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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3722B7 it is the complementary color #C8DD48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3722B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3722B7 shade: #3C22B2, #4D34C5, #5E46D8, #6F58EB and #806AFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3722B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3722B7 shade: #3722B7, #2610A4, #150091, #04007E and #00006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3722B7 shade: #3721B9, #6021B9, #8821B9, #B121B9 and #B92198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3722B7 shade: #3721B9 and #2121B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3722B7 shade matches the following richer shades: #3721B9 and #2A10CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3722B7 shade: #3721B9, #4433A7, #504595, #5D5784 and #6A6872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3722B7 shade: #215EB9, #2136B9, #3621B9, #5E21B9 and #8621B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3722B7 shade: #221573, #2C1B96, #3721B9, #442CD8 and #634FDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3722B7 shade: #3722B7, #B92186 and #4AB921

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3722B7 shade: #3722B7, #B93621 and #21B936

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3722B7 shade: #3722B7, #B92186, #A5B921 and #21B954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3722B7 shade: #3722B7, #B92159, #A5B921 and #21B981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

Complementary color

CMYK 10 / 0 / 67 / 13

HEX #C8DD48

RGB 200 221 72

HSL 68.46, 0.69%, 0.57%

LAB 84.2, -26.03, 67.46

 

CMYK 66 / 81 / 0 / 30

HEX #3C22B2

RGB 60 34 178

HSL 250.83, 0.68%, 0.42%

LAB 27.63, 51.66, -71.06

 

CMYK 61 / 74 / 0 / 23

HEX #4D34C5

RGB 77 52 197

HSL 250.34, 0.58%, 0.49%

LAB 34.12, 50.32, -71.53

 

CMYK 56 / 68 / 0 / 15

HEX #5E46D8

RGB 94 70 216

HSL 249.86, 0.65%, 0.56%

LAB 40.76, 48.71, -71.58

 

CMYK 53 / 63 / 0 / 8

HEX #6F58EB

RGB 111 88 235

HSL 249.39, 0.79%, 0.63%

LAB 47.44, 47.09, -71.42

 

CMYK 50 / 58 / 0 / 0

HEX #806AFE

RGB 128 106 254

HSL 248.92, 0.99%, 0.71%

LAB 54.08, 45.56, -71.17

 

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

CMYK 77 / 90 / 0 / 36

HEX #2610A4

RGB 38 16 164

HSL 248.92, 0.82%, 0.35%

LAB 21.81, 53.24, -72.31

 

CMYK 86 / 100 / 0 / 43

HEX #150091

RGB 21 0 145

HSL 248.69, 1%, 0.28%

LAB 16.52, 52.27, -69.47

 

CMYK 97 / 100 / 0 / 51

HEX #04007E

RGB 4 0 126

HSL 241.9, 1%, 0.25%

LAB 12.81, 47.02, -63.7

 

CMYK 100 / 100 / 0 / 58

HEX #00006B

RGB 0 0 107

HSL 240, 1%, 0.21%

LAB 9.49, 41.8, -56.93

 

CMYK 70 / 82 / 0 / 27

HEX #3721B9

RGB 55 33 185

HSL 248.68, 0.7%, 0.43%

LAB 27.85, 53.73, -74.86

 

CMYK 48 / 82 / 0 / 27

HEX #6021B9

RGB 96 33 185

HSL 264.87, 0.7%, 0.43%

LAB 31.98, 58.02, -67.91

 

CMYK 26 / 82 / 0 / 27

HEX #8821B9

RGB 136 33 185

HSL 280.66, 0.7%, 0.43%

LAB 37.53, 63.95, -58.62

 

CMYK 4 / 82 / 0 / 27

HEX #B121B9

RGB 177 33 185

HSL 296.84, 0.7%, 0.43%

LAB 44.14, 71.19, -47.61

 

CMYK 0 / 82 / 18 / 27

HEX #B92198

RGB 185 33 152

HSL 313.03, 0.7%, 0.43%

LAB 43.75, 67.92, -28.49

 

CMYK 70 / 82 / 0 / 27

HEX #3721B9

RGB 55 33 185

HSL 248.68, 0.7%, 0.43%

LAB 27.85, 53.73, -74.86

 

CMYK 82 / 82 / 0 / 27

HEX #2121B9

RGB 33 33 185

HSL 240, 0.7%, 0.43%

LAB 26.49, 52.34, -77.17

 

CMYK 70 / 82 / 0 / 27

HEX #3721B9

RGB 55 33 185

HSL 248.68, 0.7%, 0.43%

LAB 27.85, 53.73, -74.86

 

CMYK 79 / 92 / 0 / 20

HEX #2A10CB

RGB 42 16 203

HSL 248.34, 0.85%, 0.43%

LAB 27.23, 63.95, -86.54

 

CMYK 70 / 82 / 0 / 27

HEX #3721B9

RGB 55 33 185

HSL 248.68, 0.7%, 0.43%

LAB 27.85, 53.73, -74.86

 

CMYK 59 / 69 / 0 / 35

HEX #4433A7

RGB 68 51 167

HSL 248.79, 0.53%, 0.43%

LAB 30.37, 40.38, -59.92

 

CMYK 46 / 54 / 0 / 42

HEX #504595

RGB 80 69 149

HSL 248.25, 0.37%, 0.43%

LAB 34.26, 26.01, -42.67

 

CMYK 30 / 34 / 0 / 48

HEX #5D5784

RGB 93 87 132

HSL 248, 0.21%, 0.43%

LAB 39.26, 13.26, -24.32

 

CMYK 7 / 9 / 0 / 55

HEX #6A6872

RGB 106 104 114

HSL 252, 0.05%, 0.43%

LAB 44.49, 2.9, -5.32

 

CMYK 82 / 49 / 0 / 27

HEX #215EB9

RGB 33 94 185

HSL 215.92, 0.7%, 0.43%

LAB 40.95, 14.68, -53.48

 

CMYK 82 / 71 / 0 / 27

HEX #2136B9

RGB 33 54 185

HSL 231.71, 0.7%, 0.43%

LAB 30.56, 40.78, -70.43

 

CMYK 71 / 82 / 0 / 27

HEX #3621B9

RGB 54 33 185

HSL 248.29, 0.7%, 0.43%

LAB 27.78, 53.65, -74.99

 

CMYK 49 / 82 / 0 / 27

HEX #5E21B9

RGB 94 33 185

HSL 264.08, 0.7%, 0.43%

LAB 31.74, 57.76, -68.32

 

CMYK 28 / 82 / 0 / 27

HEX #8621B9

RGB 134 33 185

HSL 279.87, 0.7%, 0.43%

LAB 37.22, 63.62, -59.12

 

CMYK 70 / 82 / 0 / 55

HEX #221573

RGB 34 21 115

HSL 248.3, 0.69%, 0.27%

LAB 16.08, 35.98, -51.14

 

CMYK 71 / 82 / 0 / 41

HEX #2C1B96

RGB 44 27 150

HSL 248.29, 0.69%, 0.35%

LAB 22.02, 45.05, -63.37

 

CMYK 70 / 82 / 0 / 27

HEX #3721B9

RGB 55 33 185

HSL 248.68, 0.7%, 0.43%

LAB 27.85, 53.73, -74.86

 

CMYK 69 / 80 / 0 / 15

HEX #442CD8

RGB 68 44 216

HSL 248.37, 0.69%, 0.51%

LAB 33.96, 58.88, -82.85

 

CMYK 55 / 64 / 0 / 13

HEX #634FDE

RGB 99 79 222

HSL 248.39, 0.68%, 0.59%

LAB 43.53, 46.26, -70.46

 

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

CMYK 0 / 82 / 28 / 27

HEX #B92186

RGB 185 33 134

HSL 320.13, 0.7%, 0.43%

LAB 42.95, 65.65, -18.8

 

CMYK 60 / 0 / 82 / 27

HEX #4AB921

RGB 74 185 33

HSL 103.82, 0.7%, 0.43%

LAB 66.72, -56.96, 61.15

 

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

CMYK 0 / 71 / 82 / 27

HEX #B93621

RGB 185 54 33

HSL 8.29, 0.7%, 0.43%

LAB 42.86, 51.43, 42.29

 

CMYK 82 / 0 / 71 / 27

HEX #21B936

RGB 33 185 54

HSL 128.29, 0.7%, 0.43%

LAB 65.97, -62.82, 53.19

 

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

CMYK 0 / 82 / 28 / 27

HEX #B92186

RGB 185 33 134

HSL 320.13, 0.7%, 0.43%

LAB 42.95, 65.65, -18.8

 

CMYK 11 / 0 / 82 / 27

HEX #A5B921

RGB 165 185 33

HSL 67.89, 0.7%, 0.43%

LAB 71.42, -24.91, 67.12

 

CMYK 82 / 0 / 55 / 27

HEX #21B954

RGB 33 185 84

HSL 140.13, 0.7%, 0.43%

LAB 66.26, -59.29, 40.31

 

CMYK 70 / 81 / 0 / 28

HEX #3722B7

RGB 55 34 183

HSL 248.46, 0.69%, 0.43%

LAB 27.78, 52.69, -73.8

 

CMYK 0 / 82 / 52 / 27

HEX #B92159

RGB 185 33 89

HSL 337.89, 0.7%, 0.43%

LAB 41.41, 61.17, 6.94

 

CMYK 11 / 0 / 82 / 27

HEX #A5B921

RGB 165 185 33

HSL 67.89, 0.7%, 0.43%

LAB 71.42, -24.91, 67.12

 

CMYK 82 / 0 / 30 / 27

HEX #21B981

RGB 33 185 129

HSL 157.89, 0.7%, 0.43%

LAB 66.98, -50.97, 17.92

 

Description

Color code: HEX #3722B7 | qconv.com Color code: HEX #3722B7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 34 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 34 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 81 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 81% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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