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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3674E1 it is the complementary color #C98B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3674E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3674E1 shade: #3B74DC, #4C86EF, #5D98FF, #6EAAFF and #7FBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3674E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3674E1 shade: #3674E1, #2562CE, #1450BB, #033EA8 and #002C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3674E1 shade: #3774E1, #3747E1, #5537E1, #8337E1 and #B037E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3674E1 shade: #3774E1, #3747E1 and #3737E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3674E1 shade matches the following richer shades: #3774E1 and #246FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3674E1 shade: #3774E1, #497ACE, #5C7FBC, #6F84A9 and #818996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3674E1 shade: #37D0E1, #37A2E1, #3775E1, #3748E1 and #5337E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3674E1 shade: #194EAC, #1F5FD0, #3774E1, #5B8DE6 and #7FA6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3674E1 shade: #3674E1, #C437E1 and #B9E137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3674E1 shade: #3674E1, #E13775 and #75E137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3674E1 shade: #3674E1, #C437E1, #E1A237 and #53E137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3674E1 shade: #3674E1, #E137CA, #E1A237 and #37E14D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

Complementary color

CMYK 0 / 31 / 85 / 21

HEX #C98B1E

RGB 201 139 30

HSL 38.25, 0.74%, 0.45%

LAB 62.49, 15.07, 61.67

 

CMYK 73 / 47 / 0 / 14

HEX #3B74DC

RGB 59 116 220

HSL 218.76, 0.7%, 0.55%

LAB 50.2, 16.76, -58.63

 

CMYK 68 / 44 / 0 / 6

HEX #4C86EF

RGB 76 134 239

HSL 218.65, 0.84%, 0.62%

LAB 56.9, 14.81, -58.49

 

CMYK 64 / 40 / 0 / 0

HEX #5D98FF

RGB 93 152 255

HSL 218.15, 1%, 0.68%

LAB 63.35, 12.2, -56.96

 

CMYK 57 / 33 / 0 / 0

HEX #6EAAFF

RGB 110 170 255

HSL 215.17, 1%, 0.72%

LAB 68.96, 4.89, -48.02

 

CMYK 50 / 26 / 0 / 0

HEX #7FBCFF

RGB 127 188 255

HSL 211.41, 1%, 0.75%

LAB 74.63, -1.59, -39.08

 

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

CMYK 82 / 52 / 0 / 19

HEX #2562CE

RGB 37 98 206

HSL 218.34, 0.7%, 0.48%

LAB 43.63, 20.6, -61.3

 

CMYK 89 / 57 / 0 / 27

HEX #1450BB

RGB 20 80 187

HSL 218.44, 0.81%, 0.41%

LAB 36.88, 23.78, -61.25

 

CMYK 98 / 63 / 0 / 34

HEX #033EA8

RGB 3 62 168

HSL 218.55, 0.96%, 0.34%

LAB 30.14, 27.57, -61.01

 

CMYK 100 / 70 / 0 / 42

HEX #002C95

RGB 0 44 149

HSL 222.28, 1%, 0.29%

LAB 23.58, 32.04, -60.25

 

CMYK 76 / 48 / 0 / 12

HEX #3774E1

RGB 55 116 225

HSL 218.47, 0.74%, 0.55%

LAB 50.38, 18.11, -61.17

 

CMYK 76 / 68 / 0 / 12

HEX #3747E1

RGB 55 71 225

HSL 234.35, 0.74%, 0.55%

LAB 39.16, 46.23, -79.45

 

CMYK 62 / 76 / 0 / 12

HEX #5537E1

RGB 85 55 225

HSL 250.59, 0.74%, 0.55%

LAB 38.02, 57.97, -81.26

 

CMYK 42 / 76 / 0 / 12

HEX #8337E1

RGB 131 55 225

HSL 266.82, 0.74%, 0.55%

LAB 42.75, 64.16, -73.31

 

CMYK 22 / 76 / 0 / 12

HEX #B037E1

RGB 176 55 225

HSL 282.71, 0.74%, 0.55%

LAB 48.76, 71.8, -63.28

 

CMYK 76 / 48 / 0 / 12

HEX #3774E1

RGB 55 116 225

HSL 218.47, 0.74%, 0.55%

LAB 50.38, 18.11, -61.17

 

CMYK 76 / 68 / 0 / 12

HEX #3747E1

RGB 55 71 225

HSL 234.35, 0.74%, 0.55%

LAB 39.16, 46.23, -79.45

 

CMYK 76 / 76 / 0 / 12

HEX #3737E1

RGB 55 55 225

HSL 240, 0.74%, 0.55%

LAB 35.95, 55.19, -84.76

 

CMYK 76 / 48 / 0 / 12

HEX #3774E1

RGB 55 116 225

HSL 218.47, 0.74%, 0.55%

LAB 50.38, 18.11, -61.17

 

CMYK 85 / 54 / 0 / 5

HEX #246FF3

RGB 36 111 243

HSL 218.26, 0.9%, 0.55%

LAB 49.76, 26.28, -72.3

 

CMYK 76 / 48 / 0 / 12

HEX #3774E1

RGB 55 116 225

HSL 218.47, 0.74%, 0.55%

LAB 50.38, 18.11, -61.17

 

CMYK 65 / 41 / 0 / 19

HEX #497ACE

RGB 73 122 206

HSL 217.89, 0.58%, 0.55%

LAB 51.6, 10.16, -48.42

 

CMYK 51 / 32 / 0 / 26

HEX #5C7FBC

RGB 92 127 188

HSL 218.13, 0.42%, 0.55%

LAB 53.04, 5.06, -35.81

 

CMYK 34 / 22 / 0 / 34

HEX #6F84A9

RGB 111 132 169

HSL 218.28, 0.25%, 0.55%

LAB 54.81, 1.63, -22.06

 

CMYK 14 / 9 / 0 / 41

HEX #818996

RGB 129 137 150

HSL 217.14, 0.09%, 0.55%

LAB 56.84, -0.13, -7.93

 

CMYK 76 / 8 / 0 / 12

HEX #37D0E1

RGB 55 208 225

HSL 186, 0.74%, 0.55%

LAB 76.9, -32.97, -19.67

 

CMYK 76 / 28 / 0 / 12

HEX #37A2E1

RGB 55 162 225

HSL 202.24, 0.74%, 0.55%

LAB 63.42, -9.28, -40.45

 

CMYK 76 / 48 / 0 / 12

HEX #3775E1

RGB 55 117 225

HSL 218.12, 0.74%, 0.55%

LAB 50.65, 17.48, -60.73

 

CMYK 76 / 68 / 0 / 12

HEX #3748E1

RGB 55 72 225

HSL 234, 0.74%, 0.55%

LAB 39.38, 45.64, -79.09

 

CMYK 63 / 76 / 0 / 12

HEX #5337E1

RGB 83 55 225

HSL 249.88, 0.74%, 0.55%

LAB 37.86, 57.75, -81.54

 

CMYK 85 / 55 / 0 / 33

HEX #194EAC

RGB 25 78 172

HSL 218.37, 0.75%, 0.39%

LAB 35.27, 19.47, -55.01

 

CMYK 85 / 54 / 0 / 18

HEX #1F5FD0

RGB 31 95 208

HSL 218.31, 0.74%, 0.47%

LAB 42.81, 22.84, -63.79

 

CMYK 76 / 48 / 0 / 12

HEX #3774E1

RGB 55 116 225

HSL 218.47, 0.74%, 0.55%

LAB 50.38, 18.11, -61.17

 

CMYK 60 / 39 / 0 / 10

HEX #5B8DE6

RGB 91 141 230

HSL 218.42, 0.74%, 0.63%

LAB 58.96, 10.06, -50.16

 

CMYK 46 / 29 / 0 / 8

HEX #7FA6EB

RGB 127 166 235

HSL 218.33, 0.73%, 0.71%

LAB 67.86, 4.88, -38.78

 

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

CMYK 13 / 76 / 0 / 12

HEX #C437E1

RGB 196 55 225

HSL 289.76, 0.74%, 0.55%

LAB 51.73, 75.51, -58.34

 

CMYK 18 / 0 / 76 / 12

HEX #B9E137

RGB 185 225 55

HSL 74.12, 0.74%, 0.55%

LAB 84.19, -34.75, 72.92

 

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

CMYK 0 / 76 / 48 / 12

HEX #E13775

RGB 225 55 117

HSL 338.12, 0.74%, 0.55%

LAB 51.86, 67.99, 5.61

 

CMYK 48 / 0 / 76 / 12

HEX #75E137

RGB 117 225 55

HSL 98.12, 0.74%, 0.55%

LAB 80.69, -58.54, 68.35

 

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

CMYK 13 / 76 / 0 / 12

HEX #C437E1

RGB 196 55 225

HSL 289.76, 0.74%, 0.55%

LAB 51.73, 75.51, -58.34

 

CMYK 0 / 28 / 76 / 12

HEX #E1A237

RGB 225 162 55

HSL 37.76, 0.74%, 0.55%

LAB 70.96, 13.91, 61.56

 

CMYK 63 / 0 / 76 / 12

HEX #53E137

RGB 83 225 55

HSL 110.12, 0.74%, 0.55%

LAB 79.59, -67.2, 66.91

 

CMYK 76 / 48 / 0 / 12

HEX #3674E1

RGB 54 116 225

HSL 218.25, 0.74%, 0.55%

LAB 50.35, 17.99, -61.23

 

CMYK 0 / 76 / 10 / 12

HEX #E137CA

RGB 225 55 202

HSL 308.12, 0.74%, 0.55%

LAB 55.08, 77.7, -39.62

 

CMYK 0 / 28 / 76 / 12

HEX #E1A237

RGB 225 162 55

HSL 37.76, 0.74%, 0.55%

LAB 70.96, 13.91, 61.56

 

CMYK 76 / 0 / 66 / 12

HEX #37E14D

RGB 55 225 77

HSL 127.76, 0.74%, 0.55%

LAB 79.16, -70.33, 58.3

 

Description

Color code: HEX #3674E1 | qconv.com Color code: HEX #3674E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 116 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 116 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 48 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 48% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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