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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36AE51 it is the complementary color #C951AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36AE51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36AE51 shade: #3BAE4C, #4CC05F, #5DD272, #6EE485 and #7FF698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36AE51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36AE51 shade: #36AE51, #259C3E, #148A2B, #037818 and #006605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36AE51 shade: #35AF51, #3BAF35, #5CAF35, #7CAF35 and #9DAF35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36AE51 shade: #35AF51, #35AF72, #35AF92, #35ABAF and #358AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36AE51 shade matches the following richer shades: #35AF51, #23C247 and #10D43C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36AE51 shade: #35AF51, #489D5B, #5B8A65, #6D776F and #80657A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36AE51 shade: #5CAF35, #3CAF35, #35AF50, #35AF70 and #35AF91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36AE51 shade: #227034, #2C9042, #35AF51, #47C664 and #67D07F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36AE51 shade: #36AE51, #357CAF and #AF354C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36AE51 shade: #36AE51, #5035AF and #AF5035

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36AE51 shade: #36AE51, #357CAF, #AF3595 and #AF6835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36AE51 shade: #36AE51, #3558AF, #AF3595 and #AF8D35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

Complementary color

CMYK 0 / 60 / 13 / 21

HEX #C951AE

RGB 201 81 174

HSL 313.5, 0.53%, 0.55%

LAB 53.34, 58.37, -26.43

 

CMYK 66 / 0 / 56 / 32

HEX #3BAE4C

RGB 59 174 76

HSL 128.87, 0.49%, 0.46%

LAB 63.11, -52.58, 40.52

 

CMYK 60 / 0 / 51 / 25

HEX #4CC05F

RGB 76 192 95

HSL 129.83, 0.48%, 0.53%

LAB 69.51, -53.02, 39.11

 

CMYK 56 / 0 / 46 / 18

HEX #5DD272

RGB 93 210 114

HSL 130.77, 0.57%, 0.59%

LAB 75.84, -53.2, 37.73

 

CMYK 52 / 0 / 42 / 11

HEX #6EE485

RGB 110 228 133

HSL 131.69, 0.69%, 0.66%

LAB 82.11, -53.22, 36.4

 

CMYK 48 / 0 / 38 / 4

HEX #7FF698

RGB 127 246 152

HSL 132.61, 0.87%, 0.73%

LAB 88.3, -53.13, 35.12

 

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

CMYK 76 / 0 / 60 / 39

HEX #259C3E

RGB 37 156 62

HSL 132.61, 0.62%, 0.38%

LAB 56.6, -51.93, 39.44

 

CMYK 86 / 0 / 69 / 46

HEX #148A2B

RGB 20 138 43

HSL 131.69, 0.75%, 0.31%

LAB 50.1, -50.34, 40.76

 

CMYK 98 / 0 / 80 / 53

HEX #037818

RGB 3 120 24

HSL 130.77, 0.95%, 0.24%

LAB 43.53, -47.84, 41.52

 

CMYK 100 / 0 / 95 / 60

HEX #006605

RGB 0 102 5

HSL 122.94, 1%, 0.2%

LAB 36.96, -43.71, 41.04

 

CMYK 70 / 0 / 54 / 31

HEX #35AF51

RGB 53 175 81

HSL 133.77, 0.54%, 0.45%

LAB 63.35, -53.4, 38.33

 

CMYK 66 / 0 / 70 / 31

HEX #3BAF35

RGB 59 175 53

HSL 117.05, 0.54%, 0.45%

LAB 63.22, -55.51, 50.84

 

CMYK 47 / 0 / 70 / 31

HEX #5CAF35

RGB 92 175 53

HSL 100.82, 0.54%, 0.45%

LAB 64.32, -46.89, 52.33

 

CMYK 29 / 0 / 70 / 31

HEX #7CAF35

RGB 124 175 53

HSL 85.08, 0.54%, 0.45%

LAB 65.91, -35.77, 54.47

 

CMYK 10 / 0 / 70 / 31

HEX #9DAF35

RGB 157 175 53

HSL 68.85, 0.54%, 0.45%

LAB 68.08, -22.46, 57.39

 

CMYK 70 / 0 / 54 / 31

HEX #35AF51

RGB 53 175 81

HSL 133.77, 0.54%, 0.45%

LAB 63.35, -53.4, 38.33

 

CMYK 70 / 0 / 35 / 31

HEX #35AF72

RGB 53 175 114

HSL 150, 0.54%, 0.45%

LAB 63.86, -47.65, 21.82

 

CMYK 70 / 0 / 17 / 31

HEX #35AF92

RGB 53 175 146

HSL 165.74, 0.54%, 0.45%

LAB 64.56, -40.3, 5.23

 

CMYK 70 / 2 / 0 / 31

HEX #35ABAF

RGB 53 171 175

HSL 181.97, 0.54%, 0.45%

LAB 64.14, -30.43, -11.53

 

CMYK 70 / 21 / 0 / 31

HEX #358AAF

RGB 53 138 175

HSL 198.2, 0.54%, 0.45%

LAB 54.06, -13.28, -26.9

 

CMYK 70 / 0 / 54 / 31

HEX #35AF51

RGB 53 175 81

HSL 133.77, 0.54%, 0.45%

LAB 63.35, -53.4, 38.33

 

CMYK 82 / 0 / 63 / 24

HEX #23C247

RGB 35 194 71

HSL 133.58, 0.69%, 0.45%

LAB 69.04, -63.68, 49.54

 

CMYK 92 / 0 / 72 / 17

HEX #10D43C

RGB 16 212 60

HSL 133.47, 0.86%, 0.45%

LAB 74.52, -71.66, 59.78

 

CMYK 70 / 0 / 54 / 31

HEX #35AF51

RGB 53 175 81

HSL 133.77, 0.54%, 0.45%

LAB 63.35, -53.4, 38.33

 

CMYK 54 / 0 / 42 / 38

HEX #489D5B

RGB 72 157 91

HSL 133.41, 0.37%, 0.45%

LAB 58.27, -40.55, 26.9

 

CMYK 34 / 0 / 27 / 46

HEX #5B8A65

RGB 91 138 101

HSL 132.77, 0.21%, 0.45%

LAB 53.32, -24.15, 14.86

 

CMYK 8 / 0 / 7 / 53

HEX #6D776F

RGB 109 119 111

HSL 132, 0.04%, 0.45%

LAB 49, -5.4, 3.11

 

CMYK 0 / 21 / 5 / 50

HEX #80657A

RGB 128 101 122

HSL 313.33, 0.12%, 0.45%

LAB 46.04, 14.66, -7.59

 

CMYK 47 / 0 / 70 / 31

HEX #5CAF35

RGB 92 175 53

HSL 100.82, 0.54%, 0.45%

LAB 64.32, -46.89, 52.33

 

CMYK 66 / 0 / 70 / 31

HEX #3CAF35

RGB 60 175 53

HSL 116.56, 0.54%, 0.45%

LAB 63.24, -55.3, 50.88

 

CMYK 70 / 0 / 54 / 31

HEX #35AF50

RGB 53 175 80

HSL 133.28, 0.54%, 0.45%

LAB 63.34, -53.55, 38.81

 

CMYK 70 / 0 / 36 / 31

HEX #35AF70

RGB 53 175 112

HSL 149.02, 0.54%, 0.45%

LAB 63.82, -48.06, 22.85

 

CMYK 70 / 0 / 17 / 31

HEX #35AF91

RGB 53 175 145

HSL 165.25, 0.54%, 0.45%

LAB 64.53, -40.55, 5.75

 

CMYK 70 / 0 / 54 / 56

HEX #227034

RGB 34 112 52

HSL 133.85, 0.53%, 0.29%

LAB 41.5, -37.51, 26.45

 

CMYK 69 / 0 / 54 / 44

HEX #2C9042

RGB 44 144 66

HSL 133.2, 0.53%, 0.37%

LAB 52.81, -45.81, 32.99

 

CMYK 70 / 0 / 54 / 31

HEX #35AF51

RGB 53 175 81

HSL 133.77, 0.54%, 0.45%

LAB 63.35, -53.4, 38.33

 

CMYK 64 / 0 / 49 / 22

HEX #47C664

RGB 71 198 100

HSL 133.7, 0.53%, 0.53%

LAB 71.32, -55.6, 38.85

 

CMYK 50 / 0 / 39 / 18

HEX #67D07F

RGB 103 208 127

HSL 133.71, 0.53%, 0.61%

LAB 75.78, -47.83, 31.13

 

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

CMYK 70 / 29 / 0 / 31

HEX #357CAF

RGB 53 124 175

HSL 205.08, 0.54%, 0.45%

LAB 49.82, -5.27, -33.5

 

CMYK 0 / 70 / 57 / 31

HEX #AF354C

RGB 175 53 76

HSL 348.69, 0.54%, 0.45%

LAB 41.5, 50.8, 14.96

 

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

CMYK 54 / 70 / 0 / 31

HEX #5035AF

RGB 80 53 175

HSL 253.28, 0.54%, 0.45%

LAB 32.58, 43.62, -61.04

 

CMYK 0 / 54 / 70 / 31

HEX #AF5035

RGB 175 80 53

HSL 13.28, 0.54%, 0.45%

LAB 45.78, 36.88, 34.11

 

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

CMYK 70 / 29 / 0 / 31

HEX #357CAF

RGB 53 124 175

HSL 205.08, 0.54%, 0.45%

LAB 49.82, -5.27, -33.5

 

CMYK 0 / 70 / 15 / 31

HEX #AF3595

RGB 175 53 149

HSL 312.79, 0.54%, 0.45%

LAB 43.99, 59.11, -26.45

 

CMYK 0 / 41 / 70 / 31

HEX #AF6835

RGB 175 104 53

HSL 25.08, 0.54%, 0.45%

LAB 51, 23.99, 40.01

 

CMYK 69 / 0 / 53 / 32

HEX #36AE51

RGB 54 174 81

HSL 133.5, 0.53%, 0.45%

LAB 63.05, -52.86, 37.97

 

CMYK 70 / 50 / 0 / 31

HEX #3558AF

RGB 53 88 175

HSL 222.79, 0.54%, 0.45%

LAB 39.3, 17.25, -50.23

 

CMYK 0 / 70 / 15 / 31

HEX #AF3595

RGB 175 53 149

HSL 312.79, 0.54%, 0.45%

LAB 43.99, 59.11, -26.45

 

CMYK 0 / 19 / 70 / 31

HEX #AF8D35

RGB 175 141 53

HSL 43.28, 0.54%, 0.45%

LAB 60.27, 3.35, 49.93

 

Description

Color code: HEX #36AE51 | qconv.com Color code: HEX #36AE51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 174 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 174 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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