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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37155D it is the complementary color #C8EAA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37155D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37155D shade: #3C1558, #4D276B, #5E397E, #6F4B91 and #805DA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37155D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37155D shade: #37155D, #26034A, #150037, #040024 and #000011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37155D shade: #36145B, #49145B, #5B145A, #5B1447 and #5B1434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37155D shade: #36145B, #23145B and #14145B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37155D shade matches the following richer shades: #36145B, #350B64 and #35026D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37155D shade: #36145B, #361D52, #372649, #372F40 and #383937

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37155D shade: #14195B, #22145B, #35145B, #48145B and #5B145B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37155D shade: #0E0518, #220D39, #36145B, #4A1C7D and #5D249E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37155D shade: #37155D, #5B142C and #145B19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37155D shade: #37155D, #5B3514 and #145B35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37155D shade: #37155D, #5B142C, #3A5B14 and #145B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37155D shade: #37155D, #5B1417, #3A5B14 and #145B59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

Complementary color

CMYK 15 / 0 / 31 / 8

HEX #C8EAA2

RGB 200 234 162

HSL 88.33, 0.63%, 0.78%

LAB 88.8, -23.35, 31.42

 

CMYK 32 / 76 / 0 / 65

HEX #3C1558

RGB 60 21 88

HSL 274.93, 0.61%, 0.21%

LAB 16.51, 32.22, -32.5

 

CMYK 28 / 64 / 0 / 58

HEX #4D276B

RGB 77 39 107

HSL 273.53, 0.47%, 0.29%

LAB 23.97, 31.56, -32.89

 

CMYK 25 / 55 / 0 / 51

HEX #5E397E

RGB 94 57 126

HSL 272.17, 0.38%, 0.36%

LAB 31.38, 30.61, -33.01

 

CMYK 23 / 48 / 0 / 43

HEX #6F4B91

RGB 111 75 145

HSL 270.86, 0.32%, 0.43%

LAB 38.65, 29.65, -33.05

 

CMYK 22 / 43 / 0 / 36

HEX #805DA4

RGB 128 93 164

HSL 269.58, 0.28%, 0.5%

LAB 45.77, 28.74, -33.08

 

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

CMYK 49 / 96 / 0 / 71

HEX #26034A

RGB 38 3 74

HSL 269.58, 0.92%, 0.15%

LAB 8.75, 32.89, -35.72

 

CMYK 62 / 100 / 0 / 78

HEX #150037

RGB 21 0 55

HSL 262.91, 1%, 0.11%

LAB 3.93, 23.61, -30.1

 

CMYK 89 / 100 / 0 / 86

HEX #040024

RGB 4 0 36

HSL 246.67, 1%, 0.07%

LAB 1.38, 9.13, -19.81

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 20 / 78 / 0 / 64

HEX #49145B

RGB 73 20 91

HSL 284.79, 0.64%, 0.22%

LAB 18.68, 36.43, -30.91

 

CMYK 0 / 78 / 1 / 64

HEX #5B145A

RGB 91 20 90

HSL 300.85, 0.64%, 0.22%

LAB 21.81, 40.55, -25.06

 

CMYK 0 / 78 / 22 / 64

HEX #5B1447

RGB 91 20 71

HSL 316.9, 0.64%, 0.22%

LAB 20.75, 37.33, -13.89

 

CMYK 0 / 78 / 43 / 64

HEX #5B1434

RGB 91 20 52

HSL 332.96, 0.64%, 0.22%

LAB 19.93, 34.74, -1.94

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 62 / 78 / 0 / 64

HEX #23145B

RGB 35 20 91

HSL 252.68, 0.64%, 0.22%

LAB 13.31, 28.67, -39.88

 

CMYK 78 / 78 / 0 / 64

HEX #14145B

RGB 20 20 91

HSL 240, 0.64%, 0.22%

LAB 11.99, 26.6, -42.1

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 47 / 89 / 0 / 61

HEX #350B64

RGB 53 11 100

HSL 268.31, 0.8%, 0.22%

LAB 15.04, 38.48, -42.96

 

CMYK 51 / 98 / 0 / 57

HEX #35026D

RGB 53 2 109

HSL 268.6, 0.96%, 0.22%

LAB 14.98, 43.95, -48.98

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 34 / 65 / 0 / 68

HEX #361D52

RGB 54 29 82

HSL 268.3, 0.48%, 0.22%

LAB 16.86, 24.47, -27.94

 

CMYK 25 / 48 / 0 / 71

HEX #372649

RGB 55 38 73

HSL 269.14, 0.32%, 0.22%

LAB 18.71, 16.27, -18.87

 

CMYK 14 / 27 / 0 / 75

HEX #372F40

RGB 55 47 64

HSL 268.24, 0.15%, 0.22%

LAB 20.89, 7.63, -9.36

 

CMYK 2 / 0 / 4 / 78

HEX #383937

RGB 56 57 55

HSL 90, 0.02%, 0.22%

LAB 23.81, -0.88, 1.09

 

CMYK 78 / 73 / 0 / 64

HEX #14195B

RGB 20 25 91

HSL 235.77, 0.64%, 0.22%

LAB 13.23, 23.21, -40.07

 

CMYK 63 / 78 / 0 / 64

HEX #22145B

RGB 34 20 91

HSL 251.83, 0.64%, 0.22%

LAB 13.2, 28.51, -40.06

 

CMYK 42 / 78 / 0 / 64

HEX #35145B

RGB 53 20 91

HSL 267.89, 0.64%, 0.22%

LAB 15.55, 32.02, -36.12

 

CMYK 21 / 78 / 0 / 64

HEX #48145B

RGB 72 20 91

HSL 283.94, 0.64%, 0.22%

LAB 18.51, 36.2, -31.19

 

CMYK 0 / 78 / 0 / 64

HEX #5B145B

RGB 91 20 91

HSL 300, 0.64%, 0.22%

LAB 21.87, 40.74, -25.62

 

CMYK 42 / 79 / 0 / 91

HEX #0E0518

RGB 14 5 24

HSL 268.42, 0.66%, 0.06%

LAB 2.42, 5.97, -8.63

 

CMYK 40 / 77 / 0 / 78

HEX #220D39

RGB 34 13 57

HSL 268.64, 0.63%, 0.14%

LAB 8.34, 21.68, -24.35

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 41 / 78 / 0 / 51

HEX #4A1C7D

RGB 74 28 125

HSL 268.45, 0.63%, 0.3%

LAB 22.89, 41.38, -46.19

 

CMYK 41 / 77 / 0 / 38

HEX #5D249E

RGB 93 36 158

HSL 268.03, 0.63%, 0.38%

LAB 29.56, 49.61, -55.69

 

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

CMYK 0 / 78 / 52 / 64

HEX #5B142C

RGB 91 20 44

HSL 339.72, 0.64%, 0.22%

LAB 19.66, 33.86, 3.32

 

CMYK 78 / 0 / 73 / 64

HEX #145B19

RGB 20 91 25

HSL 124.23, 0.64%, 0.22%

LAB 33.35, -35.89, 30.75

 

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

CMYK 0 / 42 / 78 / 64

HEX #5B3514

RGB 91 53 20

HSL 27.89, 0.64%, 0.22%

LAB 26.22, 13.89, 27.18

 

CMYK 78 / 0 / 42 / 64

HEX #145B35

RGB 20 91 53

HSL 147.89, 0.64%, 0.22%

LAB 33.75, -31.27, 15.89

 

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

CMYK 0 / 78 / 52 / 64

HEX #5B142C

RGB 91 20 44

HSL 339.72, 0.64%, 0.22%

LAB 19.66, 33.86, 3.32

 

CMYK 36 / 0 / 78 / 64

HEX #3A5B14

RGB 58 91 20

HSL 87.89, 0.64%, 0.22%

LAB 34.87, -24.55, 34.99

 

CMYK 78 / 0 / 26 / 64

HEX #145B43

RGB 20 91 67

HSL 159.72, 0.64%, 0.22%

LAB 34.06, -27.89, 7.76

 

CMYK 41 / 77 / 0 / 64

HEX #37155D

RGB 55 21 93

HSL 268.33, 0.63%, 0.22%

LAB 16.2, 32.47, -36.39

 

CMYK 0 / 78 / 75 / 64

HEX #5B1417

RGB 91 20 23

HSL 357.46, 0.64%, 0.22%

LAB 19.17, 32.19, 17.4

 

CMYK 36 / 0 / 78 / 64

HEX #3A5B14

RGB 58 91 20

HSL 87.89, 0.64%, 0.22%

LAB 34.87, -24.55, 34.99

 

CMYK 78 / 0 / 2 / 64

HEX #145B59

RGB 20 91 89

HSL 178.31, 0.64%, 0.22%

LAB 34.71, -21.34, -5.03

 

Description

Color code: HEX #37155D | qconv.com Color code: HEX #37155D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 21 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 21 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 77 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 77% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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