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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37367C it is the complementary color #C8C983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37367C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37367C shade: #3C3677, #4D488A, #5E5A9D, #6F6CB0 and #807EC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37367C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37367C shade: #37367C, #262469, #151256, #040043 and #000030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37367C shade: #37367C, #4A367C, #5C367C, #6F367C and #7C3675

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37367C shade: #37367C and #36367C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37367C shade matches the following richer shades: #37367C, #29288A, #1B1998 and #0D0BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37367C shade: #37367C, #45446D, #53535F, #616150 and #6F7042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37367C shade: #365B7C, #36497C, #36367C, #49367C and #5B367C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37367C shade: #1D1D42, #2A295F, #37367C, #444398 and #5351B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37367C shade: #37367C, #7C366E and #527C36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37367C shade: #37367C, #7C3636 and #367C36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37367C shade: #37367C, #7C366E, #7C7C36 and #367C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37367C shade: #37367C, #7C3659, #7C7C36 and #367C59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

Complementary color

CMYK 0 / 0 / 35 / 21

HEX #C8C983

RGB 200 201 131

HSL 60.86, 0.39%, 0.65%

LAB 79.44, -10.99, 34.91

 

CMYK 50 / 55 / 0 / 53

HEX #3C3677

RGB 60 54 119

HSL 245.54, 0.38%, 0.34%

LAB 26.54, 21.25, -36.55

 

CMYK 44 / 48 / 0 / 46

HEX #4D488A

RGB 77 72 138

HSL 244.55, 0.31%, 0.41%

LAB 34.08, 19.9, -36.24

 

CMYK 40 / 43 / 0 / 38

HEX #5E5A9D

RGB 94 90 157

HSL 243.58, 0.27%, 0.48%

LAB 41.42, 18.81, -36

 

CMYK 37 / 39 / 0 / 31

HEX #6F6CB0

RGB 111 108 176

HSL 242.65, 0.3%, 0.56%

LAB 48.56, 17.9, -35.83

 

CMYK 34 / 35 / 0 / 24

HEX #807EC3

RGB 128 126 195

HSL 241.74, 0.37%, 0.63%

LAB 55.53, 17.12, -35.73

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 64 / 66 / 0 / 59

HEX #262469

RGB 38 36 105

HSL 241.74, 0.49%, 0.28%

LAB 18.77, 23.74, -40.2

 

CMYK 76 / 79 / 0 / 66

HEX #151256

RGB 21 18 86

HSL 242.65, 0.65%, 0.2%

LAB 11.02, 26.14, -40.31

 

CMYK 94 / 100 / 0 / 74

HEX #040043

RGB 4 0 67

HSL 243.58, 1%, 0.13%

LAB 3.89, 26.07, -38.9

 

CMYK 100 / 100 / 0 / 81

HEX #000030

RGB 0 0 48

HSL 240, 1%, 0.09%

LAB 1.93, 13.55, -28.19

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 40 / 56 / 0 / 51

HEX #4A367C

RGB 74 54 124

HSL 257.14, 0.39%, 0.35%

LAB 28.25, 26.39, -36.89

 

CMYK 26 / 56 / 0 / 51

HEX #5C367C

RGB 92 54 124

HSL 272.57, 0.39%, 0.35%

LAB 30.32, 31.31, -33.45

 

CMYK 10 / 56 / 0 / 51

HEX #6F367C

RGB 111 54 124

HSL 288.86, 0.39%, 0.35%

LAB 32.86, 36.79, -29.27

 

CMYK 0 / 56 / 6 / 51

HEX #7C3675

RGB 124 54 117

HSL 306, 0.39%, 0.35%

LAB 34.41, 39.28, -22.31

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 56 / 56 / 0 / 51

HEX #36367C

RGB 54 54 124

HSL 240, 0.39%, 0.35%

LAB 26.38, 21.56, -39.98

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 70 / 71 / 0 / 46

HEX #29288A

RGB 41 40 138

HSL 240.61, 0.55%, 0.35%

LAB 23.08, 33.48, -54.19

 

CMYK 82 / 84 / 0 / 40

HEX #1B1998

RGB 27 25 152

HSL 240.94, 0.72%, 0.35%

LAB 20.81, 45.46, -66.65

 

CMYK 92 / 93 / 0 / 35

HEX #0D0BA7

RGB 13 11 167

HSL 240.77, 0.88%, 0.35%

LAB 20.5, 54.83, -76.36

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 37 / 38 / 0 / 57

HEX #45446D

RGB 69 68 109

HSL 241.46, 0.23%, 0.35%

LAB 30.65, 11.28, -23.64

 

CMYK 13 / 13 / 0 / 63

HEX #53535F

RGB 83 83 95

HSL 240, 0.07%, 0.35%

LAB 35.7, 2.73, -6.96

 

CMYK 0 / 0 / 18 / 62

HEX #616150

RGB 97 97 80

HSL 60, 0.1%, 0.35%

LAB 40.69, -3.27, 9.72

 

CMYK 1 / 0 / 41 / 56

HEX #6F7042

RGB 111 112 66

HSL 61.3, 0.26%, 0.35%

LAB 46.12, -7.98, 25.43

 

CMYK 56 / 27 / 0 / 51

HEX #365B7C

RGB 54 91 124

HSL 208.29, 0.39%, 0.35%

LAB 37.34, -2.85, -22.62

 

CMYK 56 / 41 / 0 / 51

HEX #36497C

RGB 54 73 124

HSL 223.71, 0.39%, 0.35%

LAB 31.82, 8.75, -31.29

 

CMYK 56 / 56 / 0 / 51

HEX #36367C

RGB 54 54 124

HSL 240, 0.39%, 0.35%

LAB 26.38, 21.56, -39.98

 

CMYK 41 / 56 / 0 / 51

HEX #49367C

RGB 73 54 124

HSL 256.29, 0.39%, 0.35%

LAB 28.14, 26.13, -37.06

 

CMYK 27 / 56 / 0 / 51

HEX #5B367C

RGB 91 54 124

HSL 271.71, 0.39%, 0.35%

LAB 30.2, 31.03, -33.65

 

CMYK 56 / 56 / 0 / 74

HEX #1D1D42

RGB 29 29 66

HSL 240, 0.39%, 0.19%

LAB 12.82, 12.18, -23.56

 

CMYK 56 / 57 / 0 / 63

HEX #2A295F

RGB 42 41 95

HSL 241.11, 0.4%, 0.27%

LAB 19.66, 17.48, -32.19

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 55 / 56 / 0 / 40

HEX #444398

RGB 68 67 152

HSL 240.71, 0.39%, 0.43%

LAB 32.94, 25.55, -46.66

 

CMYK 54 / 55 / 0 / 30

HEX #5351B3

RGB 83 81 179

HSL 241.22, 0.39%, 0.51%

LAB 39.54, 28.65, -52.09

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 0 / 56 / 11 / 51

HEX #7C366E

RGB 124 54 110

HSL 312, 0.39%, 0.35%

LAB 34.09, 38.02, -18.41

 

CMYK 34 / 0 / 56 / 51

HEX #527C36

RGB 82 124 54

HSL 96, 0.39%, 0.35%

LAB 47.59, -27.86, 33.23

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 0 / 56 / 56 / 51

HEX #7C3636

RGB 124 54 54

HSL 0, 0.39%, 0.35%

LAB 32.24, 30.45, 14.87

 

CMYK 56 / 0 / 56 / 51

HEX #367C36

RGB 54 124 54

HSL 120, 0.39%, 0.35%

LAB 46.27, -37.21, 31.33

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 0 / 56 / 11 / 51

HEX #7C366E

RGB 124 54 110

HSL 312, 0.39%, 0.35%

LAB 34.09, 38.02, -18.41

 

CMYK 0 / 0 / 56 / 51

HEX #7C7C36

RGB 124 124 54

HSL 60, 0.39%, 0.35%

LAB 50.65, -10.14, 37.56

 

CMYK 56 / 0 / 45 / 51

HEX #367C44

RGB 54 124 68

HSL 132, 0.39%, 0.35%

LAB 46.47, -35.02, 24.05

 

CMYK 56 / 56 / 0 / 51

HEX #37367C

RGB 55 54 124

HSL 240.86, 0.39%, 0.35%

LAB 26.46, 21.78, -39.85

 

CMYK 0 / 56 / 28 / 51

HEX #7C3659

RGB 124 54 89

HSL 330, 0.39%, 0.35%

LAB 33.23, 34.62, -6.32

 

CMYK 0 / 0 / 56 / 51

HEX #7C7C36

RGB 124 124 54

HSL 60, 0.39%, 0.35%

LAB 50.65, -10.14, 37.56

 

CMYK 56 / 0 / 28 / 51

HEX #367C59

RGB 54 124 89

HSL 150, 0.39%, 0.35%

LAB 46.87, -30.84, 12.59

 

Description

Color code: HEX #37367C | qconv.com Color code: HEX #37367C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 54 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 54 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 56 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 56% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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