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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #364ACA it is the complementary color #C9B535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #364ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #364ACA shade: #3B4AC5, #4C5CD8, #5D6EEB, #6E80FE and #7F92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #364ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #364ACA shade: #364ACA, #2538B7, #1426A4, #031491 and #00027E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #364ACA shade: #3549C9, #4935C9, #7135C9, #9935C9 and #C135C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #364ACA shade: #3549C9 and #3535C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #364ACA shade matches the following richer shades: #3549C9, #203ADE and #0C2BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #364ACA shade: #3549C9, #4A58B4, #5E67A0, #73768B and #888576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #364ACA shade: #359AC9, #3573C9, #354BC9, #4635C9 and #6E35C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #364ACA shade: #243188, #2C3DA8, #3549C9, #5666D2 and #7684DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #364ACA shade: #364ACA, #C935C2 and #86C935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #364ACA shade: #364ACA, #C9354B and #4BC935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #364ACA shade: #364ACA, #C935C2, #C9B335 and #35C93C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #364ACA shade: #364ACA, #C93595, #C9B335 and #35C969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

Complementary color

CMYK 0 / 10 / 74 / 21

HEX #C9B535

RGB 201 181 53

HSL 51.89, 0.58%, 0.5%

LAB 73.36, -6.62, 63.78

 

CMYK 70 / 62 / 0 / 23

HEX #3B4AC5

RGB 59 74 197

HSL 233.48, 0.54%, 0.5%

LAB 37.59, 35.14, -65.89

 

CMYK 65 / 57 / 0 / 15

HEX #4C5CD8

RGB 76 92 216

HSL 233.14, 0.64%, 0.57%

LAB 44.45, 32.85, -65.63

 

CMYK 60 / 53 / 0 / 8

HEX #5D6EEB

RGB 93 110 235

HSL 232.82, 0.78%, 0.64%

LAB 51.24, 30.89, -65.31

 

CMYK 57 / 50 / 0 / 0

HEX #6E80FE

RGB 110 128 254

HSL 232.5, 0.99%, 0.71%

LAB 57.95, 29.22, -64.99

 

CMYK 50 / 43 / 0 / 0

HEX #7F92FF

RGB 127 146 255

HSL 231.09, 1%, 0.75%

LAB 63.58, 22.33, -56.47

 

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

CMYK 80 / 69 / 0 / 28

HEX #2538B7

RGB 37 56 183

HSL 232.19, 0.66%, 0.43%

LAB 30.97, 39.13, -68.55

 

CMYK 88 / 77 / 0 / 36

HEX #1426A4

RGB 20 38 164

HSL 232.5, 0.78%, 0.36%

LAB 24.37, 42.17, -68.09

 

CMYK 98 / 86 / 0 / 43

HEX #031491

RGB 3 20 145

HSL 232.82, 0.96%, 0.29%

LAB 18.21, 44.76, -66.67

 

CMYK 100 / 98 / 0 / 51

HEX #00027E

RGB 0 2 126

HSL 239.05, 1%, 0.25%

LAB 12.92, 46.12, -63.52

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 64 / 74 / 0 / 21

HEX #4935C9

RGB 73 53 201

HSL 248.11, 0.58%, 0.5%

LAB 34.35, 50.51, -73.49

 

CMYK 44 / 74 / 0 / 21

HEX #7135C9

RGB 113 53 201

HSL 264.32, 0.58%, 0.5%

LAB 38.33, 56.24, -66.82

 

CMYK 24 / 74 / 0 / 21

HEX #9935C9

RGB 153 53 201

HSL 280.54, 0.58%, 0.5%

LAB 43.56, 63.44, -58.08

 

CMYK 4 / 74 / 0 / 21

HEX #C135C9

RGB 193 53 201

HSL 296.76, 0.58%, 0.5%

LAB 49.62, 71.43, -48.03

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 74 / 74 / 0 / 21

HEX #3535C9

RGB 53 53 201

HSL 240, 0.58%, 0.5%

LAB 32.96, 48.43, -75.83

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 86 / 74 / 0 / 13

HEX #203ADE

RGB 32 58 222

HSL 231.79, 0.75%, 0.5%

LAB 35.22, 51.19, -84.28

 

CMYK 95 / 82 / 0 / 5

HEX #0C2BF2

RGB 12 43 242

HSL 231.91, 0.91%, 0.5%

LAB 34.43, 64.58, -96.98

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 59 / 51 / 0 / 29

HEX #4A58B4

RGB 74 88 180

HSL 232.08, 0.42%, 0.5%

LAB 40.78, 22.72, -50.71

 

CMYK 41 / 36 / 0 / 37

HEX #5E67A0

RGB 94 103 160

HSL 231.82, 0.26%, 0.5%

LAB 45.11, 11.6, -31.97

 

CMYK 17 / 15 / 0 / 45

HEX #73768B

RGB 115 118 139

HSL 232.5, 0.09%, 0.5%

LAB 50.06, 3.51, -11.81

 

CMYK 0 / 2 / 13 / 47

HEX #888576

RGB 136 133 118

HSL 50, 0.07%, 0.5%

LAB 55.4, -1.64, 8.49

 

CMYK 74 / 23 / 0 / 21

HEX #359AC9

RGB 53 154 201

HSL 199.05, 0.58%, 0.5%

LAB 59.97, -13.32, -32.48

 

CMYK 74 / 43 / 0 / 21

HEX #3573C9

RGB 53 115 201

HSL 214.86, 0.58%, 0.5%

LAB 48.56, 9.63, -50.48

 

CMYK 74 / 63 / 0 / 21

HEX #354BC9

RGB 53 75 201

HSL 231.08, 0.58%, 0.5%

LAB 37.85, 35.2, -67.79

 

CMYK 65 / 74 / 0 / 21

HEX #4635C9

RGB 70 53 201

HSL 246.89, 0.58%, 0.5%

LAB 34.12, 50.16, -73.89

 

CMYK 45 / 74 / 0 / 21

HEX #6E35C9

RGB 110 53 201

HSL 263.11, 0.58%, 0.5%

LAB 37.98, 55.75, -67.4

 

CMYK 74 / 64 / 0 / 47

HEX #243188

RGB 36 49 136

HSL 232.2, 0.58%, 0.34%

LAB 24.79, 26.19, -50.14

 

CMYK 74 / 64 / 0 / 34

HEX #2C3DA8

RGB 44 61 168

HSL 231.77, 0.58%, 0.42%

LAB 31.11, 31.18, -59.36

 

CMYK 74 / 64 / 0 / 21

HEX #3549C9

RGB 53 73 201

HSL 231.89, 0.58%, 0.5%

LAB 37.37, 36.47, -68.58

 

CMYK 59 / 51 / 0 / 18

HEX #5666D2

RGB 86 102 210

HSL 232.26, 0.58%, 0.58%

LAB 47.15, 26.29, -57.8

 

CMYK 46 / 39 / 0 / 15

HEX #7684DA

RGB 118 132 218

HSL 231.6, 0.57%, 0.66%

LAB 57.48, 17.46, -45.71

 

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

CMYK 0 / 74 / 3 / 21

HEX #C935C2

RGB 201 53 194

HSL 302.84, 0.58%, 0.5%

LAB 50.52, 71.99, -42.46

 

CMYK 33 / 0 / 74 / 21

HEX #86C935

RGB 134 201 53

HSL 87.16, 0.58%, 0.5%

LAB 74.25, -43.52, 63.01

 

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

CMYK 0 / 74 / 63 / 21

HEX #C9354B

RGB 201 53 75

HSL 351.08, 0.58%, 0.5%

LAB 46.27, 58.76, 22.77

 

CMYK 63 / 0 / 74 / 21

HEX #4BC935

RGB 75 201 53

HSL 111.08, 0.58%, 0.5%

LAB 71.91, -61.02, 59.91

 

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

CMYK 0 / 74 / 3 / 21

HEX #C935C2

RGB 201 53 194

HSL 302.84, 0.58%, 0.5%

LAB 50.52, 71.99, -42.46

 

CMYK 0 / 11 / 74 / 21

HEX #C9B335

RGB 201 179 53

HSL 51.08, 0.58%, 0.5%

LAB 72.84, -5.58, 63.28

 

CMYK 74 / 0 / 70 / 21

HEX #35C93C

RGB 53 201 60

HSL 122.84, 0.58%, 0.5%

LAB 71.46, -64.63, 56.73

 

CMYK 73 / 63 / 0 / 21

HEX #364ACA

RGB 54 74 202

HSL 231.89, 0.58%, 0.5%

LAB 37.75, 36.3, -68.55

 

CMYK 0 / 74 / 26 / 21

HEX #C93595

RGB 201 53 149

HSL 321.08, 0.58%, 0.5%

LAB 48.43, 65.67, -19.23

 

CMYK 0 / 11 / 74 / 21

HEX #C9B335

RGB 201 179 53

HSL 51.08, 0.58%, 0.5%

LAB 72.84, -5.58, 63.28

 

CMYK 74 / 0 / 48 / 21

HEX #35C969

RGB 53 201 105

HSL 141.08, 0.58%, 0.5%

LAB 71.93, -59.04, 37.05

 

Description

Color code: HEX #364ACA | qconv.com Color code: HEX #364ACA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 74 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 74 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 63 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 63% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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