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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36375A it is the complementary color #C9C8A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36375A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36375A shade: #3B3755, #4C4968, #5D5B7B, #6E6D8E and #7F7FA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36375A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36375A shade: #36375A, #252547, #141334, #030121 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36375A shade: #353659, #3E3559, #473559, #513559 and #593557

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36375A shade: #353659 and #353559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36375A shade matches the following richer shades: #353659, #292B64, #1E2070, #12157B and #070A87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36375A shade: #353659, #41414D, #4C4C42, #585736 and #63622B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36375A shade: #354959, #354059, #353659, #3D3559 and #473559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36375A shade: #161725, #26263F, #353659, #454673 and #54568C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36375A shade: #36375A, #593553 and #455935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36375A shade: #36375A, #593536 and #365935

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36375A shade: #36375A, #593553, #595835 and #35593B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36375A shade: #36375A, #593548, #595835 and #355946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

Complementary color

CMYK 0 / 0 / 18 / 21

HEX #C9C8A5

RGB 201 200 165

HSL 58.33, 0.25%, 0.72%

LAB 79.87, -5.5, 17.67

 

CMYK 31 / 35 / 0 / 67

HEX #3B3755

RGB 59 55 85

HSL 248, 0.21%, 0.27%

LAB 24.7, 9.52, -17.51

 

CMYK 27 / 30 / 0 / 59

HEX #4C4968

RGB 76 73 104

HSL 245.81, 0.18%, 0.35%

LAB 32.48, 8.88, -17.57

 

CMYK 24 / 26 / 0 / 52

HEX #5D5B7B

RGB 93 91 123

HSL 243.75, 0.15%, 0.42%

LAB 39.98, 8.35, -17.71

 

CMYK 23 / 23 / 0 / 44

HEX #6E6D8E

RGB 110 109 142

HSL 241.82, 0.13%, 0.49%

LAB 47.24, 7.9, -17.89

 

CMYK 21 / 21 / 0 / 37

HEX #7F7FA1

RGB 127 127 161

HSL 240, 0.15%, 0.56%

LAB 54.31, 7.51, -18.12

 

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

CMYK 48 / 48 / 0 / 72

HEX #252547

RGB 37 37 71

HSL 240, 0.31%, 0.21%

LAB 16.36, 10.42, -21.33

 

CMYK 62 / 63 / 0 / 80

HEX #141334

RGB 20 19 52

HSL 241.82, 0.46%, 0.14%

LAB 7.79, 11.95, -21.68

 

CMYK 91 / 97 / 0 / 87

HEX #030121

RGB 3 1 33

HSL 243.75, 0.94%, 0.07%

LAB 1.36, 7.35, -17.48

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 30 / 40 / 0 / 65

HEX #3E3559

RGB 62 53 89

HSL 255, 0.25%, 0.28%

LAB 24.61, 13.07, -20.25

 

CMYK 20 / 40 / 0 / 65

HEX #473559

RGB 71 53 89

HSL 270, 0.25%, 0.28%

LAB 25.58, 16.18, -18.66

 

CMYK 9 / 40 / 0 / 65

HEX #513559

RGB 81 53 89

HSL 286.67, 0.25%, 0.28%

LAB 26.78, 19.74, -16.71

 

CMYK 0 / 40 / 2 / 65

HEX #593557

RGB 89 53 87

HSL 303.33, 0.25%, 0.28%

LAB 27.73, 22.21, -13.85

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 40 / 40 / 0 / 65

HEX #353559

RGB 53 53 89

HSL 240, 0.25%, 0.28%

LAB 23.75, 10.13, -21.66

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 59 / 57 / 0 / 61

HEX #292B64

RGB 41 43 100

HSL 237.97, 0.42%, 0.28%

LAB 20.52, 17.66, -34.1

 

CMYK 73 / 71 / 0 / 56

HEX #1E2070

RGB 30 32 112

HSL 238.54, 0.58%, 0.28%

LAB 17.82, 27.79, -46.33

 

CMYK 85 / 83 / 0 / 52

HEX #12157B

RGB 18 21 123

HSL 238.29, 0.74%, 0.28%

LAB 15.98, 37.42, -56.49

 

CMYK 95 / 93 / 0 / 47

HEX #070A87

RGB 7 10 135

HSL 238.59, 0.9%, 0.28%

LAB 15.55, 45.82, -64.84

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 16 / 16 / 0 / 70

HEX #41414D

RGB 65 65 77

HSL 240, 0.08%, 0.28%

LAB 27.95, 2.88, -7.23

 

CMYK 0 / 0 / 13 / 70

HEX #4C4C42

RGB 76 76 66

HSL 60, 0.07%, 0.28%

LAB 32.03, -2.05, 5.95

 

CMYK 0 / 1 / 39 / 65

HEX #585736

RGB 88 87 54

HSL 58.24, 0.24%, 0.28%

LAB 36.29, -5.35, 19.35

 

CMYK 0 / 1 / 57 / 61

HEX #63622B

RGB 99 98 43

HSL 58.93, 0.39%, 0.28%

LAB 40.51, -7.94, 30.99

 

CMYK 40 / 18 / 0 / 65

HEX #354959

RGB 53 73 89

HSL 206.67, 0.25%, 0.28%

LAB 30.02, -3.17, -11.96

 

CMYK 40 / 28 / 0 / 65

HEX #354059

RGB 53 64 89

HSL 221.67, 0.25%, 0.28%

LAB 27.14, 2.68, -16.37

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 31 / 40 / 0 / 65

HEX #3D3559

RGB 61 53 89

HSL 253.33, 0.25%, 0.28%

LAB 24.51, 12.74, -20.42

 

CMYK 20 / 40 / 0 / 65

HEX #473559

RGB 71 53 89

HSL 270, 0.25%, 0.28%

LAB 25.58, 16.18, -18.66

 

CMYK 41 / 38 / 0 / 85

HEX #161725

RGB 22 23 37

HSL 236, 0.25%, 0.12%

LAB 8.28, 3.85, -9.8

 

CMYK 40 / 40 / 0 / 75

HEX #26263F

RGB 38 38 63

HSL 240, 0.25%, 0.2%

LAB 16.29, 7.29, -15.91

 

CMYK 40 / 39 / 0 / 65

HEX #353659

RGB 53 54 89

HSL 238.33, 0.25%, 0.28%

LAB 24.05, 9.45, -21.19

 

CMYK 40 / 39 / 0 / 55

HEX #454673

RGB 69 70 115

HSL 238.7, 0.25%, 0.36%

LAB 31.54, 11.8, -26.02

 

CMYK 40 / 39 / 0 / 45

HEX #54568C

RGB 84 86 140

HSL 237.86, 0.25%, 0.44%

LAB 38.61, 13.46, -30.25

 

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

CMYK 0 / 40 / 7 / 65

HEX #593553

RGB 89 53 83

HSL 310, 0.25%, 0.28%

LAB 27.56, 21.38, -11.5

 

CMYK 22 / 0 / 40 / 65

HEX #455935

RGB 69 89 53

HSL 93.33, 0.25%, 0.28%

LAB 35.34, -15.04, 18.4

 

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

CMYK 0 / 40 / 39 / 65

HEX #593536

RGB 89 53 54

HSL 358.33, 0.25%, 0.28%

LAB 26.55, 16.32, 6.2

 

CMYK 39 / 0 / 40 / 65

HEX #365935

RGB 54 89 53

HSL 118.33, 0.25%, 0.28%

LAB 34.37, -20.98, 16.95

 

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

CMYK 0 / 40 / 7 / 65

HEX #593553

RGB 89 53 83

HSL 310, 0.25%, 0.28%

LAB 27.56, 21.38, -11.5

 

CMYK 0 / 1 / 40 / 65

HEX #595835

RGB 89 88 53

HSL 58.33, 0.25%, 0.28%

LAB 36.67, -5.62, 20.45

 

CMYK 40 / 0 / 34 / 65

HEX #35593B

RGB 53 89 59

HSL 130, 0.25%, 0.28%

LAB 34.43, -20.19, 13.4

 

CMYK 40 / 39 / 0 / 65

HEX #36375A

RGB 54 55 90

HSL 238.33, 0.25%, 0.28%

LAB 24.5, 9.4, -21.14

 

CMYK 0 / 40 / 19 / 65

HEX #593548

RGB 89 53 72

HSL 328.33, 0.25%, 0.28%

LAB 27.12, 19.24, -4.91

 

CMYK 0 / 1 / 40 / 65

HEX #595835

RGB 89 88 53

HSL 58.33, 0.25%, 0.28%

LAB 36.67, -5.62, 20.45

 

CMYK 40 / 0 / 21 / 65

HEX #355946

RGB 53 89 70

HSL 148.33, 0.25%, 0.28%

LAB 34.69, -17.8, 6.97

 

Description

Color code: HEX #36375A | qconv.com Color code: HEX #36375A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 55 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 55 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 39 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 39% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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