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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #371C49 it is the complementary color #C8E3B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #371C49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #371C49 shade: #3C1C44, #4D2E57, #5E406A, #6F527D and #806490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #371C49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #371C49 shade: #371C49, #260A36, #150023 and #040010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #371C49 shade: #371C49, #431C49, #491C43, #491C37 and #491C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #371C49 shade: #371C49, #2B1C49, #1E1C49 and #1C1C49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #371C49 shade matches the following richer shades: #371C49, #391352, #3A0B5A and #3C0362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #371C49 shade: #371C49, #352441, #342C39, #323431 and #303D28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #371C49 shade: #1F1C49, #2B1C49, #371C49, #431C49 and #491C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #371C49 shade: #0A050E, #21102C, #371C49, #4E2767 and #643285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #371C49 shade: #371C49, #491C25 and #1C4925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #371C49 shade: #371C49, #49371C and #1C4937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #371C49 shade: #371C49, #491C25, #2E491C and #1C4940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #371C49 shade: #371C49, #49201C, #2E491C and #1C4549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

Complementary color

CMYK 12 / 0 / 20 / 11

HEX #C8E3B6

RGB 200 227 182

HSL 96, 0.45%, 0.8%

LAB 87.29, -16.93, 19.06

 

CMYK 12 / 59 / 0 / 73

HEX #3C1C44

RGB 60 28 68

HSL 288, 0.42%, 0.19%

LAB 16.55, 23.2, -18.79

 

CMYK 11 / 47 / 0 / 66

HEX #4D2E57

RGB 77 46 87

HSL 285.37, 0.31%, 0.26%

LAB 24.39, 22.3, -19.16

 

CMYK 11 / 40 / 0 / 58

HEX #5E406A

RGB 94 64 106

HSL 282.86, 0.25%, 0.33%

LAB 32, 21.41, -19.43

 

CMYK 11 / 34 / 0 / 51

HEX #6F527D

RGB 111 82 125

HSL 280.47, 0.21%, 0.41%

LAB 39.4, 20.61, -19.67

 

CMYK 11 / 31 / 0 / 44

HEX #806490

RGB 128 100 144

HSL 278.18, 0.18%, 0.48%

LAB 46.6, 19.9, -19.92

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 30 / 81 / 0 / 79

HEX #260A36

RGB 38 10 54

HSL 278.18, 0.69%, 0.13%

LAB 8.09, 23.61, -22.54

 

CMYK 40 / 100 / 0 / 86

HEX #150023

RGB 21 0 35

HSL 276, 1%, 0.07%

LAB 2.54, 14.16, -17.15

 

CMYK 75 / 100 / 0 / 94

HEX #040010

RGB 4 0 16

HSL 255, 1%, 0.03%

LAB 0.57, 3.42, -6.09

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 8 / 62 / 0 / 71

HEX #431C49

RGB 67 28 73

HSL 292, 0.45%, 0.2%

LAB 17.94, 26.64, -19.96

 

CMYK 0 / 62 / 8 / 71

HEX #491C43

RGB 73 28 67

HSL 308, 0.45%, 0.2%

LAB 18.59, 27.32, -14.74

 

CMYK 0 / 62 / 25 / 71

HEX #491C37

RGB 73 28 55

HSL 324, 0.45%, 0.2%

LAB 18.02, 25.11, -7.26

 

CMYK 0 / 62 / 42 / 71

HEX #491C2A

RGB 73 28 42

HSL 341.33, 0.45%, 0.2%

LAB 17.53, 23.11, 1.2

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 41 / 62 / 0 / 71

HEX #2B1C49

RGB 43 28 73

HSL 260, 0.45%, 0.2%

LAB 14.54, 19.28, -25.58

 

CMYK 59 / 62 / 0 / 71

HEX #1E1C49

RGB 30 28 73

HSL 242.67, 0.45%, 0.2%

LAB 13.15, 15.81, -27.88

 

CMYK 62 / 62 / 0 / 71

HEX #1C1C49

RGB 28 28 73

HSL 240, 0.45%, 0.2%

LAB 12.97, 15.34, -28.18

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 30 / 77 / 0 / 68

HEX #391352

RGB 57 19 82

HSL 276.19, 0.62%, 0.2%

LAB 15.19, 30.98, -30.59

 

CMYK 36 / 88 / 0 / 65

HEX #3A0B5A

RGB 58 11 90

HSL 275.7, 0.78%, 0.2%

LAB 14.83, 36.73, -36.6

 

CMYK 39 / 97 / 0 / 62

HEX #3C0362

RGB 60 3 98

HSL 276, 0.94%, 0.2%

LAB 14.99, 41.77, -41.66

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 18 / 45 / 0 / 75

HEX #352441

RGB 53 36 65

HSL 275.17, 0.29%, 0.2%

LAB 17.46, 14.71, -15.35

 

CMYK 9 / 23 / 0 / 78

HEX #342C39

RGB 52 44 57

HSL 276.92, 0.13%, 0.2%

LAB 19.34, 6.67, -6.95

 

CMYK 4 / 0 / 6 / 80

HEX #323431

RGB 50 52 49

HSL 100, 0.03%, 0.2%

LAB 21.42, -1.56, 1.59

 

CMYK 21 / 0 / 34 / 76

HEX #303D28

RGB 48 61 40

HSL 97.14, 0.21%, 0.2%

LAB 24.06, -10.05, 11.26

 

CMYK 58 / 62 / 0 / 71

HEX #1F1C49

RGB 31 28 73

HSL 244, 0.45%, 0.2%

LAB 13.25, 16.06, -27.73

 

CMYK 41 / 62 / 0 / 71

HEX #2B1C49

RGB 43 28 73

HSL 260, 0.45%, 0.2%

LAB 14.54, 19.28, -25.58

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 8 / 62 / 0 / 71

HEX #431C49

RGB 67 28 73

HSL 292, 0.45%, 0.2%

LAB 17.94, 26.64, -19.96

 

CMYK 0 / 62 / 8 / 71

HEX #491C43

RGB 73 28 67

HSL 308, 0.45%, 0.2%

LAB 18.59, 27.32, -14.74

 

CMYK 29 / 64 / 0 / 95

HEX #0A050E

RGB 10 5 14

HSL 273.33, 0.47%, 0.04%

LAB 1.85, 2.62, -3.12

 

CMYK 25 / 64 / 0 / 83

HEX #21102C

RGB 33 16 44

HSL 276.43, 0.47%, 0.12%

LAB 7.91, 15.49, -15.51

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 24 / 62 / 0 / 60

HEX #4E2767

RGB 78 39 103

HSL 276.56, 0.45%, 0.28%

LAB 23.84, 30.81, -30.5

 

CMYK 25 / 62 / 0 / 48

HEX #643285

RGB 100 50 133

HSL 276.14, 0.45%, 0.36%

LAB 31.08, 37.98, -37.81

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 0 / 62 / 49 / 71

HEX #491C25

RGB 73 28 37

HSL 348, 0.45%, 0.2%

LAB 17.37, 22.46, 4.54

 

CMYK 62 / 0 / 49 / 71

HEX #1C4925

RGB 28 73 37

HSL 132, 0.45%, 0.2%

LAB 27.15, -24.6, 16.98

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 0 / 25 / 62 / 71

HEX #49371C

RGB 73 55 28

HSL 36, 0.45%, 0.2%

LAB 24.43, 4.23, 19.83

 

CMYK 62 / 0 / 25 / 71

HEX #1C4937

RGB 28 73 55

HSL 156, 0.45%, 0.2%

LAB 27.54, -20.52, 6.19

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 0 / 62 / 49 / 71

HEX #491C25

RGB 73 28 37

HSL 348, 0.45%, 0.2%

LAB 17.37, 22.46, 4.54

 

CMYK 37 / 0 / 62 / 71

HEX #2E491C

RGB 46 73 28

HSL 96, 0.45%, 0.2%

LAB 27.93, -19.59, 23.4

 

CMYK 62 / 0 / 12 / 71

HEX #1C4940

RGB 28 73 64

HSL 168, 0.45%, 0.2%

LAB 27.8, -18.01, 0.74

 

CMYK 25 / 62 / 0 / 71

HEX #371C49

RGB 55 28 73

HSL 276, 0.45%, 0.2%

LAB 16.12, 22.88, -22.96

 

CMYK 0 / 56 / 62 / 71

HEX #49201C

RGB 73 32 28

HSL 5.33, 0.45%, 0.2%

LAB 18.07, 19.08, 11.83

 

CMYK 37 / 0 / 62 / 71

HEX #2E491C

RGB 46 73 28

HSL 96, 0.45%, 0.2%

LAB 27.93, -19.59, 23.4

 

CMYK 62 / 5 / 0 / 71

HEX #1C4549

RGB 28 69 73

HSL 185.33, 0.45%, 0.2%

LAB 26.69, -12.89, -6.76

 

Description

Color code: HEX #371C49 | qconv.com Color code: HEX #371C49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 28 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 28 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 62 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 62% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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