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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #372450 it is the complementary color #C8DBAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #372450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #372450 shade: #3C244B, #4D365E, #5E4871, #6F5A84 and #806C97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #372450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #372450 shade: #372450, #26123D, #15002A, #040017 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #372450 shade: #372450, #432450, #4F2450, #502446 and #50243A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #372450 shade: #372450, #2B2450 and #242450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #372450 shade matches the following richer shades: #372450, #361A5A, #351163 and #33076D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #372450 shade: #372450, #382D47, #3A373D, #3B4034 and #3C4A2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #372450 shade: #242950, #2B2450, #362450, #422450 and #4E2450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #372450 shade: #100A17, #241734, #372450, #4B316D and #5E3D89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #372450 shade: #372450, #502435 and #245025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #372450 shade: #372450, #503624 and #245036

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #372450 shade: #372450, #502435, #3E5024 and #24503F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #372450 shade: #372450, #502428, #3E5024 and #24504D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

Complementary color

CMYK 9 / 0 / 20 / 14

HEX #C8DBAF

RGB 200 219 175

HSL 85.91, 0.38%, 0.77%

LAB 85.02, -14.04, 19.55

 

CMYK 20 / 52 / 0 / 71

HEX #3C244B

RGB 60 36 75

HSL 276.92, 0.35%, 0.22%

LAB 18.93, 19.87, -19.84

 

CMYK 18 / 43 / 0 / 63

HEX #4D365E

RGB 77 54 94

HSL 274.5, 0.27%, 0.29%

LAB 26.8, 18.92, -19.97

 

CMYK 17 / 36 / 0 / 56

HEX #5E4871

RGB 94 72 113

HSL 272.2, 0.22%, 0.36%

LAB 34.41, 18.08, -20.11

 

CMYK 16 / 32 / 0 / 48

HEX #6F5A84

RGB 111 90 132

HSL 270, 0.19%, 0.44%

LAB 41.78, 17.36, -20.28

 

CMYK 15 / 28 / 0 / 41

HEX #806C97

RGB 128 108 151

HSL 267.91, 0.17%, 0.51%

LAB 48.94, 16.72, -20.47

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 38 / 70 / 0 / 76

HEX #26123D

RGB 38 18 61

HSL 267.91, 0.54%, 0.15%

LAB 10.42, 20.81, -23.82

 

CMYK 50 / 100 / 0 / 84

HEX #15002A

RGB 21 0 42

HSL 270, 1%, 0.08%

LAB 2.95, 17.07, -21.93

 

CMYK 83 / 100 / 0 / 91

HEX #040017

RGB 4 0 23

HSL 250.43, 1%, 0.05%

LAB 0.79, 4.97, -10.32

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 16 / 55 / 0 / 69

HEX #432450

RGB 67 36 80

HSL 282.27, 0.38%, 0.23%

LAB 20.18, 23.49, -21.19

 

CMYK 1 / 55 / 0 / 69

HEX #4F2450

RGB 79 36 80

HSL 298.64, 0.38%, 0.23%

LAB 21.96, 27.46, -18.28

 

CMYK 0 / 55 / 13 / 69

HEX #502446

RGB 80 36 70

HSL 313.64, 0.38%, 0.23%

LAB 21.61, 25.77, -12.04

 

CMYK 0 / 55 / 28 / 69

HEX #50243A

RGB 80 36 58

HSL 330, 0.38%, 0.23%

LAB 21.1, 23.63, -4.59

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 46 / 55 / 0 / 69

HEX #2B2450

RGB 43 36 80

HSL 249.55, 0.38%, 0.23%

LAB 17.25, 16.01, -26.03

 

CMYK 55 / 55 / 0 / 69

HEX #242450

RGB 36 36 80

HSL 240, 0.38%, 0.23%

LAB 16.58, 14.1, -27.13

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 40 / 71 / 0 / 65

HEX #361A5A

RGB 54 26 90

HSL 266.25, 0.55%, 0.23%

LAB 16.8, 28.62, -33.42

 

CMYK 46 / 83 / 0 / 61

HEX #351163

RGB 53 17 99

HSL 266.34, 0.71%, 0.23%

LAB 15.79, 35.73, -41.06

 

CMYK 53 / 94 / 0 / 57

HEX #33076D

RGB 51 7 109

HSL 265.88, 0.88%, 0.23%

LAB 15.28, 41.98, -48.5

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 21 / 37 / 0 / 72

HEX #382D47

RGB 56 45 71

HSL 265.38, 0.22%, 0.23%

LAB 20.72, 11.27, -14.36

 

CMYK 5 / 10 / 0 / 76

HEX #3A373D

RGB 58 55 61

HSL 270, 0.05%, 0.23%

LAB 23.57, 2.69, -3.27

 

CMYK 8 / 0 / 19 / 75

HEX #3B4034

RGB 59 64 52

HSL 85, 0.1%, 0.23%

LAB 26.29, -4.71, 6.65

 

CMYK 19 / 0 / 43 / 71

HEX #3C4A2A

RGB 60 74 42

HSL 86.25, 0.28%, 0.23%

LAB 29.48, -12.1, 17.31

 

CMYK 55 / 49 / 0 / 69

HEX #242950

RGB 36 41 80

HSL 233.18, 0.38%, 0.23%

LAB 18.1, 10.48, -24.71

 

CMYK 46 / 55 / 0 / 69

HEX #2B2450

RGB 43 36 80

HSL 249.55, 0.38%, 0.23%

LAB 17.25, 16.01, -26.03

 

CMYK 33 / 55 / 0 / 69

HEX #362450

RGB 54 36 80

HSL 264.55, 0.38%, 0.23%

LAB 18.48, 19.32, -24

 

CMYK 18 / 55 / 0 / 69

HEX #422450

RGB 66 36 80

HSL 280.91, 0.38%, 0.23%

LAB 20.04, 23.17, -21.42

 

CMYK 2 / 55 / 0 / 69

HEX #4E2450

RGB 78 36 80

HSL 297.27, 0.38%, 0.23%

LAB 21.8, 27.13, -18.53

 

CMYK 30 / 57 / 0 / 91

HEX #100A17

RGB 16 10 23

HSL 267.69, 0.39%, 0.06%

LAB 3.51, 4.39, -6.25

 

CMYK 31 / 56 / 0 / 80

HEX #241734

RGB 36 23 52

HSL 266.9, 0.39%, 0.15%

LAB 10.82, 13.97, -16.74

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 31 / 55 / 0 / 57

HEX #4B316D

RGB 75 49 109

HSL 266, 0.38%, 0.31%

LAB 26.15, 25.49, -30.71

 

CMYK 31 / 55 / 0 / 46

HEX #5E3D89

RGB 94 61 137

HSL 266.05, 0.38%, 0.39%

LAB 32.97, 31.1, -37.3

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 0 / 55 / 34 / 69

HEX #502435

RGB 80 36 53

HSL 336.82, 0.38%, 0.23%

LAB 20.92, 22.83, -1.41

 

CMYK 55 / 0 / 54 / 69

HEX #245025

RGB 36 80 37

HSL 121.36, 0.38%, 0.23%

LAB 30.02, -25.48, 20.68

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 0 / 33 / 55 / 69

HEX #503624

RGB 80 54 36

HSL 24.55, 0.38%, 0.23%

LAB 25.17, 9.2, 15.93

 

CMYK 55 / 0 / 33 / 69

HEX #245036

RGB 36 80 54

HSL 144.55, 0.38%, 0.23%

LAB 30.35, -22.14, 10.78

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 0 / 55 / 34 / 69

HEX #502435

RGB 80 36 53

HSL 336.82, 0.38%, 0.23%

LAB 20.92, 22.83, -1.41

 

CMYK 23 / 0 / 55 / 69

HEX #3E5024

RGB 62 80 36

HSL 84.55, 0.38%, 0.23%

LAB 31.55, -15.48, 23.48

 

CMYK 55 / 0 / 21 / 69

HEX #24503F

RGB 36 80 63

HSL 156.82, 0.38%, 0.23%

LAB 30.57, -19.95, 5.41

 

CMYK 31 / 55 / 0 / 69

HEX #372450

RGB 55 36 80

HSL 265.91, 0.38%, 0.23%

LAB 18.6, 19.63, -23.8

 

CMYK 0 / 55 / 50 / 69

HEX #502428

RGB 80 36 40

HSL 354.55, 0.38%, 0.23%

LAB 20.52, 21.05, 7.03

 

CMYK 23 / 0 / 55 / 69

HEX #3E5024

RGB 62 80 36

HSL 84.55, 0.38%, 0.23%

LAB 31.55, -15.48, 23.48

 

CMYK 55 / 0 / 4 / 69

HEX #24504D

RGB 36 80 77

HSL 175.91, 0.38%, 0.23%

LAB 30.99, -16.01, -2.9

 

Description

Color code: HEX #372450 | qconv.com Color code: HEX #372450 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 36 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 36 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 55 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 55% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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