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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #373D9E it is the complementary color #C8C261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #373D9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #373D9E shade: #3C3D99, #4D4FAC, #5E61BF, #6F73D2 and #8085E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #373D9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #373D9E shade: #373D9E, #262B8B, #151978, #040765 and #000052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #373D9E shade: #373D9E, #4D379E, #69379E, #84379E and #9E379C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #373D9E shade: #373D9E and #37379E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #373D9E shade matches the following richer shades: #373D9E, #262EAF, #151FC1 and #030FD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #373D9E shade: #373D9E, #494C8D, #5A5C7B, #6B6B6A and #7D7A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #373D9E shade: #37759E, #37599E, #373E9E, #4C379E and #67379E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #373D9E shade: #222561, #2C317F, #373D9E, #4249BC and #6167C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #373D9E shade: #373D9E, #9E3790 and #679E37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #373D9E shade: #373D9E, #9E373E and #3E9E37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #373D9E shade: #373D9E, #9E3790, #9E9737 and #379E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #373D9E shade: #373D9E, #9E3771, #9E9737 and #379E64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

Complementary color

CMYK 0 / 3 / 52 / 22

HEX #C8C261

RGB 200 194 97

HSL 56.5, 0.48%, 0.58%

LAB 77.12, -10.89, 48.97

 

CMYK 61 / 60 / 0 / 40

HEX #3C3D99

RGB 60 61 153

HSL 239.35, 0.44%, 0.42%

LAB 30.87, 28.21, -50.64

 

CMYK 55 / 54 / 0 / 33

HEX #4D4FAC

RGB 77 79 172

HSL 238.74, 0.38%, 0.49%

LAB 38.11, 26.38, -50.29

 

CMYK 51 / 49 / 0 / 25

HEX #5E61BF

RGB 94 97 191

HSL 238.14, 0.43%, 0.56%

LAB 45.21, 24.86, -49.96

 

CMYK 47 / 45 / 0 / 18

HEX #6F73D2

RGB 111 115 210

HSL 237.58, 0.52%, 0.63%

LAB 52.17, 23.6, -49.66

 

CMYK 44 / 42 / 0 / 10

HEX #8085E5

RGB 128 133 229

HSL 237.03, 0.66%, 0.7%

LAB 58.99, 22.52, -49.41

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 73 / 69 / 0 / 45

HEX #262B8B

RGB 38 43 139

HSL 237.03, 0.57%, 0.35%

LAB 23.68, 31.55, -53.83

 

CMYK 83 / 79 / 0 / 53

HEX #151978

RGB 21 25 120

HSL 237.58, 0.7%, 0.28%

LAB 16.56, 34.27, -53.6

 

CMYK 96 / 93 / 0 / 60

HEX #040765

RGB 4 7 101

HSL 238.14, 0.92%, 0.21%

LAB 9.93, 36.42, -52.22

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 51 / 65 / 0 / 38

HEX #4D379E

RGB 77 55 158

HSL 252.82, 0.48%, 0.42%

LAB 31.3, 36.79, -52.93

 

CMYK 34 / 65 / 0 / 38

HEX #69379E

RGB 105 55 158

HSL 269.13, 0.48%, 0.42%

LAB 34.4, 42.73, -47.75

 

CMYK 16 / 65 / 0 / 38

HEX #84379E

RGB 132 55 158

HSL 284.85, 0.48%, 0.42%

LAB 38.03, 49.11, -41.72

 

CMYK 0 / 65 / 1 / 38

HEX #9E379C

RGB 158 55 156

HSL 301.17, 0.48%, 0.42%

LAB 41.85, 55.15, -34.22

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 65 / 65 / 0 / 38

HEX #37379E

RGB 55 55 158

HSL 240, 0.48%, 0.42%

LAB 29.45, 32.96, -56.03

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 78 / 74 / 0 / 31

HEX #262EAF

RGB 38 46 175

HSL 236.5, 0.64%, 0.42%

LAB 28.01, 42.46, -68.67

 

CMYK 89 / 84 / 0 / 24

HEX #151FC1

RGB 21 31 193

HSL 236.51, 0.8%, 0.42%

LAB 26.71, 55.26, -81.56

 

CMYK 99 / 93 / 0 / 18

HEX #030FD2

RGB 3 15 210

HSL 236.52, 0.97%, 0.42%

LAB 26.78, 65.35, -91.41

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 48 / 46 / 0 / 45

HEX #494C8D

RGB 73 76 141

HSL 237.35, 0.32%, 0.42%

LAB 35.02, 17.22, -36.6

 

CMYK 27 / 25 / 0 / 52

HEX #5A5C7B

RGB 90 92 123

HSL 236.36, 0.15%, 0.42%

LAB 40.01, 6.72, -17.68

 

CMYK 0 / 0 / 1 / 58

HEX #6B6B6A

RGB 107 107 106

HSL 60, 0%, 0.42%

LAB 45.2, -0.2, 0.55

 

CMYK 0 / 2 / 29 / 51

HEX #7D7A59

RGB 125 122 89

HSL 55, 0.17%, 0.42%

LAB 50.69, -4.52, 18.53

 

CMYK 65 / 26 / 0 / 38

HEX #37759E

RGB 55 117 158

HSL 203.88, 0.48%, 0.42%

LAB 46.98, -6.72, -28.02

 

CMYK 65 / 44 / 0 / 38

HEX #37599E

RGB 55 89 158

HSL 220.19, 0.48%, 0.42%

LAB 38.6, 10.67, -41.24

 

CMYK 65 / 61 / 0 / 38

HEX #373E9E

RGB 55 62 158

HSL 235.92, 0.48%, 0.42%

LAB 31.18, 28.45, -53.21

 

CMYK 52 / 65 / 0 / 38

HEX #4C379E

RGB 76 55 158

HSL 252.23, 0.48%, 0.42%

LAB 31.2, 36.6, -53.09

 

CMYK 35 / 65 / 0 / 38

HEX #67379E

RGB 103 55 158

HSL 267.96, 0.48%, 0.42%

LAB 34.16, 42.28, -48.16

 

CMYK 65 / 62 / 0 / 62

HEX #222561

RGB 34 37 97

HSL 237.14, 0.48%, 0.26%

LAB 18.04, 19.3, -36.16

 

CMYK 65 / 61 / 0 / 50

HEX #2C317F

RGB 44 49 127

HSL 236.39, 0.49%, 0.34%

LAB 24.53, 24.04, -44.92

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 65 / 61 / 0 / 26

HEX #4249BC

RGB 66 73 188

HSL 236.56, 0.48%, 0.5%

LAB 37.03, 33.62, -61.52

 

CMYK 51 / 48 / 0 / 22

HEX #6167C7

RGB 97 103 199

HSL 236.47, 0.48%, 0.58%

LAB 47.45, 24.34, -50.97

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 0 / 65 / 9 / 38

HEX #9E3790

RGB 158 55 144

HSL 308.16, 0.48%, 0.42%

LAB 41.24, 53.13, -27.92

 

CMYK 35 / 0 / 65 / 38

HEX #679E37

RGB 103 158 55

HSL 92.04, 0.48%, 0.42%

LAB 59.54, -35.77, 46.58

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 0 / 65 / 61 / 38

HEX #9E373E

RGB 158 55 62

HSL 355.92, 0.48%, 0.42%

LAB 38.46, 43.25, 19.11

 

CMYK 61 / 0 / 65 / 38

HEX #3E9E37

RGB 62 158 55

HSL 115.92, 0.48%, 0.42%

LAB 57.8, -48.5, 44.18

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 0 / 65 / 9 / 38

HEX #9E3790

RGB 158 55 144

HSL 308.16, 0.48%, 0.42%

LAB 41.24, 53.13, -27.92

 

CMYK 0 / 4 / 65 / 38

HEX #9E9737

RGB 158 151 55

HSL 55.92, 0.48%, 0.42%

LAB 61.38, -9.54, 49.71

 

CMYK 65 / 0 / 56 / 38

HEX #379E45

RGB 55 158 69

HSL 128.16, 0.48%, 0.42%

LAB 57.75, -48.42, 37.5

 

CMYK 65 / 61 / 0 / 38

HEX #373D9E

RGB 55 61 158

HSL 236.5, 0.48%, 0.42%

LAB 30.92, 29.11, -53.62

 

CMYK 0 / 65 / 28 / 38

HEX #9E3771

RGB 158 55 113

HSL 326.21, 0.48%, 0.42%

LAB 39.9, 48.52, -10.91

 

CMYK 0 / 4 / 65 / 38

HEX #9E9737

RGB 158 151 55

HSL 55.92, 0.48%, 0.42%

LAB 61.38, -9.54, 49.71

 

CMYK 65 / 0 / 37 / 38

HEX #379E64

RGB 55 158 100

HSL 146.21, 0.48%, 0.42%

LAB 58.21, -43.22, 21.84

 

Description

Color code: HEX #373D9E | qconv.com Color code: HEX #373D9E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 61 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 61 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 61 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 61% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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