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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36B8AF it is the complementary color #C94750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36B8AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36B8AF shade: #3BB8AA, #4CCABD, #5DDCD0, #6EEEE3 and #7FFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36B8AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36B8AF shade: #36B8AF, #25A69C, #149489, #038276 and #007063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36B8AF shade: #35B9B0, #35B98D, #35B969, #35B945 and #49B935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36B8AF shade: #35B9B0, #359FB9, #357BB9, #3558B9 and #3535B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36B8AF shade matches the following richer shades: #35B9B0, #22CDC1 and #0FE0D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36B8AF shade: #35B9B0, #49A69F, #5C928F, #707F7E and #836C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36B8AF shade: #35B968, #35B98B, #35B9AE, #35A1B9 and #357EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36B8AF shade: #237973, #2C9992, #35B9B0, #4DCBC2 and #6DD4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36B8AF shade: #36B8AF, #4535B9 and #B97A35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36B8AF shade: #36B8AF, #AE35B9 and #B9AE35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36B8AF shade: #36B8AF, #4535B9, #B93540 and #AAB935

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36B8AF shade: #36B8AF, #6C35B9, #B93540 and #82B935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

Complementary color

CMYK 0 / 65 / 60 / 21

HEX #C94750

RGB 201 71 80

HSL 355.85, 0.55%, 0.53%

LAB 48.89, 52.16, 23.16

 

CMYK 68 / 0 / 8 / 28

HEX #3BB8AA

RGB 59 184 170

HSL 173.28, 0.51%, 0.48%

LAB 68.1, -37.11, -2.86

 

CMYK 62 / 0 / 6 / 21

HEX #4CCABD

RGB 76 202 189

HSL 173.81, 0.54%, 0.55%

LAB 74.48, -37.56, -3.81

 

CMYK 58 / 0 / 5 / 14

HEX #5DDCD0

RGB 93 220 208

HSL 174.33, 0.64%, 0.61%

LAB 80.78, -37.84, -4.68

 

CMYK 54 / 0 / 5 / 7

HEX #6EEEE3

RGB 110 238 227

HSL 174.84, 0.79%, 0.68%

LAB 87, -38.02, -5.48

 

CMYK 50 / 0 / 4 / 0

HEX #7FFFF6

RGB 127 255 246

HSL 175.78, 1%, 0.75%

LAB 92.88, -37.66, -6.64

 

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

CMYK 78 / 0 / 6 / 35

HEX #25A69C

RGB 37 166 156

HSL 175.35, 0.64%, 0.4%

LAB 61.71, -35.6, -4.54

 

CMYK 86 / 0 / 7 / 42

HEX #149489

RGB 20 148 137

HSL 174.84, 0.76%, 0.33%

LAB 55.21, -34.4, -3.37

 

CMYK 98 / 0 / 9 / 49

HEX #038276

RGB 3 130 118

HSL 174.33, 0.95%, 0.26%

LAB 48.63, -32.78, -2.04

 

CMYK 100 / 0 / 12 / 56

HEX #007063

RGB 0 112 99

HSL 173.04, 1%, 0.22%

LAB 41.98, -30.38, -0.47

 

CMYK 71 / 0 / 5 / 27

HEX #35B9B0

RGB 53 185 176

HSL 175.91, 0.55%, 0.47%

LAB 68.45, -36.75, -5.67

 

CMYK 71 / 0 / 24 / 27

HEX #35B98D

RGB 53 185 141

HSL 160, 0.55%, 0.47%

LAB 67.56, -45.8, 12.26

 

CMYK 71 / 0 / 43 / 27

HEX #35B969

RGB 53 185 105

HSL 143.64, 0.55%, 0.47%

LAB 66.88, -53.22, 30.59

 

CMYK 71 / 0 / 63 / 27

HEX #35B945

RGB 53 185 69

HSL 127.27, 0.55%, 0.47%

LAB 66.43, -58.45, 47.56

 

CMYK 61 / 0 / 71 / 27

HEX #49B935

RGB 73 185 53

HSL 110.91, 0.55%, 0.47%

LAB 66.8, -55.89, 54.7

 

CMYK 71 / 0 / 5 / 27

HEX #35B9B0

RGB 53 185 176

HSL 175.91, 0.55%, 0.47%

LAB 68.45, -36.75, -5.67

 

CMYK 71 / 14 / 0 / 27

HEX #359FB9

RGB 53 159 185

HSL 191.82, 0.55%, 0.47%

LAB 60.83, -21.3, -22.16

 

CMYK 71 / 34 / 0 / 27

HEX #357BB9

RGB 53 123 185

HSL 208.18, 0.55%, 0.47%

LAB 50.01, -1.11, -38.98

 

CMYK 71 / 52 / 0 / 27

HEX #3558B9

RGB 53 88 185

HSL 224.09, 0.55%, 0.47%

LAB 39.98, 20.96, -55

 

CMYK 71 / 71 / 0 / 27

HEX #3535B9

RGB 53 53 185

HSL 240, 0.55%, 0.47%

LAB 31.36, 43.15, -69.07

 

CMYK 71 / 0 / 5 / 27

HEX #35B9B0

RGB 53 185 176

HSL 175.91, 0.55%, 0.47%

LAB 68.45, -36.75, -5.67

 

CMYK 83 / 0 / 6 / 20

HEX #22CDC1

RGB 34 205 193

HSL 175.79, 0.72%, 0.47%

LAB 74.73, -42.83, -5.69

 

CMYK 93 / 0 / 6 / 12

HEX #0FE0D2

RGB 15 224 210

HSL 175.98, 0.87%, 0.47%

LAB 80.78, -47.23, -5.88

 

CMYK 71 / 0 / 5 / 27

HEX #35B9B0

RGB 53 185 176

HSL 175.91, 0.55%, 0.47%

LAB 68.45, -36.75, -5.67

 

CMYK 56 / 0 / 4 / 35

HEX #49A69F

RGB 73 166 159

HSL 175.48, 0.39%, 0.47%

LAB 62.67, -29.14, -4.71

 

CMYK 37 / 0 / 2 / 43

HEX #5C928F

RGB 92 146 143

HSL 176.67, 0.23%, 0.47%

LAB 56.9, -18.55, -4.08

 

CMYK 12 / 0 / 1 / 50

HEX #707F7E

RGB 112 127 126

HSL 176, 0.06%, 0.47%

LAB 51.98, -5.7, -1.33

 

CMYK 0 / 18 / 17 / 49

HEX #836C6D

RGB 131 108 109

HSL 357.39, 0.1%, 0.47%

LAB 47.82, 9.26, 2.85

 

CMYK 71 / 0 / 44 / 27

HEX #35B968

RGB 53 185 104

HSL 143.18, 0.55%, 0.47%

LAB 66.87, -53.4, 31.09

 

CMYK 71 / 0 / 25 / 27

HEX #35B98B

RGB 53 185 139

HSL 159.09, 0.55%, 0.47%

LAB 67.52, -46.26, 13.29

 

CMYK 71 / 0 / 6 / 27

HEX #35B9AE

RGB 53 185 174

HSL 175, 0.55%, 0.47%

LAB 68.4, -37.31, -4.65

 

CMYK 71 / 13 / 0 / 27

HEX #35A1B9

RGB 53 161 185

HSL 190.91, 0.55%, 0.47%

LAB 61.44, -22.34, -21.23

 

CMYK 71 / 32 / 0 / 27

HEX #357EB9

RGB 53 126 185

HSL 206.82, 0.55%, 0.47%

LAB 50.9, -2.9, -37.58

 

CMYK 71 / 0 / 5 / 53

HEX #237973

RGB 35 121 115

HSL 175.81, 0.55%, 0.31%

LAB 46, -26.39, -4.09

 

CMYK 71 / 0 / 5 / 40

HEX #2C9992

RGB 44 153 146

HSL 176.15, 0.55%, 0.39%

LAB 57.46, -31.54, -5.16

 

CMYK 71 / 0 / 5 / 27

HEX #35B9B0

RGB 53 185 176

HSL 175.91, 0.55%, 0.47%

LAB 68.45, -36.75, -5.67

 

CMYK 62 / 0 / 4 / 20

HEX #4DCBC2

RGB 77 203 194

HSL 175.71, 0.55%, 0.55%

LAB 74.94, -36.52, -5.83

 

CMYK 49 / 0 / 3 / 17

HEX #6DD4CD

RGB 109 212 205

HSL 175.92, 0.54%, 0.63%

LAB 78.89, -31.64, -5.8

 

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

CMYK 63 / 71 / 0 / 27

HEX #4535B9

RGB 69 53 185

HSL 247.27, 0.55%, 0.47%

LAB 32.51, 45.06, -67.14

 

CMYK 0 / 34 / 71 / 27

HEX #B97A35

RGB 185 122 53

HSL 31.36, 0.55%, 0.47%

LAB 56.58, 18.31, 46.41

 

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

CMYK 6 / 71 / 0 / 27

HEX #AE35B9

RGB 174 53 185

HSL 295, 0.55%, 0.47%

LAB 45.7, 64.7, -45.15

 

CMYK 0 / 6 / 71 / 27

HEX #B9AE35

RGB 185 174 53

HSL 55, 0.55%, 0.47%

LAB 70.07, -9.93, 60.1

 

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

CMYK 63 / 71 / 0 / 27

HEX #4535B9

RGB 69 53 185

HSL 247.27, 0.55%, 0.47%

LAB 32.51, 45.06, -67.14

 

CMYK 0 / 71 / 65 / 27

HEX #B93540

RGB 185 53 64

HSL 355, 0.55%, 0.47%

LAB 43.11, 53.17, 24.83

 

CMYK 8 / 0 / 71 / 27

HEX #AAB935

RGB 170 185 53

HSL 66.82, 0.55%, 0.47%

LAB 71.89, -21.95, 61.48

 

CMYK 71 / 0 / 5 / 28

HEX #36B8AF

RGB 54 184 175

HSL 175.85, 0.55%, 0.47%

LAB 68.14, -36.44, -5.58

 

CMYK 42 / 71 / 0 / 27

HEX #6C35B9

RGB 108 53 185

HSL 265, 0.55%, 0.47%

LAB 36.44, 51.28, -60.56

 

CMYK 0 / 71 / 65 / 27

HEX #B93540

RGB 185 53 64

HSL 355, 0.55%, 0.47%

LAB 43.11, 53.17, 24.83

 

CMYK 30 / 0 / 71 / 27

HEX #82B935

RGB 130 185 53

HSL 85, 0.55%, 0.47%

LAB 69.26, -38, 57.98

 

Description

Color code: HEX #36B8AF | qconv.com Color code: HEX #36B8AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 184 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 184 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 5 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 5% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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