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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366EDE it is the complementary color #C99121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366EDE shade: #3B6ED9, #4C80EC, #5D92FF, #6EA4FF and #7FB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366EDE shade: #366EDE, #255CCB, #144AB8, #0338A5 and #002692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366EDE shade: #356DDE, #353FDE, #5835DE, #8535DE and #B335DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366EDE shade: #356DDE, #353FDE and #3535DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366EDE shade matches the following richer shades: #356DDE and #2267F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366EDE shade: #356DDE, #4873CB, #5B7AB8, #6E80A5 and #818692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366EDE shade: #35C7DE, #359ADE, #356DDE, #3540DE and #5735DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366EDE shade: #1B49A5, #2058C9, #356DDE, #5887E3 and #7CA0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366EDE shade: #366EDE, #C735DE and #B1DE35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366EDE shade: #366EDE, #DE356D and #6DDE35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366EDE shade: #366EDE, #C735DE, #DEA535 and #4BDE35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366EDE shade: #366EDE, #DE35C2, #DEA535 and #35DE51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

Complementary color

CMYK 0 / 28 / 84 / 21

HEX #C99121

RGB 201 145 33

HSL 40, 0.72%, 0.46%

LAB 63.98, 11.88, 62.01

 

CMYK 73 / 49 / 0 / 15

HEX #3B6ED9

RGB 59 110 217

HSL 220.63, 0.68%, 0.54%

LAB 48.38, 19.44, -59.88

 

CMYK 68 / 46 / 0 / 7

HEX #4C80EC

RGB 76 128 236

HSL 220.5, 0.81%, 0.61%

LAB 55.1, 17.42, -59.69

 

CMYK 64 / 43 / 0 / 0

HEX #5D92FF

RGB 93 146 255

HSL 220.37, 1%, 0.68%

LAB 61.74, 15.76, -59.51

 

CMYK 57 / 36 / 0 / 0

HEX #6EA4FF

RGB 110 164 255

HSL 217.66, 1%, 0.72%

LAB 67.34, 8.32, -50.57

 

CMYK 50 / 29 / 0 / 0

HEX #7FB6FF

RGB 127 182 255

HSL 214.22, 1%, 0.75%

LAB 73.02, 1.72, -41.6

 

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

CMYK 82 / 55 / 0 / 20

HEX #255CCB

RGB 37 92 203

HSL 220.12, 0.69%, 0.47%

LAB 41.78, 23.34, -62.57

 

CMYK 89 / 60 / 0 / 28

HEX #144AB8

RGB 20 74 184

HSL 220.24, 0.8%, 0.4%

LAB 35.02, 26.6, -62.53

 

CMYK 98 / 66 / 0 / 35

HEX #0338A5

RGB 3 56 165

HSL 220.37, 0.96%, 0.33%

LAB 28.29, 30.44, -62.24

 

CMYK 100 / 74 / 0 / 43

HEX #002692

RGB 0 38 146

HSL 224.38, 1%, 0.29%

LAB 21.8, 34.81, -61.32

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 76 / 72 / 0 / 13

HEX #353FDE

RGB 53 63 222

HSL 236.45, 0.72%, 0.54%

LAB 37.09, 49.7, -81.16

 

CMYK 60 / 76 / 0 / 13

HEX #5835DE

RGB 88 53 222

HSL 252.43, 0.72%, 0.54%

LAB 37.65, 58.41, -80.14

 

CMYK 40 / 76 / 0 / 13

HEX #8535DE

RGB 133 53 222

HSL 268.4, 0.72%, 0.54%

LAB 42.47, 64.57, -72.06

 

CMYK 19 / 76 / 0 / 13

HEX #B335DE

RGB 179 53 222

HSL 284.73, 0.72%, 0.54%

LAB 48.76, 72.43, -61.54

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 76 / 72 / 0 / 13

HEX #353FDE

RGB 53 63 222

HSL 236.45, 0.72%, 0.54%

LAB 37.09, 49.7, -81.16

 

CMYK 76 / 76 / 0 / 13

HEX #3535DE

RGB 53 53 222

HSL 240, 0.72%, 0.54%

LAB 35.16, 55.15, -84.35

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 86 / 57 / 0 / 5

HEX #2267F1

RGB 34 103 241

HSL 220, 0.88%, 0.54%

LAB 47.48, 30.48, -74.88

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 65 / 43 / 0 / 20

HEX #4873CB

RGB 72 115 203

HSL 220.31, 0.56%, 0.54%

LAB 49.44, 13.26, -50.17

 

CMYK 51 / 34 / 0 / 28

HEX #5B7AB8

RGB 91 122 184

HSL 220, 0.4%, 0.54%

LAB 51.39, 6.57, -36.12

 

CMYK 33 / 22 / 0 / 35

HEX #6E80A5

RGB 110 128 165

HSL 220.36, 0.23%, 0.54%

LAB 53.46, 2.59, -21.84

 

CMYK 12 / 8 / 0 / 43

HEX #818692

RGB 129 134 146

HSL 222.35, 0.07%, 0.54%

LAB 55.88, 0.69, -7.05

 

CMYK 76 / 10 / 0 / 13

HEX #35C7DE

RGB 53 199 222

HSL 188.17, 0.72%, 0.54%

LAB 74.11, -29.77, -22.29

 

CMYK 76 / 31 / 0 / 13

HEX #359ADE

RGB 53 154 222

HSL 204.14, 0.72%, 0.54%

LAB 60.91, -6.05, -42.73

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 76 / 71 / 0 / 13

HEX #3540DE

RGB 53 64 222

HSL 236.09, 0.72%, 0.54%

LAB 37.29, 49.13, -80.82

 

CMYK 61 / 76 / 0 / 13

HEX #5735DE

RGB 87 53 222

HSL 252.07, 0.72%, 0.54%

LAB 37.57, 58.3, -80.29

 

CMYK 84 / 56 / 0 / 35

HEX #1B49A5

RGB 27 73 165

HSL 220, 0.72%, 0.38%

LAB 33.38, 20.21, -53.89

 

CMYK 84 / 56 / 0 / 21

HEX #2058C9

RGB 32 88 201

HSL 220.12, 0.73%, 0.46%

LAB 40.42, 24.78, -63.64

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 61 / 41 / 0 / 11

HEX #5887E3

RGB 88 135 227

HSL 219.71, 0.71%, 0.62%

LAB 57.03, 12.1, -51.57

 

CMYK 47 / 31 / 0 / 9

HEX #7CA0E9

RGB 124 160 233

HSL 220.18, 0.71%, 0.7%

LAB 65.99, 6.99, -40.62

 

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

CMYK 10 / 76 / 0 / 13

HEX #C735DE

RGB 199 53 222

HSL 291.83, 0.72%, 0.54%

LAB 51.79, 76.16, -56.51

 

CMYK 20 / 0 / 76 / 13

HEX #B1DE35

RGB 177 222 53

HSL 75.98, 0.72%, 0.54%

LAB 82.83, -36.6, 72.07

 

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

CMYK 0 / 76 / 51 / 13

HEX #DE356D

RGB 222 53 109

HSL 340.12, 0.72%, 0.54%

LAB 50.9, 67.13, 8.99

 

CMYK 51 / 0 / 76 / 13

HEX #6DDE35

RGB 109 222 53

HSL 100.12, 0.72%, 0.54%

LAB 79.47, -59.84, 67.7

 

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

CMYK 10 / 76 / 0 / 13

HEX #C735DE

RGB 199 53 222

HSL 291.83, 0.72%, 0.54%

LAB 51.79, 76.16, -56.51

 

CMYK 0 / 26 / 76 / 13

HEX #DEA535

RGB 222 165 53

HSL 39.76, 0.72%, 0.54%

LAB 71.35, 10.94, 62.59

 

CMYK 66 / 0 / 76 / 13

HEX #4BDE35

RGB 75 222 53

HSL 112.19, 0.72%, 0.54%

LAB 78.46, -67.99, 66.37

 

CMYK 76 / 50 / 0 / 13

HEX #366EDE

RGB 54 110 222

HSL 220, 0.72%, 0.54%

LAB 48.52, 20.67, -62.48

 

CMYK 0 / 76 / 13 / 13

HEX #DE35C2

RGB 222 53 194

HSL 309.94, 0.72%, 0.54%

LAB 54, 76.5, -36.75

 

CMYK 0 / 26 / 76 / 13

HEX #DEA535

RGB 222 165 53

HSL 39.76, 0.72%, 0.54%

LAB 71.35, 10.94, 62.59

 

CMYK 76 / 0 / 64 / 13

HEX #35DE51

RGB 53 222 81

HSL 129.94, 0.72%, 0.54%

LAB 78.22, -69.24, 55.62

 

Description

Color code: HEX #366EDE | qconv.com Color code: HEX #366EDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 110 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 110 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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