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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375A33 it is the complementary color #C8A5CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375A33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375A33 shade: #3C5A2E, #4D6C41, #5E7E54, #6F9067 and #80A27A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375A33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375A33 shade: #375A33, #264820, #15360D, #042400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375A33 shade: #375B33, #425B33, #4D5B33, #575B33 and #5B5433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375A33 shade: #375B33, #335B3A, #335B44, #335B4F and #335B5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375A33 shade matches the following richer shades: #375B33, #2E6627, #25721C, #1B7E10 and #128905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375A33 shade: #375B33, #404F3E, #49444A, #533856 and #5C2D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375A33 shade: #4D5B33, #425B33, #385B33, #335B39 and #335B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375A33 shade: #172615, #274024, #375B33, #477542 and #579051

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375A33 shade: #375A33, #33585B and #5B3348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375A33 shade: #375A33, #33385B and #5B3338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375A33 shade: #375A33, #33585B, #56335B and #5B3633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375A33 shade: #375A33, #334C5B, #56335B and #5B4233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

Complementary color

CMYK 2 / 19 / 0 / 20

HEX #C8A5CC

RGB 200 165 204

HSL 293.85, 0.28%, 0.72%

LAB 71.93, 19.66, -15.05

 

CMYK 33 / 0 / 49 / 65

HEX #3C5A2E

RGB 60 90 46

HSL 100.91, 0.32%, 0.27%

LAB 34.94, -20.36, 21.89

 

CMYK 29 / 0 / 40 / 58

HEX #4D6C41

RGB 77 108 65

HSL 103.26, 0.25%, 0.34%

LAB 42.28, -20.19, 20.54

 

CMYK 25 / 0 / 33 / 51

HEX #5E7E54

RGB 94 126 84

HSL 105.71, 0.2%, 0.41%

LAB 49.43, -19.99, 19.29

 

CMYK 23 / 0 / 28 / 44

HEX #6F9067

RGB 111 144 103

HSL 108.29, 0.17%, 0.48%

LAB 56.39, -19.8, 18.14

 

CMYK 21 / 0 / 25 / 36

HEX #80A27A

RGB 128 162 122

HSL 111, 0.18%, 0.56%

LAB 63.21, -19.62, 17.07

 

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

CMYK 47 / 0 / 56 / 72

HEX #264820

RGB 38 72 32

HSL 111, 0.38%, 0.2%

LAB 27.16, -21.66, 20.08

 

CMYK 61 / 0 / 76 / 79

HEX #15360D

RGB 21 54 13

HSL 108.29, 0.61%, 0.13%

LAB 19.34, -21.53, 21.37

 

CMYK 89 / 0 / 100 / 86

HEX #042400

RGB 4 36 0

HSL 113.33, 1%, 0.07%

LAB 11.19, -20.33, 16.25

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 40 / 0 / 44 / 64

HEX #375B33

RGB 55 91 51

HSL 114, 0.28%, 0.28%

LAB 35.07, -22, 19.07

 

CMYK 27 / 0 / 44 / 64

HEX #425B33

RGB 66 91 51

HSL 97.5, 0.28%, 0.28%

LAB 35.75, -17.7, 20.08

 

CMYK 15 / 0 / 44 / 64

HEX #4D5B33

RGB 77 91 51

HSL 81, 0.28%, 0.28%

LAB 36.55, -13.03, 21.27

 

CMYK 4 / 0 / 44 / 64

HEX #575B33

RGB 87 91 51

HSL 66, 0.28%, 0.28%

LAB 37.39, -8.56, 22.5

 

CMYK 0 / 8 / 44 / 64

HEX #5B5433

RGB 91 84 51

HSL 49.5, 0.28%, 0.28%

LAB 35.6, -2.56, 20.31

 

CMYK 40 / 0 / 44 / 64

HEX #375B33

RGB 55 91 51

HSL 114, 0.28%, 0.28%

LAB 35.07, -22, 19.07

 

CMYK 44 / 0 / 36 / 64

HEX #335B3A

RGB 51 91 58

HSL 130.5, 0.28%, 0.28%

LAB 34.99, -22.13, 14.73

 

CMYK 44 / 0 / 25 / 64

HEX #335B44

RGB 51 91 68

HSL 145.5, 0.28%, 0.28%

LAB 35.21, -20, 8.92

 

CMYK 44 / 0 / 13 / 64

HEX #335B4F

RGB 51 91 79

HSL 162, 0.28%, 0.28%

LAB 35.5, -17.33, 2.51

 

CMYK 44 / 0 / 1 / 64

HEX #335B5A

RGB 51 91 90

HSL 178.5, 0.28%, 0.28%

LAB 35.84, -14.34, -3.85

 

CMYK 40 / 0 / 44 / 64

HEX #375B33

RGB 55 91 51

HSL 114, 0.28%, 0.28%

LAB 35.07, -22, 19.07

 

CMYK 55 / 0 / 62 / 60

HEX #2E6627

RGB 46 102 39

HSL 113.33, 0.45%, 0.28%

LAB 38.25, -32.09, 29.56

 

CMYK 68 / 0 / 75 / 55

HEX #25721C

RGB 37 114 28

HSL 113.72, 0.61%, 0.28%

LAB 42.02, -40.6, 38.67

 

CMYK 79 / 0 / 87 / 51

HEX #1B7E10

RGB 27 126 16

HSL 114, 0.77%, 0.28%

LAB 45.9, -47.61, 46.31

 

CMYK 87 / 0 / 96 / 46

HEX #128905

RGB 18 137 5

HSL 114.09, 0.93%, 0.28%

LAB 49.53, -52.71, 51.67

 

CMYK 40 / 0 / 44 / 64

HEX #375B33

RGB 55 91 51

HSL 114, 0.28%, 0.28%

LAB 35.07, -22, 19.07

 

CMYK 19 / 0 / 22 / 69

HEX #404F3E

RGB 64 79 62

HSL 112.94, 0.12%, 0.28%

LAB 31.87, -9.74, 8.12

 

CMYK 1 / 8 / 0 / 71

HEX #49444A

RGB 73 68 74

HSL 290, 0.04%, 0.28%

LAB 29.53, 3.41, -2.85

 

CMYK 3 / 35 / 0 / 66

HEX #533856

RGB 83 56 86

HSL 294, 0.21%, 0.28%

LAB 27.68, 17.87, -13.34

 

CMYK 5 / 54 / 0 / 62

HEX #5C2D61

RGB 92 45 97

HSL 294.23, 0.37%, 0.28%

LAB 26.78, 30.16, -21.82

 

CMYK 15 / 0 / 44 / 64

HEX #4D5B33

RGB 77 91 51

HSL 81, 0.28%, 0.28%

LAB 36.55, -13.03, 21.27

 

CMYK 27 / 0 / 44 / 64

HEX #425B33

RGB 66 91 51

HSL 97.5, 0.28%, 0.28%

LAB 35.75, -17.7, 20.08

 

CMYK 38 / 0 / 44 / 64

HEX #385B33

RGB 56 91 51

HSL 112.5, 0.28%, 0.28%

LAB 35.13, -21.63, 19.16

 

CMYK 44 / 0 / 37 / 64

HEX #335B39

RGB 51 91 57

HSL 129, 0.28%, 0.28%

LAB 34.97, -22.33, 15.31

 

CMYK 44 / 0 / 25 / 64

HEX #335B44

RGB 51 91 68

HSL 145.5, 0.28%, 0.28%

LAB 35.21, -20, 8.92

 

CMYK 39 / 0 / 45 / 85

HEX #172615

RGB 23 38 21

HSL 112.94, 0.29%, 0.12%

LAB 13.37, -10.75, 9.31

 

CMYK 39 / 0 / 44 / 75

HEX #274024

RGB 39 64 36

HSL 113.57, 0.28%, 0.2%

LAB 24.4, -16.34, 14.16

 

CMYK 40 / 0 / 44 / 64

HEX #375B33

RGB 55 91 51

HSL 114, 0.28%, 0.28%

LAB 35.07, -22, 19.07

 

CMYK 39 / 0 / 44 / 54

HEX #477542

RGB 71 117 66

HSL 114.12, 0.28%, 0.36%

LAB 44.88, -26.82, 23.27

 

CMYK 40 / 0 / 44 / 44

HEX #579051

RGB 87 144 81

HSL 114.29, 0.28%, 0.44%

LAB 54.62, -31.89, 27.7

 

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

CMYK 44 / 3 / 0 / 64

HEX #33585B

RGB 51 88 91

HSL 184.5, 0.28%, 0.28%

LAB 34.88, -12.32, -5.9

 

CMYK 0 / 44 / 21 / 64

HEX #5B3348

RGB 91 51 72

HSL 328.5, 0.28%, 0.28%

LAB 26.9, 21.28, -5.21

 

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

CMYK 44 / 38 / 0 / 64

HEX #33385B

RGB 51 56 91

HSL 232.5, 0.28%, 0.28%

LAB 24.6, 8.1, -21.65

 

CMYK 0 / 44 / 38 / 64

HEX #5B3338

RGB 91 51 56

HSL 352.5, 0.28%, 0.28%

LAB 26.38, 18.72, 4.67

 

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

CMYK 44 / 3 / 0 / 64

HEX #33585B

RGB 51 88 91

HSL 184.5, 0.28%, 0.28%

LAB 34.88, -12.32, -5.9

 

CMYK 5 / 44 / 0 / 64

HEX #56335B

RGB 86 51 91

HSL 292.5, 0.28%, 0.28%

LAB 27.02, 23.24, -17.59

 

CMYK 0 / 41 / 44 / 64

HEX #5B3633

RGB 91 54 51

HSL 4.5, 0.28%, 0.28%

LAB 27.02, 16.17, 8.88

 

CMYK 39 / 0 / 43 / 65

HEX #375A33

RGB 55 90 51

HSL 113.85, 0.28%, 0.28%

LAB 34.73, -21.48, 18.63

 

CMYK 44 / 16 / 0 / 64

HEX #334C5B

RGB 51 76 91

HSL 202.5, 0.28%, 0.28%

LAB 30.94, -5.07, -11.84

 

CMYK 5 / 44 / 0 / 64

HEX #56335B

RGB 86 51 91

HSL 292.5, 0.28%, 0.28%

LAB 27.02, 23.24, -17.59

 

CMYK 0 / 27 / 44 / 64

HEX #5B4233

RGB 91 66 51

HSL 22.5, 0.28%, 0.28%

LAB 30.3, 8.6, 13.36

 

Description

Color code: HEX #375A33 | qconv.com Color code: HEX #375A33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 90 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 90 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 43 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 43% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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