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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374718 it is the complementary color #C8B8E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374718 shade: #3C4713, #4D5926, #5E6B39, #6F7D4C and #808F5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374718 shade: #374718, #263505, #152300 and #041100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374718 shade: #384818, #444818, #483E18, #483118 and #482518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374718 shade: #384818, #2B4818, #1E4818, #18481F and #18482C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374718 shade matches the following richer shades: #384818, #3A5010, #3D5709 and #3F5F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374718 shade: #384818, #354020, #333828, #303030 and #2E2838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374718 shade: #483E18, #454818, #384818, #2B4818 and #1F4818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374718 shade: #080A03, #20290E, #384818, #4F6623 and #67852D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374718 shade: #374718, #184832 and #451848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374718 shade: #374718, #183848 and #481838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374718 shade: #374718, #184832, #281848 and #48182E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374718 shade: #374718, #184840, #281848 and #481820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

Complementary color

CMYK 13 / 20 / 0 / 9

HEX #C8B8E7

RGB 200 184 231

HSL 260.43, 0.49%, 0.81%

LAB 77.48, 14.7, -21.37

 

CMYK 15 / 0 / 73 / 72

HEX #3C4713

RGB 60 71 19

HSL 72.69, 0.58%, 0.18%

LAB 28.15, -13.06, 28.64

 

CMYK 13 / 0 / 57 / 65

HEX #4D5926

RGB 77 89 38

HSL 74.12, 0.4%, 0.25%

LAB 35.72, -13.51, 27.6

 

CMYK 12 / 0 / 47 / 58

HEX #5E6B39

RGB 94 107 57

HSL 75.6, 0.3%, 0.32%

LAB 43.05, -13.76, 26.31

 

CMYK 11 / 0 / 39 / 51

HEX #6F7D4C

RGB 111 125 76

HSL 77.14, 0.24%, 0.39%

LAB 50.18, -13.89, 25.02

 

CMYK 10 / 0 / 34 / 44

HEX #808F5F

RGB 128 143 95

HSL 78.75, 0.2%, 0.47%

LAB 57.13, -13.97, 23.8

 

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

CMYK 28 / 0 / 91 / 79

HEX #263505

RGB 38 53 5

HSL 78.75, 0.83%, 0.11%

LAB 19.92, -14.53, 25.68

 

CMYK 40 / 0 / 100 / 86

HEX #152300

RGB 21 35 0

HSL 84, 1%, 0.07%

LAB 11.7, -13.21, 17.1

 

CMYK 76 / 0 / 100 / 93

HEX #041100

RGB 4 17 0

HSL 105.88, 1%, 0.03%

LAB 3.85, -6.35, 5.66

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 6 / 0 / 67 / 72

HEX #444818

RGB 68 72 24

HSL 65, 0.5%, 0.19%

LAB 29.23, -9.31, 27.5

 

CMYK 0 / 14 / 67 / 72

HEX #483E18

RGB 72 62 24

HSL 47.5, 0.5%, 0.19%

LAB 26.42, -1.15, 24.48

 

CMYK 0 / 32 / 67 / 72

HEX #483118

RGB 72 49 24

HSL 31.25, 0.5%, 0.19%

LAB 22.44, 7.27, 19.89

 

CMYK 0 / 49 / 67 / 72

HEX #482518

RGB 72 37 24

HSL 16.25, 0.5%, 0.19%

LAB 19.08, 15.1, 15.81

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 40 / 0 / 67 / 72

HEX #2B4818

RGB 43 72 24

HSL 96.25, 0.5%, 0.19%

LAB 27.34, -20.79, 24.86

 

CMYK 58 / 0 / 67 / 72

HEX #1E4818

RGB 30 72 24

HSL 112.5, 0.5%, 0.19%

LAB 26.67, -25.59, 23.92

 

CMYK 67 / 0 / 57 / 72

HEX #18481F

RGB 24 72 31

HSL 128.75, 0.5%, 0.19%

LAB 26.53, -26.33, 19.75

 

CMYK 67 / 0 / 39 / 72

HEX #18482C

RGB 24 72 44

HSL 145, 0.5%, 0.19%

LAB 26.77, -23.75, 12.12

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 28 / 0 / 80 / 69

HEX #3A5010

RGB 58 80 16

HSL 80.63, 0.67%, 0.19%

LAB 31.05, -19.2, 32.86

 

CMYK 30 / 0 / 90 / 66

HEX #3D5709

RGB 61 87 9

HSL 80, 0.81%, 0.19%

LAB 33.62, -21.89, 37.76

 

CMYK 34 / 0 / 99 / 63

HEX #3F5F01

RGB 63 95 1

HSL 80.43, 0.98%, 0.19%

LAB 36.45, -25.37, 42.6

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 17 / 0 / 50 / 75

HEX #354020

RGB 53 64 32

HSL 80.63, 0.33%, 0.19%

LAB 25.35, -10.88, 18.06

 

CMYK 9 / 0 / 29 / 78

HEX #333828

RGB 51 56 40

HSL 78.75, 0.17%, 0.19%

LAB 22.6, -5.57, 9.32

 

CMYK 0 / 0 / 0 / 81

HEX #303030

RGB 48 48 48

HSL 0, 0%, 0.19%

LAB 19.87, 0, -0

 

CMYK 18 / 29 / 0 / 78

HEX #2E2838

RGB 46 40 56

HSL 262.5, 0.17%, 0.19%

LAB 17.39, 6.74, -9.28

 

CMYK 0 / 14 / 67 / 72

HEX #483E18

RGB 72 62 24

HSL 47.5, 0.5%, 0.19%

LAB 26.42, -1.15, 24.48

 

CMYK 4 / 0 / 67 / 72

HEX #454818

RGB 69 72 24

HSL 63.75, 0.5%, 0.19%

LAB 29.33, -8.82, 27.62

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 40 / 0 / 67 / 72

HEX #2B4818

RGB 43 72 24

HSL 96.25, 0.5%, 0.19%

LAB 27.34, -20.79, 24.86

 

CMYK 57 / 0 / 67 / 72

HEX #1F4818

RGB 31 72 24

HSL 111.25, 0.5%, 0.19%

LAB 26.71, -25.26, 23.98

 

CMYK 20 / 0 / 70 / 96

HEX #080A03

RGB 8 10 3

HSL 77.14, 0.54%, 0.03%

LAB 2.49, -1.5, 2.46

 

CMYK 22 / 0 / 66 / 84

HEX #20290E

RGB 32 41 14

HSL 80, 0.49%, 0.11%

LAB 15.09, -9.48, 15.86

 

CMYK 22 / 0 / 67 / 72

HEX #384818

RGB 56 72 24

HSL 80, 0.5%, 0.19%

LAB 28.22, -15.08, 26.1

 

CMYK 23 / 0 / 66 / 60

HEX #4F6623

RGB 79 102 35

HSL 80.6, 0.49%, 0.27%

LAB 40.06, -19.99, 34.09

 

CMYK 23 / 0 / 66 / 48

HEX #67852D

RGB 103 133 45

HSL 80.45, 0.49%, 0.35%

LAB 51.67, -24.77, 42.5

 

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

CMYK 67 / 0 / 31 / 72

HEX #184832

RGB 24 72 50

HSL 152.5, 0.5%, 0.19%

LAB 26.9, -22.31, 8.49

 

CMYK 4 / 67 / 0 / 72

HEX #451848

RGB 69 24 72

HSL 296.25, 0.5%, 0.19%

LAB 17.4, 29.25, -20.11

 

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

CMYK 67 / 22 / 0 / 72

HEX #183848

RGB 24 56 72

HSL 200, 0.5%, 0.19%

LAB 21.91, -6.08, -13.39

 

CMYK 0 / 67 / 22 / 72

HEX #481838

RGB 72 24 56

HSL 320, 0.5%, 0.19%

LAB 17.07, 27.12, -9.43

 

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

CMYK 67 / 0 / 31 / 72

HEX #184832

RGB 24 72 50

HSL 152.5, 0.5%, 0.19%

LAB 26.9, -22.31, 8.49

 

CMYK 44 / 67 / 0 / 72

HEX #281848

RGB 40 24 72

HSL 260, 0.5%, 0.19%

LAB 13.06, 20.84, -27.29

 

CMYK 0 / 67 / 36 / 72

HEX #48182E

RGB 72 24 46

HSL 332.5, 0.5%, 0.19%

LAB 16.64, 25.52, -2.97

 

CMYK 23 / 0 / 66 / 72

HEX #374718

RGB 55 71 24

HSL 80.43, 0.49%, 0.19%

LAB 27.8, -14.98, 25.6

 

CMYK 67 / 0 / 11 / 72

HEX #184840

RGB 24 72 64

HSL 170, 0.5%, 0.19%

LAB 27.29, -18.4, -0.01

 

CMYK 44 / 67 / 0 / 72

HEX #281848

RGB 40 24 72

HSL 260, 0.5%, 0.19%

LAB 13.06, 20.84, -27.29

 

CMYK 0 / 67 / 56 / 72

HEX #481820

RGB 72 24 32

HSL 350, 0.5%, 0.19%

LAB 16.18, 23.74, 6.43

 

Description

Color code: HEX #374718 | qconv.com Color code: HEX #374718 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 71 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 71 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 66 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 66% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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