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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #371E29 it is the complementary color #C8E1D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #371E29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #371E29 shade: #3C1E24, #4D3037, #5E424A, #6F545D and #806670

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #371E29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #371E29 shade: #371E29, #260C16, #150003 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #371E29 shade: #371E29, #371E23 and #371E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #371E29 shade: #371E29, #371E30, #371E37, #311E37 and #2A1E37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #371E29 shade matches the following richer shades: #371E29, #3E1728, #451028, #4C0927 and #530226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #371E29 shade: #371E29, #30252A, #292C2B, #22332C and #1B3A2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #371E29 shade: #371E37, #371E30, #371E2A, #371E23 and #37201E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #371E29 shade: #020102, #1D1015, #371E29, #522D3D and #6D3C51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #371E29 shade: #371E29, #37311E and #1E3437

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #371E29 shade: #371E29, #2A371E and #1E2A37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #371E29 shade: #371E29, #37311E, #1E372C and #1E2537

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #371E29 shade: #371E29, #36371E, #1E372C and #201E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

Complementary color

CMYK 11 / 0 / 5 / 12

HEX #C8E1D6

RGB 200 225 214

HSL 153.6, 0.29%, 0.83%

LAB 87.48, -10.35, 2.56

 

CMYK 0 / 50 / 40 / 76

HEX #3C1E24

RGB 60 30 36

HSL 348, 0.33%, 0.18%

LAB 15.57, 15.45, 2.39

 

CMYK 0 / 38 / 29 / 70

HEX #4D3037

RGB 77 48 55

HSL 345.52, 0.23%, 0.25%

LAB 23.56, 14.37, 1.03

 

CMYK 0 / 30 / 21 / 63

HEX #5E424A

RGB 94 66 74

HSL 342.86, 0.18%, 0.31%

LAB 31.28, 13.5, -0.01

 

CMYK 0 / 24 / 16 / 56

HEX #6F545D

RGB 111 84 93

HSL 340, 0.14%, 0.38%

LAB 38.74, 12.77, -0.88

 

CMYK 0 / 20 / 13 / 50

HEX #806670

RGB 128 102 112

HSL 336.92, 0.11%, 0.45%

LAB 45.99, 12.16, -1.65

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 68 / 42 / 85

HEX #260C16

RGB 38 12 22

HSL 336.92, 0.52%, 0.1%

LAB 6.62, 14.75, -0.65

 

CMYK 0 / 100 / 86 / 92

HEX #150003

RGB 21 0 3

HSL 351.43, 1%, 0.04%

LAB 1.5, 6.88, 1.14

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 45 / 36 / 78

HEX #371E23

RGB 55 30 35

HSL 348, 0.29%, 0.17%

LAB 14.75, 12.99, 1.82

 

CMYK 0 / 45 / 45 / 78

HEX #371E1E

RGB 55 30 30

HSL 0, 0.29%, 0.17%

LAB 14.59, 12.21, 5.21

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 45 / 13 / 78

HEX #371E30

RGB 55 30 48

HSL 316.8, 0.29%, 0.17%

LAB 15.24, 15.46, -6.79

 

CMYK 0 / 45 / 0 / 78

HEX #371E37

RGB 55 30 55

HSL 300, 0.29%, 0.17%

LAB 15.57, 17.02, -11.26

 

CMYK 11 / 45 / 0 / 78

HEX #311E37

RGB 49 30 55

HSL 285.6, 0.29%, 0.17%

LAB 14.72, 14.69, -12.65

 

CMYK 24 / 45 / 0 / 78

HEX #2A1E37

RGB 42 30 55

HSL 268.8, 0.29%, 0.17%

LAB 13.81, 12.02, -14.14

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 63 / 35 / 76

HEX #3E1728

RGB 62 23 40

HSL 333.85, 0.46%, 0.17%

LAB 14.34, 21.31, -2.25

 

CMYK 0 / 77 / 42 / 73

HEX #451028

RGB 69 16 40

HSL 332.83, 0.62%, 0.17%

LAB 14.34, 27.64, -2.11

 

CMYK 0 / 88 / 49 / 70

HEX #4C0927

RGB 76 9 39

HSL 333.13, 0.79%, 0.17%

LAB 14.84, 32.55, -0.47

 

CMYK 0 / 98 / 54 / 67

HEX #530226

RGB 83 2 38

HSL 333.33, 0.95%, 0.17%

LAB 15.6, 36.8, 1.58

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 23 / 13 / 81

HEX #30252A

RGB 48 37 42

HSL 332.73, 0.13%, 0.17%

LAB 16.1, 6.23, -1.34

 

CMYK 7 / 0 / 2 / 83

HEX #292C2B

RGB 41 44 43

HSL 160, 0.04%, 0.17%

LAB 17.68, -1.57, 0.18

 

CMYK 33 / 0 / 14 / 80

HEX #22332C

RGB 34 51 44

HSL 155.29, 0.2%, 0.17%

LAB 19.6, -8.85, 2.2

 

CMYK 53 / 0 / 22 / 77

HEX #1B3A2D

RGB 27 58 45

HSL 154.84, 0.36%, 0.17%

LAB 21.76, -15.28, 4.56

 

CMYK 0 / 45 / 0 / 78

HEX #371E37

RGB 55 30 55

HSL 300, 0.29%, 0.17%

LAB 15.57, 17.02, -11.26

 

CMYK 0 / 45 / 13 / 78

HEX #371E30

RGB 55 30 48

HSL 316.8, 0.29%, 0.17%

LAB 15.24, 15.46, -6.79

 

CMYK 0 / 45 / 24 / 78

HEX #371E2A

RGB 55 30 42

HSL 331.2, 0.29%, 0.17%

LAB 15, 14.25, -2.86

 

CMYK 0 / 45 / 36 / 78

HEX #371E23

RGB 55 30 35

HSL 348, 0.29%, 0.17%

LAB 14.75, 12.99, 1.82

 

CMYK 0 / 42 / 45 / 78

HEX #37201E

RGB 55 32 30

HSL 4.8, 0.29%, 0.17%

LAB 15.16, 10.85, 6

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 0 / 45 / 28 / 89

HEX #1D1015

RGB 29 16 21

HSL 336.92, 0.29%, 0.09%

LAB 6.2, 7.18, -0.74

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 45 / 26 / 68

HEX #522D3D

RGB 82 45 61

HSL 334.05, 0.29%, 0.25%

LAB 23.7, 19.44, -2.75

 

CMYK 0 / 45 / 26 / 57

HEX #6D3C51

RGB 109 60 81

HSL 334.29, 0.29%, 0.33%

LAB 31.98, 24.47, -3.27

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 11 / 45 / 78

HEX #37311E

RGB 55 49 30

HSL 45.6, 0.29%, 0.17%

LAB 20.45, -0.73, 13.12

 

CMYK 45 / 5 / 0 / 78

HEX #1E3437

RGB 30 52 55

HSL 187.2, 0.29%, 0.17%

LAB 20.08, -7.74, -4.65

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 24 / 0 / 45 / 78

HEX #2A371E

RGB 42 55 30

HSL 91.2, 0.29%, 0.17%

LAB 21.28, -10.89, 13.95

 

CMYK 45 / 24 / 0 / 78

HEX #1E2A37

RGB 30 42 55

HSL 211.2, 0.29%, 0.17%

LAB 16.54, -1.02, -10

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 0 / 11 / 45 / 78

HEX #37311E

RGB 55 49 30

HSL 45.6, 0.29%, 0.17%

LAB 20.45, -0.73, 13.12

 

CMYK 45 / 0 / 20 / 78

HEX #1E372C

RGB 30 55 44

HSL 153.6, 0.29%, 0.17%

LAB 20.79, -12.79, 3.88

 

CMYK 45 / 33 / 0 / 78

HEX #1E2537

RGB 30 37 55

HSL 223.2, 0.29%, 0.17%

LAB 14.82, 2.55, -12.66

 

CMYK 0 / 45 / 25 / 78

HEX #371E29

RGB 55 30 41

HSL 333.6, 0.29%, 0.17%

LAB 14.96, 14.06, -2.2

 

CMYK 2 / 0 / 45 / 78

HEX #36371E

RGB 54 55 30

HSL 62.4, 0.29%, 0.17%

LAB 22.34, -5.13, 15.53

 

CMYK 45 / 0 / 20 / 78

HEX #1E372C

RGB 30 55 44

HSL 153.6, 0.29%, 0.17%

LAB 20.79, -12.79, 3.88

 

CMYK 42 / 45 / 0 / 78

HEX #201E37

RGB 32 30 55

HSL 244.8, 0.29%, 0.17%

LAB 12.68, 8.39, -15.99

 

Description

Color code: HEX #371E29 | qconv.com Color code: HEX #371E29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 30 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 30 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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