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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #372ED9 it is the complementary color #C8D126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #372ED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #372ED9 shade: #3C2ED4, #4D40E7, #5E52FA, #6F64FF and #8076FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #372ED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #372ED9 shade: #372ED9, #261CC6, #150AB3, #0400A0 and #00008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #372ED9 shade: #3930D9, #6630D9, #9430D9, #C130D9 and #D930C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #372ED9 shade: #3930D9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #372ED9 shade matches the following richer shades: #3930D9 and #271CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #372ED9 shade: #3930D9, #4A43C5, #5C57B1, #6E6B9D and #7F7F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #372ED9 shade: #3081D9, #3054D9, #3830D9, #6530D9 and #9230D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #372ED9 shade: #221C9A, #2A22BD, #3930D9, #5A53DF and #7B75E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #372ED9 shade: #372ED9, #D930AE and #6BD930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #372ED9 shade: #372ED9, #D93830 and #30D938

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #372ED9 shade: #372ED9, #D930AE, #D0D930 and #30D95A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #372ED9 shade: #372ED9, #D9307C, #D0D930 and #30D98D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

Complementary color

CMYK 4 / 0 / 82 / 18

HEX #C8D126

RGB 200 209 38

HSL 63.16, 0.69%, 0.48%

LAB 80.75, -21.72, 74.93

 

CMYK 72 / 78 / 0 / 17

HEX #3C2ED4

RGB 60 46 212

HSL 245.06, 0.66%, 0.51%

LAB 33.28, 56.11, -81.68

 

CMYK 67 / 72 / 0 / 9

HEX #4D40E7

RGB 77 64 231

HSL 244.67, 0.78%, 0.58%

LAB 39.6, 54.3, -82.09

 

CMYK 62 / 67 / 0 / 2

HEX #5E52FA

RGB 94 82 250

HSL 244.29, 0.94%, 0.65%

LAB 46.06, 52.36, -82.13

 

CMYK 56 / 61 / 0 / 0

HEX #6F64FF

RGB 111 100 255

HSL 244.26, 1%, 0.7%

LAB 51.51, 46.23, -75.96

 

CMYK 50 / 54 / 0 / 0

HEX #8076FF

RGB 128 118 255

HSL 244.38, 1%, 0.73%

LAB 56.85, 38.95, -67.26

 

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

CMYK 81 / 86 / 0 / 22

HEX #261CC6

RGB 38 28 198

HSL 243.53, 0.75%, 0.44%

LAB 27.63, 58.59, -82.95

 

CMYK 88 / 94 / 0 / 30

HEX #150AB3

RGB 21 10 179

HSL 243.91, 0.89%, 0.37%

LAB 22.41, 58.5, -80.39

 

CMYK 98 / 100 / 0 / 37

HEX #0400A0

RGB 4 0 160

HSL 241.5, 1%, 0.31%

LAB 18.21, 55.93, -75.93

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 74 / 78 / 0 / 15

HEX #3930D9

RGB 57 48 217

HSL 243.2, 0.69%, 0.52%

LAB 33.97, 56.42, -83.43

 

CMYK 53 / 78 / 0 / 15

HEX #6630D9

RGB 102 48 217

HSL 259.17, 0.69%, 0.52%

LAB 37.75, 60.99, -77.07

 

CMYK 32 / 78 / 0 / 15

HEX #9430D9

RGB 148 48 217

HSL 275.5, 0.69%, 0.52%

LAB 43.39, 67.73, -67.61

 

CMYK 11 / 78 / 0 / 15

HEX #C130D9

RGB 193 48 217

HSL 291.48, 0.69%, 0.52%

LAB 50.05, 75.63, -56.51

 

CMYK 0 / 78 / 11 / 15

HEX #D930C2

RGB 217 48 194

HSL 308.17, 0.69%, 0.52%

LAB 52.69, 76.78, -38.87

 

CMYK 74 / 78 / 0 / 15

HEX #3930D9

RGB 57 48 217

HSL 243.2, 0.69%, 0.52%

LAB 33.97, 56.42, -83.43

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 74 / 78 / 0 / 15

HEX #3930D9

RGB 57 48 217

HSL 243.2, 0.69%, 0.52%

LAB 33.97, 56.42, -83.43

 

CMYK 83 / 88 / 0 / 7

HEX #271CEC

RGB 39 28 236

HSL 243.17, 0.85%, 0.52%

LAB 32.52, 69.18, -96.74

 

CMYK 74 / 78 / 0 / 15

HEX #3930D9

RGB 57 48 217

HSL 243.2, 0.69%, 0.52%

LAB 33.97, 56.42, -83.43

 

CMYK 62 / 66 / 0 / 23

HEX #4A43C5

RGB 74 67 197

HSL 243.23, 0.53%, 0.52%

LAB 36.93, 41.5, -66.92

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 30 / 32 / 0 / 38

HEX #6E6B9D

RGB 110 107 157

HSL 243.6, 0.2%, 0.52%

LAB 47.32, 12.99, -26.65

 

CMYK 7 / 7 / 0 / 46

HEX #7F7F89

RGB 127 127 137

HSL 240, 0.04%, 0.52%

LAB 53.49, 2.06, -5.4

 

CMYK 78 / 41 / 0 / 15

HEX #3081D9

RGB 48 129 217

HSL 211.24, 0.69%, 0.52%

LAB 53.32, 6.31, -51.96

 

CMYK 78 / 61 / 0 / 15

HEX #3054D9

RGB 48 84 217

HSL 227.22, 0.69%, 0.52%

LAB 41.18, 34.76, -71.58

 

CMYK 74 / 78 / 0 / 15

HEX #3830D9

RGB 56 48 217

HSL 242.84, 0.69%, 0.52%

LAB 33.91, 56.35, -83.54

 

CMYK 53 / 78 / 0 / 15

HEX #6530D9

RGB 101 48 217

HSL 258.82, 0.69%, 0.52%

LAB 37.64, 60.86, -77.24

 

CMYK 33 / 78 / 0 / 15

HEX #9230D9

RGB 146 48 217

HSL 274.79, 0.69%, 0.52%

LAB 43.11, 67.4, -68.07

 

CMYK 78 / 82 / 0 / 40

HEX #221C9A

RGB 34 28 154

HSL 242.86, 0.69%, 0.36%

LAB 21.96, 45.05, -65.96

 

CMYK 78 / 82 / 0 / 26

HEX #2A22BD

RGB 42 34 189

HSL 243.1, 0.7%, 0.44%

LAB 27.6, 53.58, -77.68

 

CMYK 74 / 78 / 0 / 15

HEX #3930D9

RGB 57 48 217

HSL 243.2, 0.69%, 0.52%

LAB 33.97, 56.42, -83.43

 

CMYK 60 / 63 / 0 / 13

HEX #5A53DF

RGB 90 83 223

HSL 243, 0.69%, 0.6%

LAB 43.78, 42.8, -70.66

 

CMYK 46 / 49 / 0 / 10

HEX #7B75E5

RGB 123 117 229

HSL 243.21, 0.68%, 0.68%

LAB 54.65, 30.82, -56.36

 

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

CMYK 0 / 78 / 20 / 15

HEX #D930AE

RGB 217 48 174

HSL 315.27, 0.69%, 0.52%

LAB 51.75, 74.09, -28.69

 

CMYK 51 / 0 / 78 / 15

HEX #6BD930

RGB 107 217 48

HSL 99.05, 0.69%, 0.52%

LAB 77.85, -58.86, 67.65

 

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

CMYK 0 / 74 / 78 / 15

HEX #D93830

RGB 217 56 48

HSL 2.84, 0.69%, 0.52%

LAB 49.24, 61.32, 42.73

 

CMYK 78 / 0 / 74 / 15

HEX #30D938

RGB 48 217 56

HSL 122.84, 0.69%, 0.52%

LAB 76.4, -70.62, 63.19

 

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

CMYK 0 / 78 / 20 / 15

HEX #D930AE

RGB 217 48 174

HSL 315.27, 0.69%, 0.52%

LAB 51.75, 74.09, -28.69

 

CMYK 4 / 0 / 78 / 15

HEX #D0D930

RGB 208 217 48

HSL 63.2, 0.69%, 0.52%

LAB 83.57, -21.94, 75

 

CMYK 78 / 0 / 59 / 15

HEX #30D95A

RGB 48 217 90

HSL 134.91, 0.69%, 0.52%

LAB 76.67, -67.25, 49.92

 

CMYK 75 / 79 / 0 / 15

HEX #372ED9

RGB 55 46 217

HSL 243.16, 0.69%, 0.52%

LAB 33.51, 57.25, -84.2

 

CMYK 0 / 78 / 43 / 15

HEX #D9307C

RGB 217 48 124

HSL 333.02, 0.69%, 0.52%

LAB 49.88, 68.54, -1.69

 

CMYK 4 / 0 / 78 / 15

HEX #D0D930

RGB 208 217 48

HSL 63.2, 0.69%, 0.52%

LAB 83.57, -21.94, 75

 

CMYK 78 / 0 / 35 / 15

HEX #30D98D

RGB 48 217 141

HSL 153.02, 0.69%, 0.52%

LAB 77.39, -58.95, 25.8

 

Description

Color code: HEX #372ED9 | qconv.com Color code: HEX #372ED9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 46 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 46 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 79 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 79% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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