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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36AAE7 it is the complementary color #C95518. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36AAE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36AAE7 shade: #3BAAE2, #4CBCF5, #5DCEFF, #6EE0FF and #7FF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36AAE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36AAE7 shade: #36AAE7, #2598D4, #1486C1, #0374AE and #00629B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36AAE7 shade: #36AAE7, #367AE7, #364AE7, #5136E7 and #8136E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36AAE7 shade: #36AAE7, #367AE7, #364AE7 and #3636E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36AAE7 shade matches the following richer shades: #36AAE7 and #24AFF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36AAE7 shade: #36AAE7, #48A4D5, #5A9FC3, #6C99B0 and #7E939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36AAE7 shade: #36E7C3, #36DBE7, #36ACE7, #367DE7 and #364DE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36AAE7 shade: #157EB5, #1998DA, #36AAE7, #5BB9EB and #80C9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36AAE7 shade: #36AAE7, #9436E7 and #E7DB36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36AAE7 shade: #36AAE7, #E736AC and #ACE736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36AAE7 shade: #36AAE7, #9436E7, #E77136 and #88E736

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36AAE7 shade: #36AAE7, #C936E7, #E77136 and #53E736

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

Complementary color

CMYK 0 / 58 / 88 / 21

HEX #C95518

RGB 201 85 24

HSL 20.68, 0.79%, 0.44%

LAB 50.66, 43.36, 54.01

 

CMYK 74 / 25 / 0 / 11

HEX #3BAAE2

RGB 59 170 226

HSL 200.12, 0.74%, 0.56%

LAB 65.88, -12.86, -37.14

 

CMYK 69 / 23 / 0 / 4

HEX #4CBCF5

RGB 76 188 245

HSL 200.24, 0.89%, 0.63%

LAB 72.29, -14.03, -37.48

 

CMYK 64 / 19 / 0 / 0

HEX #5DCEFF

RGB 93 206 255

HSL 198.15, 1%, 0.68%

LAB 78.28, -17.74, -33.54

 

CMYK 57 / 12 / 0 / 0

HEX #6EE0FF

RGB 110 224 255

HSL 192.83, 1%, 0.72%

LAB 83.89, -23.88, -24.9

 

CMYK 50 / 5 / 0 / 0

HEX #7FF2FF

RGB 127 242 255

HSL 186.09, 1%, 0.75%

LAB 89.5, -29.31, -16.34

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 83 / 28 / 0 / 17

HEX #2598D4

RGB 37 152 212

HSL 200.57, 0.7%, 0.49%

LAB 59.53, -10.08, -39.34

 

CMYK 90 / 31 / 0 / 24

HEX #1486C1

RGB 20 134 193

HSL 200.46, 0.81%, 0.42%

LAB 53, -7.98, -38.89

 

CMYK 98 / 33 / 0 / 32

HEX #0374AE

RGB 3 116 174

HSL 200.35, 0.97%, 0.35%

LAB 46.4, -5.39, -38.37

 

CMYK 100 / 37 / 0 / 39

HEX #00629B

RGB 0 98 155

HSL 202.06, 1%, 0.3%

LAB 39.75, -2.05, -37.69

HEX #00629B

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 77 / 47 / 0 / 9

HEX #367AE7

RGB 54 122 231

HSL 216.95, 0.79%, 0.56%

LAB 52.37, 16.46, -61.34

 

CMYK 77 / 68 / 0 / 9

HEX #364AE7

RGB 54 74 231

HSL 233.22, 0.79%, 0.56%

LAB 40.33, 46.41, -80.94

 

CMYK 65 / 77 / 0 / 9

HEX #5136E7

RGB 81 54 231

HSL 249.15, 0.79%, 0.56%

LAB 38.12, 59.76, -84.53

 

CMYK 44 / 77 / 0 / 9

HEX #8136E7

RGB 129 54 231

HSL 265.42, 0.79%, 0.56%

LAB 42.88, 65.71, -76.54

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 77 / 47 / 0 / 9

HEX #367AE7

RGB 54 122 231

HSL 216.95, 0.79%, 0.56%

LAB 52.37, 16.46, -61.34

 

CMYK 77 / 68 / 0 / 9

HEX #364AE7

RGB 54 74 231

HSL 233.22, 0.79%, 0.56%

LAB 40.33, 46.41, -80.94

 

CMYK 77 / 77 / 0 / 9

HEX #3636E7

RGB 54 54 231

HSL 240, 0.79%, 0.56%

LAB 36.35, 57.51, -87.51

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 86 / 30 / 0 / 2

HEX #24AFF9

RGB 36 175 249

HSL 200.85, 0.95%, 0.56%

LAB 67.93, -9.78, -46.53

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 66 / 23 / 0 / 16

HEX #48A4D5

RGB 72 164 213

HSL 200.85, 0.63%, 0.56%

LAB 63.94, -12.06, -32.95

 

CMYK 54 / 18 / 0 / 24

HEX #5A9FC3

RGB 90 159 195

HSL 200.57, 0.47%, 0.56%

LAB 62.43, -11.57, -25.21

 

CMYK 39 / 13 / 0 / 31

HEX #6C99B0

RGB 108 153 176

HSL 200.29, 0.3%, 0.56%

LAB 60.87, -9.25, -16.82

 

CMYK 20 / 7 / 0 / 38

HEX #7E939E

RGB 126 147 158

HSL 200.63, 0.14%, 0.56%

LAB 59.68, -4.96, -8.29

 

CMYK 77 / 0 / 16 / 9

HEX #36E7C3

RGB 54 231 195

HSL 167.8, 0.79%, 0.56%

LAB 82.85, -51.54, 5.13

 

CMYK 77 / 5 / 0 / 9

HEX #36DBE7

RGB 54 219 231

HSL 184.07, 0.79%, 0.56%

LAB 80.3, -36.45, -17.73

 

CMYK 77 / 26 / 0 / 9

HEX #36ACE7

RGB 54 172 231

HSL 200, 0.79%, 0.56%

LAB 66.56, -12.83, -38.82

 

CMYK 77 / 46 / 0 / 9

HEX #367DE7

RGB 54 125 231

HSL 215.93, 0.79%, 0.56%

LAB 53.19, 14.6, -60.02

 

CMYK 77 / 67 / 0 / 9

HEX #364DE7

RGB 54 77 231

HSL 232.2, 0.79%, 0.56%

LAB 41, 44.61, -79.85

 

CMYK 88 / 30 / 0 / 29

HEX #157EB5

RGB 21 126 181

HSL 200.63, 0.79%, 0.4%

LAB 50, -7.76, -36.74

 

CMYK 89 / 30 / 0 / 15

HEX #1998DA

RGB 25 152 218

HSL 200.52, 0.79%, 0.48%

LAB 59.64, -8.76, -42.53

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 61 / 21 / 0 / 8

HEX #5BB9EB

RGB 91 185 235

HSL 200.83, 0.78%, 0.64%

LAB 71.5, -13.2, -33.25

 

CMYK 47 / 16 / 0 / 6

HEX #80C9F0

RGB 128 201 240

HSL 200.89, 0.79%, 0.72%

LAB 77.67, -12.57, -26.34

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 36 / 77 / 0 / 9

HEX #9436E7

RGB 148 54 231

HSL 271.86, 0.79%, 0.56%

LAB 45.23, 68.61, -72.6

 

CMYK 0 / 5 / 77 / 9

HEX #E7DB36

RGB 231 219 54

HSL 55.93, 0.79%, 0.56%

LAB 85.97, -13.1, 76.09

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 0 / 77 / 26 / 9

HEX #E736AC

RGB 231 54 172

HSL 320, 0.79%, 0.56%

LAB 54.66, 75.41, -22.82

 

CMYK 26 / 0 / 77 / 9

HEX #ACE736

RGB 172 231 54

HSL 80, 0.79%, 0.56%

LAB 85.09, -42.46, 73.77

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 36 / 77 / 0 / 9

HEX #9436E7

RGB 148 54 231

HSL 271.86, 0.79%, 0.56%

LAB 45.23, 68.61, -72.6

 

CMYK 0 / 51 / 77 / 9

HEX #E77136

RGB 231 113 54

HSL 20, 0.79%, 0.56%

LAB 60.84, 42, 52.3

 

CMYK 41 / 0 / 77 / 9

HEX #88E736

RGB 136 231 54

HSL 92.2, 0.79%, 0.56%

LAB 83.26, -55.05, 71.39

 

CMYK 77 / 26 / 0 / 9

HEX #36AAE7

RGB 54 170 231

HSL 200.68, 0.79%, 0.56%

LAB 65.98, -11.74, -39.73

 

CMYK 13 / 77 / 0 / 9

HEX #C936E7

RGB 201 54 231

HSL 289.83, 0.79%, 0.56%

LAB 52.76, 77.79, -60.04

 

CMYK 0 / 51 / 77 / 9

HEX #E77136

RGB 231 113 54

HSL 20, 0.79%, 0.56%

LAB 60.84, 42, 52.3

 

CMYK 64 / 0 / 77 / 9

HEX #53E736

RGB 83 231 54

HSL 110.17, 0.79%, 0.56%

LAB 81.43, -69.23, 69.01

 

Description

Color code: HEX #36AAE7 | qconv.com Color code: HEX #36AAE7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 170 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 170 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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