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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #368F94 it is the complementary color #C9706B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #368F94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #368F94 shade: #3B8F8F, #4CA1A2, #5DB3B5, #6EC5C8 and #7FD7DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #368F94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #368F94 shade: #368F94, #257D81, #146B6E, #03595B and #004748

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #368F94 shade: #369095, #367695, #365D95, #364395 and #423695

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #368F94 shade: #369095, #367695, #365D95, #364395 and #363695

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #368F94 shade matches the following richer shades: #369095, #259FA6, #15AEB6 and #04BDC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #368F94 shade: #369095, #468285, #577374, #676464 and #785553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #368F94 shade: #369567, #369581, #369195, #367795 and #365E95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #368F94 shade: #205659, #2B7377, #369095, #40AEB4 and #5ABEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #368F94 shade: #368F94, #4E3695 and #957436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #368F94 shade: #368F94, #953691 and #919536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #368F94 shade: #368F94, #4E3695, #953A36 and #7D9536

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #368F94 shade: #368F94, #6A3695, #953A36 and #619536

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

Complementary color

CMYK 0 / 44 / 47 / 21

HEX #C9706B

RGB 201 112 107

HSL 3.19, 0.47%, 0.6%

LAB 57.14, 34.5, 18.34

 

CMYK 59 / 0 / 0 / 44

HEX #3B8F8F

RGB 59 143 143

HSL 180, 0.42%, 0.4%

LAB 54.61, -24.97, -7.62

 

CMYK 53 / 1 / 0 / 36

HEX #4CA1A2

RGB 76 161 162

HSL 180.7, 0.36%, 0.47%

LAB 61.34, -25.21, -8.37

 

CMYK 49 / 1 / 0 / 29

HEX #5DB3B5

RGB 93 179 181

HSL 181.36, 0.37%, 0.54%

LAB 67.95, -25.34, -9.05

 

CMYK 45 / 1 / 0 / 22

HEX #6EC5C8

RGB 110 197 200

HSL 182, 0.45%, 0.61%

LAB 74.46, -25.4, -9.68

 

CMYK 42 / 2 / 0 / 14

HEX #7FD7DB

RGB 127 215 219

HSL 182.61, 0.56%, 0.68%

LAB 80.87, -25.42, -10.28

 

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

CMYK 71 / 3 / 0 / 49

HEX #257D81

RGB 37 125 129

HSL 182.61, 0.55%, 0.33%

LAB 47.81, -23.8, -9.69

 

CMYK 82 / 3 / 0 / 57

HEX #146B6E

RGB 20 107 110

HSL 182, 0.69%, 0.25%

LAB 40.88, -22.81, -8.75

 

CMYK 97 / 2 / 0 / 64

HEX #03595B

RGB 3 89 91

HSL 181.36, 0.94%, 0.18%

LAB 33.81, -21.34, -7.64

 

CMYK 100 / 1 / 0 / 72

HEX #004748

RGB 0 71 72

HSL 180.83, 1%, 0.14%

LAB 26.66, -18.77, -6.22

 

CMYK 64 / 3 / 0 / 42

HEX #369095

RGB 54 144 149

HSL 183.16, 0.47%, 0.4%

LAB 54.97, -24.64, -10.56

 

CMYK 64 / 21 / 0 / 42

HEX #367695

RGB 54 118 149

HSL 199.58, 0.47%, 0.4%

LAB 46.86, -10.55, -22.91

 

CMYK 64 / 38 / 0 / 42

HEX #365D95

RGB 54 93 149

HSL 215.37, 0.47%, 0.4%

LAB 39.21, 4.64, -34.87

 

CMYK 64 / 55 / 0 / 42

HEX #364395

RGB 54 67 149

HSL 231.79, 0.47%, 0.4%

LAB 31.74, 21.75, -46.83

 

CMYK 56 / 64 / 0 / 42

HEX #423695

RGB 66 54 149

HSL 247.58, 0.47%, 0.4%

LAB 29.33, 32.44, -50.69

 

CMYK 64 / 3 / 0 / 42

HEX #369095

RGB 54 144 149

HSL 183.16, 0.47%, 0.4%

LAB 54.97, -24.64, -10.56

 

CMYK 64 / 21 / 0 / 42

HEX #367695

RGB 54 118 149

HSL 199.58, 0.47%, 0.4%

LAB 46.86, -10.55, -22.91

 

CMYK 64 / 38 / 0 / 42

HEX #365D95

RGB 54 93 149

HSL 215.37, 0.47%, 0.4%

LAB 39.21, 4.64, -34.87

 

CMYK 64 / 55 / 0 / 42

HEX #364395

RGB 54 67 149

HSL 231.79, 0.47%, 0.4%

LAB 31.74, 21.75, -46.83

 

CMYK 64 / 64 / 0 / 42

HEX #363695

RGB 54 54 149

HSL 240, 0.47%, 0.4%

LAB 28.36, 30.31, -52.31

 

CMYK 64 / 3 / 0 / 42

HEX #369095

RGB 54 144 149

HSL 183.16, 0.47%, 0.4%

LAB 54.97, -24.64, -10.56

 

CMYK 78 / 4 / 0 / 35

HEX #259FA6

RGB 37 159 166

HSL 183.26, 0.64%, 0.4%

LAB 59.84, -29.27, -12.98

 

CMYK 88 / 4 / 0 / 29

HEX #15AEB6

RGB 21 174 182

HSL 182.98, 0.79%, 0.4%

LAB 64.81, -32.78, -14.48

 

CMYK 98 / 5 / 0 / 22

HEX #04BDC7

RGB 4 189 199

HSL 183.08, 0.96%, 0.4%

LAB 69.86, -35.19, -16.26

 

CMYK 64 / 3 / 0 / 42

HEX #369095

RGB 54 144 149

HSL 183.16, 0.47%, 0.4%

LAB 54.97, -24.64, -10.56

 

CMYK 47 / 2 / 0 / 48

HEX #468285

RGB 70 130 133

HSL 182.86, 0.31%, 0.4%

LAB 50.64, -18.6, -7.69

 

CMYK 25 / 1 / 0 / 55

HEX #577374

RGB 87 115 116

HSL 182.07, 0.14%, 0.4%

LAB 46.38, -9.85, -3.88

 

CMYK 0 / 3 / 3 / 60

HEX #676464

RGB 103 100 100

HSL 0, 0.01%, 0.4%

LAB 42.64, 1.18, 0.41

 

CMYK 0 / 29 / 31 / 53

HEX #785553

RGB 120 85 83

HSL 3.24, 0.18%, 0.4%

LAB 39.77, 14.25, 6.94

 

CMYK 64 / 0 / 31 / 42

HEX #369567

RGB 54 149 103

HSL 150.95, 0.47%, 0.4%

LAB 55.34, -39, 16.27

 

CMYK 64 / 0 / 13 / 42

HEX #369581

RGB 54 149 129

HSL 167.37, 0.47%, 0.4%

LAB 55.95, -32.74, 2.38

 

CMYK 64 / 3 / 0 / 42

HEX #369195

RGB 54 145 149

HSL 182.53, 0.47%, 0.4%

LAB 55.28, -25.15, -10.09

 

CMYK 64 / 20 / 0 / 42

HEX #367795

RGB 54 119 149

HSL 198.95, 0.47%, 0.4%

LAB 47.17, -11.12, -22.43

 

CMYK 64 / 37 / 0 / 42

HEX #365E95

RGB 54 94 149

HSL 214.74, 0.47%, 0.4%

LAB 39.51, 4.01, -34.39

 

CMYK 64 / 3 / 0 / 65

HEX #205659

RGB 32 86 89

HSL 183.16, 0.47%, 0.24%

LAB 33.32, -16.55, -7.07

 

CMYK 64 / 3 / 0 / 53

HEX #2B7377

RGB 43 115 119

HSL 183.16, 0.47%, 0.32%

LAB 44.39, -20.7, -8.86

 

CMYK 64 / 3 / 0 / 42

HEX #369095

RGB 54 144 149

HSL 183.16, 0.47%, 0.4%

LAB 54.97, -24.64, -10.56

 

CMYK 64 / 3 / 0 / 29

HEX #40AEB4

RGB 64 174 180

HSL 183.1, 0.48%, 0.48%

LAB 65.48, -28.78, -12.28

 

CMYK 54 / 3 / 0 / 24

HEX #5ABEC3

RGB 90 190 195

HSL 182.86, 0.47%, 0.56%

LAB 71.51, -27.65, -11.43

 

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

CMYK 48 / 64 / 0 / 42

HEX #4E3695

RGB 78 54 149

HSL 255.16, 0.47%, 0.4%

LAB 30.47, 34.85, -48.79

 

CMYK 0 / 22 / 64 / 42

HEX #957436

RGB 149 116 54

HSL 39.16, 0.47%, 0.4%

LAB 50.86, 5.73, 38.46

 

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

CMYK 0 / 64 / 3 / 42

HEX #953691

RGB 149 54 145

HSL 302.53, 0.47%, 0.4%

LAB 39.7, 51.36, -31.04

 

CMYK 3 / 0 / 64 / 42

HEX #919536

RGB 145 149 54

HSL 62.53, 0.47%, 0.4%

LAB 59.69, -14.27, 48.03

 

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

CMYK 48 / 64 / 0 / 42

HEX #4E3695

RGB 78 54 149

HSL 255.16, 0.47%, 0.4%

LAB 30.47, 34.85, -48.79

 

CMYK 0 / 61 / 64 / 42

HEX #953A36

RGB 149 58 54

HSL 2.53, 0.47%, 0.4%

LAB 37.27, 38.02, 22.23

 

CMYK 16 / 0 / 64 / 42

HEX #7D9536

RGB 125 149 54

HSL 75.16, 0.47%, 0.4%

LAB 58.15, -22.87, 45.92

 

CMYK 64 / 3 / 0 / 42

HEX #368F94

RGB 54 143 148

HSL 183.19, 0.47%, 0.4%

LAB 54.62, -24.43, -10.5

 

CMYK 29 / 64 / 0 / 42

HEX #6A3695

RGB 106 54 149

HSL 272.84, 0.47%, 0.4%

LAB 33.72, 41.24, -43.38

 

CMYK 0 / 61 / 64 / 42

HEX #953A36

RGB 149 58 54

HSL 2.53, 0.47%, 0.4%

LAB 37.27, 38.02, 22.23

 

CMYK 35 / 0 / 64 / 42

HEX #619536

RGB 97 149 54

HSL 92.84, 0.47%, 0.4%

LAB 56.39, -33.99, 43.49

 

Description

Color code: HEX #368F94 | qconv.com Color code: HEX #368F94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 143 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 143 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 3 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 3% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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