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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #363B95 it is the complementary color #C9C46A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #363B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #363B95 shade: #3B3B90, #4C4DA3, #5D5FB6, #6E71C9 and #7F83DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #363B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #363B95 shade: #363B95, #252982, #14176F, #03055C and #000049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #363B95 shade: #363B95, #4A3695, #643695, #7E3695 and #953693

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #363B95 shade: #363B95 and #363695

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #363B95 shade matches the following richer shades: #363B95, #252CA6, #151DB6 and #040EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #363B95 shade: #363B95, #464985, #575874, #676764 and #787653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #363B95 shade: #366F95, #365695, #363C95, #493695 and #623695

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #363B95 shade: #202359, #2B2F77, #363B95, #4047B4 and #5A60C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #363B95 shade: #363B95, #953689 and #629536

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #363B95 shade: #363B95, #95363C and #3C9536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #363B95 shade: #363B95, #953689, #958F36 and #369542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #363B95 shade: #363B95, #95366C, #958F36 and #36955F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

Complementary color

CMYK 0 / 2 / 47 / 21

HEX #C9C46A

RGB 201 196 106

HSL 56.84, 0.47%, 0.6%

LAB 77.84, -10.7, 45.5

 

CMYK 59 / 59 / 0 / 44

HEX #3B3B90

RGB 59 59 144

HSL 240, 0.42%, 0.4%

LAB 29.59, 26.21, -47.22

 

CMYK 53 / 53 / 0 / 36

HEX #4C4DA3

RGB 76 77 163

HSL 239.31, 0.36%, 0.47%

LAB 36.91, 24.48, -46.87

 

CMYK 49 / 48 / 0 / 29

HEX #5D5FB6

RGB 93 95 182

HSL 238.65, 0.38%, 0.54%

LAB 44.07, 23.05, -46.54

 

CMYK 45 / 44 / 0 / 21

HEX #6E71C9

RGB 110 113 201

HSL 238.02, 0.46%, 0.61%

LAB 51.09, 21.87, -46.26

 

CMYK 42 / 40 / 0 / 14

HEX #7F83DC

RGB 127 131 220

HSL 237.42, 0.57%, 0.68%

LAB 57.95, 20.86, -46.04

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 72 / 68 / 0 / 49

HEX #252982

RGB 37 41 130

HSL 237.42, 0.56%, 0.33%

LAB 22.27, 29.43, -50.51

 

CMYK 82 / 79 / 0 / 56

HEX #14176F

RGB 20 23 111

HSL 238.02, 0.69%, 0.26%

LAB 15, 32.14, -50.35

 

CMYK 97 / 95 / 0 / 64

HEX #03055C

RGB 3 5 92

HSL 238.65, 0.94%, 0.19%

LAB 8.13, 34.55, -49.2

 

CMYK 100 / 100 / 0 / 71

HEX #000049

RGB 0 0 73

HSL 240, 1%, 0.14%

LAB 4.35, 28.82, -42.41

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 50 / 64 / 0 / 42

HEX #4A3695

RGB 74 54 149

HSL 252.63, 0.47%, 0.4%

LAB 30.07, 34.02, -49.45

 

CMYK 33 / 64 / 0 / 42

HEX #643695

RGB 100 54 149

HSL 269.05, 0.47%, 0.4%

LAB 32.96, 39.81, -44.64

 

CMYK 15 / 64 / 0 / 42

HEX #7E3695

RGB 126 54 149

HSL 285.47, 0.47%, 0.4%

LAB 36.45, 46.2, -38.85

 

CMYK 0 / 64 / 1 / 42

HEX #953693

RGB 149 54 147

HSL 301.26, 0.47%, 0.4%

LAB 39.81, 51.71, -32.1

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 64 / 64 / 0 / 42

HEX #363695

RGB 54 54 149

HSL 240, 0.47%, 0.4%

LAB 28.36, 30.31, -52.31

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 78 / 73 / 0 / 35

HEX #252CA6

RGB 37 44 166

HSL 236.74, 0.64%, 0.4%

LAB 26.59, 40.44, -65.61

 

CMYK 88 / 84 / 0 / 29

HEX #151DB6

RGB 21 29 182

HSL 237.02, 0.79%, 0.4%

LAB 25, 52.78, -77.87

 

CMYK 98 / 93 / 0 / 22

HEX #040EC7

RGB 4 14 199

HSL 236.92, 0.96%, 0.4%

LAB 25.15, 62.67, -87.7

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 47 / 45 / 0 / 48

HEX #464985

RGB 70 73 133

HSL 237.14, 0.31%, 0.4%

LAB 33.48, 15.82, -34.16

 

CMYK 25 / 24 / 0 / 55

HEX #575874

RGB 87 88 116

HSL 237.93, 0.14%, 0.4%

LAB 38.32, 6.34, -16.01

 

CMYK 0 / 0 / 3 / 60

HEX #676764

RGB 103 103 100

HSL 60, 0.01%, 0.4%

LAB 43.51, -0.61, 1.68

 

CMYK 0 / 2 / 31 / 53

HEX #787653

RGB 120 118 83

HSL 56.76, 0.18%, 0.4%

LAB 48.98, -5.23, 19.61

 

CMYK 64 / 26 / 0 / 42

HEX #366F95

RGB 54 111 149

HSL 204, 0.47%, 0.4%

LAB 44.69, -6.46, -26.26

 

CMYK 64 / 42 / 0 / 42

HEX #365695

RGB 54 86 149

HSL 219.79, 0.47%, 0.4%

LAB 37.13, 9.16, -38.17

 

CMYK 64 / 60 / 0 / 42

HEX #363C95

RGB 54 60 149

HSL 236.21, 0.47%, 0.4%

LAB 29.88, 26.39, -49.84

 

CMYK 51 / 64 / 0 / 42

HEX #493695

RGB 73 54 149

HSL 252, 0.47%, 0.4%

LAB 29.97, 33.82, -49.62

 

CMYK 34 / 64 / 0 / 42

HEX #623695

RGB 98 54 149

HSL 267.79, 0.47%, 0.4%

LAB 32.71, 39.33, -45.05

 

CMYK 64 / 61 / 0 / 65

HEX #202359

RGB 32 35 89

HSL 236.84, 0.47%, 0.24%

LAB 16.65, 17.27, -33.1

 

CMYK 64 / 61 / 0 / 53

HEX #2B2F77

RGB 43 47 119

HSL 236.84, 0.47%, 0.32%

LAB 23.27, 22.28, -41.9

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 64 / 61 / 0 / 29

HEX #4047B4

RGB 64 71 180

HSL 236.38, 0.48%, 0.48%

LAB 35.78, 31.82, -58.86

 

CMYK 54 / 51 / 0 / 24

HEX #5A60C3

RGB 90 96 195

HSL 236.57, 0.47%, 0.56%

LAB 44.91, 25.9, -52.76

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 0 / 64 / 8 / 42

HEX #953689

RGB 149 54 137

HSL 307.58, 0.47%, 0.4%

LAB 39.3, 49.98, -26.79

 

CMYK 34 / 0 / 64 / 42

HEX #629536

RGB 98 149 54

HSL 92.21, 0.47%, 0.4%

LAB 56.44, -33.62, 43.56

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 0 / 64 / 60 / 42

HEX #95363C

RGB 149 54 60

HSL 356.21, 0.47%, 0.4%

LAB 36.66, 40.37, 17.7

 

CMYK 60 / 0 / 64 / 42

HEX #3C9536

RGB 60 149 54

HSL 116.21, 0.47%, 0.4%

LAB 54.78, -45.68, 41.26

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 0 / 64 / 8 / 42

HEX #953689

RGB 149 54 137

HSL 307.58, 0.47%, 0.4%

LAB 39.3, 49.98, -26.79

 

CMYK 0 / 4 / 64 / 42

HEX #958F36

RGB 149 143 54

HSL 56.21, 0.47%, 0.4%

LAB 58.32, -9.3, 46.67

 

CMYK 64 / 0 / 56 / 42

HEX #369542

RGB 54 149 66

HSL 127.58, 0.47%, 0.4%

LAB 54.73, -45.62, 35.38

 

CMYK 64 / 60 / 0 / 42

HEX #363B95

RGB 54 59 149

HSL 236.84, 0.47%, 0.4%

LAB 29.62, 27.05, -50.26

 

CMYK 0 / 64 / 28 / 42

HEX #95366C

RGB 149 54 108

HSL 325.89, 0.47%, 0.4%

LAB 38.04, 45.54, -10.74

 

CMYK 0 / 4 / 64 / 42

HEX #958F36

RGB 149 143 54

HSL 56.21, 0.47%, 0.4%

LAB 58.32, -9.3, 46.67

 

CMYK 64 / 0 / 36 / 42

HEX #36955F

RGB 54 149 95

HSL 145.89, 0.47%, 0.4%

LAB 55.18, -40.67, 20.52

 

Description

Color code: HEX #363B95 | qconv.com Color code: HEX #363B95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 59 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 59 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 60 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 60% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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