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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #366CA5 it is the complementary color #C9935A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #366CA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #366CA5 shade: #3B6CA0, #4C7EB3, #5D90C6, #6EA2D9 and #7FB4EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #366CA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #366CA5 shade: #366CA5, #255A92, #14487F, #03366C and #002459

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #366CA5 shade: #356CA5, #354DA5, #3B35A5, #5935A5 and #7735A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #366CA5 shade: #356CA5, #354DA5 and #3535A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #366CA5 shade matches the following richer shades: #356CA5, #236BB7, #126BC9 and #006ADA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #366CA5 shade: #356CA5, #476C93, #596D82, #6A6D70 and #7C6E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #366CA5 shade: #35A5A1, #358BA5, #356DA5, #354FA5 and #3935A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #366CA5 shade: #214367, #2B5786, #356CA5, #4280C1 and #6195CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #366CA5 shade: #366CA5, #8435A5 and #9AA535

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #366CA5 shade: #366CA5, #A5356D and #6DA535

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #366CA5 shade: #366CA5, #8435A5, #A56D35 and #57A535

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #366CA5 shade: #366CA5, #A535A5, #A56D35 and #35A535

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

Complementary color

CMYK 0 / 27 / 55 / 21

HEX #C9935A

RGB 201 147 90

HSL 30.81, 0.51%, 0.57%

LAB 64.98, 13.93, 37.91

 

CMYK 63 / 33 / 0 / 37

HEX #3B6CA0

RGB 59 108 160

HSL 210.89, 0.46%, 0.43%

LAB 44.51, 0.14, -33.05

 

CMYK 58 / 30 / 0 / 30

HEX #4C7EB3

RGB 76 126 179

HSL 210.87, 0.4%, 0.5%

LAB 51.51, -0.82, -33.1

 

CMYK 53 / 27 / 0 / 22

HEX #5D90C6

RGB 93 144 198

HSL 210.86, 0.48%, 0.57%

LAB 58.37, -1.57, -33.17

 

CMYK 49 / 25 / 0 / 15

HEX #6EA2D9

RGB 110 162 217

HSL 210.84, 0.58%, 0.64%

LAB 65.09, -2.16, -33.26

 

CMYK 46 / 24 / 0 / 7

HEX #7FB4EC

RGB 127 180 236

HSL 210.83, 0.74%, 0.71%

LAB 71.7, -2.65, -33.37

 

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

CMYK 75 / 38 / 0 / 43

HEX #255A92

RGB 37 90 146

HSL 210.83, 0.6%, 0.36%

LAB 37.45, 2.54, -35.9

 

CMYK 84 / 43 / 0 / 50

HEX #14487F

RGB 20 72 127

HSL 210.84, 0.73%, 0.29%

LAB 30.2, 4.68, -35.83

 

CMYK 97 / 50 / 0 / 58

HEX #03366C

RGB 3 54 108

HSL 210.86, 0.95%, 0.22%

LAB 22.79, 7.62, -35.7

 

CMYK 100 / 60 / 0 / 65

HEX #002459

RGB 0 36 89

HSL 215.73, 1%, 0.17%

LAB 15.4, 12.04, -35.21

 

CMYK 68 / 35 / 0 / 35

HEX #356CA5

RGB 53 108 165

HSL 210.54, 0.51%, 0.43%

LAB 44.52, 0.82, -36

 

CMYK 68 / 53 / 0 / 35

HEX #354DA5

RGB 53 77 165

HSL 227.14, 0.51%, 0.43%

LAB 35.56, 20.78, -50.31

 

CMYK 64 / 68 / 0 / 35

HEX #3B35A5

RGB 59 53 165

HSL 243.21, 0.51%, 0.43%

LAB 29.89, 37.19, -59.52

 

CMYK 46 / 68 / 0 / 35

HEX #5935A5

RGB 89 53 165

HSL 259.29, 0.51%, 0.43%

LAB 32.67, 42.32, -54.87

 

CMYK 28 / 68 / 0 / 35

HEX #7735A5

RGB 119 53 165

HSL 275.36, 0.51%, 0.43%

LAB 36.34, 48.59, -48.75

 

CMYK 68 / 35 / 0 / 35

HEX #356CA5

RGB 53 108 165

HSL 210.54, 0.51%, 0.43%

LAB 44.52, 0.82, -36

 

CMYK 68 / 53 / 0 / 35

HEX #354DA5

RGB 53 77 165

HSL 227.14, 0.51%, 0.43%

LAB 35.56, 20.78, -50.31

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 68 / 35 / 0 / 35

HEX #356CA5

RGB 53 108 165

HSL 210.54, 0.51%, 0.43%

LAB 44.52, 0.82, -36

 

CMYK 81 / 42 / 0 / 28

HEX #236BB7

RGB 35 107 183

HSL 210.81, 0.68%, 0.43%

LAB 44.65, 5.74, -46.36

 

CMYK 91 / 47 / 0 / 21

HEX #126BC9

RGB 18 107 201

HSL 210.82, 0.84%, 0.43%

LAB 45.44, 11.52, -55.52

 

CMYK 100 / 51 / 0 / 15

HEX #006ADA

RGB 0 106 218

HSL 210.83, 1%, 0.43%

LAB 46.14, 18.28, -64.12

 

CMYK 68 / 35 / 0 / 35

HEX #356CA5

RGB 53 108 165

HSL 210.54, 0.51%, 0.43%

LAB 44.52, 0.82, -36

 

CMYK 52 / 27 / 0 / 42

HEX #476C93

RGB 71 108 147

HSL 210.79, 0.35%, 0.43%

LAB 44.48, -1.57, -25.35

 

CMYK 32 / 16 / 0 / 49

HEX #596D82

RGB 89 109 130

HSL 210.73, 0.19%, 0.43%

LAB 45.18, -2.09, -14.03

 

CMYK 5 / 3 / 0 / 56

HEX #6A6D70

RGB 106 109 112

HSL 210, 0.03%, 0.43%

LAB 45.87, -0.51, -2.08

 

CMYK 0 / 11 / 24 / 51

HEX #7C6E5E

RGB 124 110 94

HSL 32, 0.14%, 0.43%

LAB 47.29, 2.73, 10.93

 

CMYK 68 / 0 / 2 / 35

HEX #35A5A1

RGB 53 165 161

HSL 177.86, 0.51%, 0.43%

LAB 61.86, -31.64, -7.1

 

CMYK 68 / 16 / 0 / 35

HEX #358BA5

RGB 53 139 165

HSL 193.93, 0.51%, 0.43%

LAB 53.96, -17.15, -21.3

 

CMYK 68 / 34 / 0 / 35

HEX #356DA5

RGB 53 109 165

HSL 210, 0.51%, 0.43%

LAB 44.82, 0.2, -35.53

 

CMYK 68 / 52 / 0 / 35

HEX #354FA5

RGB 53 79 165

HSL 226.07, 0.51%, 0.43%

LAB 36.11, 19.46, -49.42

 

CMYK 65 / 68 / 0 / 35

HEX #3935A5

RGB 57 53 165

HSL 242.14, 0.51%, 0.43%

LAB 29.74, 36.9, -59.77

 

CMYK 68 / 35 / 0 / 60

HEX #214367

RGB 33 67 103

HSL 210.86, 0.51%, 0.27%

LAB 27.62, 0.36, -24.75

 

CMYK 68 / 35 / 0 / 47

HEX #2B5786

RGB 43 87 134

HSL 210.99, 0.51%, 0.35%

LAB 36.08, 0.91, -30.75

 

CMYK 68 / 35 / 0 / 35

HEX #356CA5

RGB 53 108 165

HSL 210.54, 0.51%, 0.43%

LAB 44.52, 0.82, -36

 

CMYK 66 / 34 / 0 / 24

HEX #4280C1

RGB 66 128 193

HSL 210.71, 0.51%, 0.51%

LAB 52.34, 0.79, -39.86

 

CMYK 52 / 27 / 0 / 20

HEX #6195CB

RGB 97 149 203

HSL 210.57, 0.5%, 0.59%

LAB 60.2, -1.99, -33.11

 

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

CMYK 20 / 68 / 0 / 35

HEX #8435A5

RGB 132 53 165

HSL 282.32, 0.51%, 0.43%

LAB 38.14, 51.51, -45.75

 

CMYK 7 / 0 / 68 / 35

HEX #9AA535

RGB 154 165 53

HSL 65.89, 0.51%, 0.43%

LAB 64.99, -18.71, 54.19

 

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

CMYK 0 / 68 / 34 / 35

HEX #A5356D

RGB 165 53 109

HSL 330, 0.51%, 0.43%

LAB 40.65, 50.95, -7.17

 

CMYK 34 / 0 / 68 / 35

HEX #6DA535

RGB 109 165 53

HSL 90, 0.51%, 0.43%

LAB 62.01, -36.88, 50.17

 

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

CMYK 20 / 68 / 0 / 35

HEX #8435A5

RGB 132 53 165

HSL 282.32, 0.51%, 0.43%

LAB 38.14, 51.51, -45.75

 

CMYK 0 / 34 / 68 / 35

HEX #A56D35

RGB 165 109 53

HSL 30, 0.51%, 0.43%

LAB 50.91, 16.84, 39.54

 

CMYK 47 / 0 / 68 / 35

HEX #57A535

RGB 87 165 53

HSL 101.79, 0.51%, 0.43%

LAB 60.95, -44.41, 48.72

 

CMYK 67 / 35 / 0 / 35

HEX #366CA5

RGB 54 108 165

HSL 210.81, 0.51%, 0.43%

LAB 44.56, 0.99, -35.94

 

CMYK 0 / 68 / 0 / 35

HEX #A535A5

RGB 165 53 165

HSL 300, 0.51%, 0.43%

LAB 43.16, 59.2, -37.46

 

CMYK 0 / 34 / 68 / 35

HEX #A56D35

RGB 165 109 53

HSL 30, 0.51%, 0.43%

LAB 50.91, 16.84, 39.54

 

CMYK 68 / 0 / 68 / 35

HEX #35A535

RGB 53 165 53

HSL 120, 0.51%, 0.43%

LAB 59.82, -53.25, 47.18

 

Description

Color code: HEX #366CA5 | qconv.com Color code: HEX #366CA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 108 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 108 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 35 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 35% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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