331.3, 0.49%, 0.37%

LAB 34.93, 43.31, -5.43

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 61 / 0 / 45

HEX #30378C

RGB 48 55 140

HSL 235.43, 0.49%, 0.37%

LAB 27.45, 25.45, -48.27

 

CMYK 0 / 66 / 61 / 45

HEX #8C3037

RGB 140 48 55

HSL 355.43, 0.49%, 0.37%

LAB 33.91, 39.56, 16.96

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 8 / 0 / 45

HEX #30818C

RGB 48 129 140

HSL 187.17, 0.49%, 0.37%

LAB 49.76, -20.66, -13.19

 

CMYK 6 / 66 / 0 / 45

HEX #84308C

RGB 132 48 140

HSL 294.78, 0.49%, 0.37%

LAB 35.82, 48.68, -34.3

 

CMYK 0 / 59 / 66 / 45

HEX #8C3A30

RGB 140 58 48

HSL 6.52, 0.49%, 0.37%

LAB 35.63, 34.18, 23.54

 

CMYK 61 / 0 / 66 / 45

HEX #378C30

RGB 55 140 48

HSL 115.43, 0.49%, 0.37%

LAB 51.59, -44.13, 40.39

 

CMYK 66 / 27 / 0 / 45

HEX #30668C

RGB 48 102 140

HSL 204.78, 0.49%, 0.37%

LAB 41.26, -5.33, -26.26

 

CMYK 6 / 66 / 0 / 45

HEX #84308C

RGB 132 48 140

HSL 294.78, 0.49%, 0.37%

LAB 35.82, 48.68, -34.3

 

CMYK 0 / 39 / 66 / 45

HEX #8C5630

RGB 140 86 48

HSL 24.78, 0.49%, 0.37%

LAB 41.91, 18.62, 31.09

 

Description

Color code: HEX #378C30 | qconv.com Color code: HEX #378C30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 140 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 140 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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