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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3785AD it is the complementary color #C87A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3785AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3785AD shade: #3C85A8, #4D97BB, #5EA9CE, #6FBBE1 and #80CDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3785AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3785AD shade: #3785AD, #26739A, #156187, #044F74 and #003D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3785AD shade: #3785AE, #3765AE, #3745AE, #4837AE and #6837AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3785AD shade: #3785AE, #3765AE, #3745AE and #3737AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3785AD shade matches the following richer shades: #3785AE, #248BC0 and #1191D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3785AD shade: #3785AE, #497F9B, #5C7A89, #6E7476 and #816E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3785AD shade: #37AE96, #37A6AE, #3786AE, #3766AE and #3746AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3785AD shade: #23556F, #2D6D8F, #3785AE, #499BC5 and #68ACCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3785AD shade: #3785AD, #7637AE and #AEA637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3785AD shade: #3785AD, #AE3786 and #86AE37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3785AD shade: #3785AD, #7637AE, #AE5E37 and #6EAE37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3785AD shade: #3785AD, #9A37AE, #AE5E37 and #4AAE37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

Complementary color

CMYK 0 / 39 / 59 / 22

HEX #C87A52

RGB 200 122 82

HSL 20.34, 0.52%, 0.55%

LAB 58.8, 26.53, 34.54

 

CMYK 64 / 21 / 0 / 34

HEX #3C85A8

RGB 60 133 168

HSL 199.44, 0.47%, 0.45%

LAB 52.47, -11.66, -25.31

 

CMYK 59 / 19 / 0 / 27

HEX #4D97BB

RGB 77 151 187

HSL 199.64, 0.45%, 0.52%

LAB 59.25, -12.34, -25.65

 

CMYK 54 / 18 / 0 / 19

HEX #5EA9CE

RGB 94 169 206

HSL 199.82, 0.53%, 0.59%

LAB 65.91, -12.85, -25.96

 

CMYK 51 / 17 / 0 / 12

HEX #6FBBE1

RGB 111 187 225

HSL 200, 0.66%, 0.66%

LAB 72.47, -13.25, -26.27

 

CMYK 48 / 16 / 0 / 4

HEX #80CDF4

RGB 128 205 244

HSL 200.17, 0.84%, 0.73%

LAB 78.92, -13.56, -26.57

 

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

CMYK 75 / 25 / 0 / 40

HEX #26739A

RGB 38 115 154

HSL 200.17, 0.6%, 0.38%

LAB 45.64, -9.66, -27.78

 

CMYK 84 / 28 / 0 / 47

HEX #156187

RGB 21 97 135

HSL 200, 0.73%, 0.31%

LAB 38.65, -8.04, -27.37

 

CMYK 97 / 32 / 0 / 55

HEX #044F74

RGB 4 79 116

HSL 199.82, 0.93%, 0.24%

LAB 31.53, -5.8, -26.86

 

CMYK 100 / 37 / 0 / 62

HEX #003D61

RGB 0 61 97

HSL 202.27, 1%, 0.19%

LAB 24.32, -2.44, -26.15

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 68 / 42 / 0 / 32

HEX #3765AE

RGB 55 101 174

HSL 216.81, 0.52%, 0.45%

LAB 43.03, 8.81, -43.65

 

CMYK 68 / 60 / 0 / 32

HEX #3745AE

RGB 55 69 174

HSL 232.94, 0.52%, 0.45%

LAB 34.24, 29.62, -57.82

 

CMYK 59 / 68 / 0 / 32

HEX #4837AE

RGB 72 55 174

HSL 248.57, 0.52%, 0.45%

LAB 32.18, 40.89, -61.13

 

CMYK 40 / 68 / 0 / 32

HEX #6837AE

RGB 104 55 174

HSL 264.71, 0.52%, 0.45%

LAB 35.46, 46.66, -55.64

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 68 / 42 / 0 / 32

HEX #3765AE

RGB 55 101 174

HSL 216.81, 0.52%, 0.45%

LAB 43.03, 8.81, -43.65

 

CMYK 68 / 60 / 0 / 32

HEX #3745AE

RGB 55 69 174

HSL 232.94, 0.52%, 0.45%

LAB 34.24, 29.62, -57.82

 

CMYK 68 / 68 / 0 / 32

HEX #3737AE

RGB 55 55 174

HSL 240, 0.52%, 0.45%

LAB 30.88, 38.47, -63.31

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 81 / 28 / 0 / 25

HEX #248BC0

RGB 36 139 192

HSL 200.38, 0.68%, 0.45%

LAB 54.71, -10, -35.63

 

CMYK 92 / 31 / 0 / 17

HEX #1191D3

RGB 17 145 211

HSL 200.41, 0.85%, 0.45%

LAB 57.15, -7.76, -42.55

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 53 / 18 / 0 / 39

HEX #497F9B

RGB 73 127 155

HSL 200.49, 0.36%, 0.45%

LAB 50.64, -9.72, -20.54

 

CMYK 33 / 11 / 0 / 46

HEX #5C7A89

RGB 92 122 137

HSL 200, 0.2%, 0.45%

LAB 49.5, -6.88, -11.64

 

CMYK 7 / 2 / 0 / 54

HEX #6E7476

RGB 110 116 118

HSL 195, 0.04%, 0.45%

LAB 48.4, -1.83, -1.89

 

CMYK 0 / 15 / 22 / 49

HEX #816E64

RGB 129 110 100

HSL 20.69, 0.13%, 0.45%

LAB 47.93, 5.76, 8.34

 

CMYK 68 / 0 / 14 / 32

HEX #37AE96

RGB 55 174 150

HSL 167.9, 0.52%, 0.45%

LAB 64.39, -38.52, 2.78

 

CMYK 68 / 5 / 0 / 32

HEX #37A6AE

RGB 55 166 174

HSL 184.03, 0.52%, 0.45%

LAB 62.63, -28, -13.25

 

CMYK 68 / 23 / 0 / 32

HEX #3786AE

RGB 55 134 174

HSL 200.17, 0.52%, 0.45%

LAB 52.86, -11.06, -28.18

 

CMYK 68 / 41 / 0 / 32

HEX #3766AE

RGB 55 102 174

HSL 216.3, 0.52%, 0.45%

LAB 43.32, 8.17, -43.19

 

CMYK 68 / 60 / 0 / 32

HEX #3746AE

RGB 55 70 174

HSL 232.44, 0.52%, 0.45%

LAB 34.5, 28.97, -57.4

 

CMYK 68 / 23 / 0 / 56

HEX #23556F

RGB 35 85 111

HSL 200.53, 0.52%, 0.29%

LAB 33.99, -7.78, -19.85

 

CMYK 69 / 24 / 0 / 44

HEX #2D6D8F

RGB 45 109 143

HSL 200.82, 0.52%, 0.37%

LAB 43.48, -9, -24.61

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 63 / 21 / 0 / 23

HEX #499BC5

RGB 73 155 197

HSL 200.32, 0.52%, 0.53%

LAB 60.68, -12.13, -29.07

 

CMYK 50 / 17 / 0 / 19

HEX #68ACCF

RGB 104 172 207

HSL 200.39, 0.52%, 0.61%

LAB 67.24, -11.97, -24.44

 

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

CMYK 32 / 68 / 0 / 32

HEX #7637AE

RGB 118 55 174

HSL 271.76, 0.52%, 0.45%

LAB 37.19, 49.54, -52.76

 

CMYK 0 / 5 / 68 / 32

HEX #AEA637

RGB 174 166 55

HSL 55.97, 0.52%, 0.45%

LAB 66.94, -10.44, 55.89

 

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

CMYK 0 / 68 / 23 / 32

HEX #AE3786

RGB 174 55 134

HSL 320.17, 0.52%, 0.45%

LAB 43.44, 55.95, -18.22

 

CMYK 23 / 0 / 68 / 32

HEX #86AE37

RGB 134 174 55

HSL 80.17, 0.52%, 0.45%

LAB 66.23, -31.28, 54.21

 

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

CMYK 32 / 68 / 0 / 32

HEX #7637AE

RGB 118 55 174

HSL 271.76, 0.52%, 0.45%

LAB 37.19, 49.54, -52.76

 

CMYK 0 / 46 / 68 / 32

HEX #AE5E37

RGB 174 94 55

HSL 19.66, 0.52%, 0.45%

LAB 48.61, 29.19, 36.22

 

CMYK 37 / 0 / 68 / 32

HEX #6EAE37

RGB 110 174 55

HSL 92.27, 0.52%, 0.45%

LAB 64.85, -40.33, 52.35

 

CMYK 68 / 23 / 0 / 32

HEX #3785AD

RGB 55 133 173

HSL 200.34, 0.52%, 0.45%

LAB 52.51, -10.84, -28.14

 

CMYK 11 / 68 / 0 / 32

HEX #9A37AE

RGB 154 55 174

HSL 289.92, 0.52%, 0.45%

LAB 42.24, 57.48, -44.37

 

CMYK 0 / 46 / 68 / 32

HEX #AE5E37

RGB 174 94 55

HSL 19.66, 0.52%, 0.45%

LAB 48.61, 29.19, 36.22

 

CMYK 57 / 0 / 68 / 32

HEX #4AAE37

RGB 74 174 55

HSL 110.42, 0.52%, 0.45%

LAB 63.35, -51.46, 50.3

 

Description

Color code: HEX #3785AD | qconv.com Color code: HEX #3785AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 133 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 133 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 23 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 23% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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