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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36245E it is the complementary color #C9DBA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36245E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36245E shade: #3B2459, #4C366C, #5D487F, #6E5A92 and #7F6CA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36245E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36245E shade: #36245E, #25124B, #140038, #030025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36245E shade: #34235C, #44235C, #53235C, #5C2355 and #5C2346

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36245E shade: #34235C, #25235C and #23235C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36245E shade matches the following richer shades: #34235C, #301866, #2D0E71 and #29047B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36245E shade: #34235C, #382D52, #3C3747, #40423D and #444C33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36245E shade: #23305C, #24235C, #34235C, #43235C and #52235C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36245E shade: #120C20, #23173E, #34235C, #452E7A and #573998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36245E shade: #36245E, #5C233F and #285C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36245E shade: #36245E, #5C3423 and #235C34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36245E shade: #36245E, #5C233F, #4B5C23 and #235C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36245E shade: #36245E, #5C232E, #4B5C23 and #235C50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

Complementary color

CMYK 8 / 0 / 26 / 14

HEX #C9DBA1

RGB 201 219 161

HSL 78.62, 0.45%, 0.75%

LAB 84.82, -15.77, 26.59

 

CMYK 34 / 60 / 0 / 65

HEX #3B2459

RGB 59 36 89

HSL 266.04, 0.42%, 0.25%

LAB 19.69, 23.45, -28.06

 

CMYK 30 / 50 / 0 / 58

HEX #4C366C

RGB 76 54 108

HSL 264.44, 0.33%, 0.32%

LAB 27.46, 22.34, -27.98

 

CMYK 27 / 43 / 0 / 50

HEX #5D487F

RGB 93 72 127

HSL 262.91, 0.28%, 0.39%

LAB 34.99, 21.35, -27.92

 

CMYK 25 / 38 / 0 / 43

HEX #6E5A92

RGB 110 90 146

HSL 261.43, 0.24%, 0.46%

LAB 42.31, 20.5, -27.91

 

CMYK 23 / 35 / 0 / 35

HEX #7F6CA5

RGB 127 108 165

HSL 260, 0.24%, 0.54%

LAB 49.44, 19.75, -27.94

 

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

CMYK 51 / 76 / 0 / 71

HEX #25124B

RGB 37 18 75

HSL 260, 0.61%, 0.18%

LAB 11.51, 24.97, -31.9

 

CMYK 64 / 100 / 0 / 78

HEX #140038

RGB 20 0 56

HSL 261.43, 1%, 0.11%

LAB 3.92, 23.77, -30.85

 

CMYK 92 / 100 / 0 / 85

HEX #030025

RGB 3 0 37

HSL 244.86, 1%, 0.07%

LAB 1.38, 9.26, -20.6

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 26 / 62 / 0 / 64

HEX #44235C

RGB 68 35 92

HSL 274.74, 0.45%, 0.25%

LAB 20.84, 27.5, -28.15

 

CMYK 10 / 62 / 0 / 64

HEX #53235C

RGB 83 35 92

HSL 290.53, 0.45%, 0.25%

LAB 23.05, 31.89, -24.51

 

CMYK 0 / 62 / 8 / 64

HEX #5C2355

RGB 92 35 85

HSL 307.37, 0.45%, 0.25%

LAB 24.11, 33.2, -18.1

 

CMYK 0 / 62 / 24 / 64

HEX #5C2346

RGB 92 35 70

HSL 323.16, 0.45%, 0.25%

LAB 23.4, 30.56, -9.12

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 60 / 62 / 0 / 64

HEX #25235C

RGB 37 35 92

HSL 242.11, 0.45%, 0.25%

LAB 17.31, 19.46, -34.01

 

CMYK 62 / 62 / 0 / 64

HEX #23235C

RGB 35 35 92

HSL 240, 0.45%, 0.25%

LAB 17.14, 19.03, -34.3

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 53 / 76 / 0 / 60

HEX #301866

RGB 48 24 102

HSL 258.46, 0.62%, 0.25%

LAB 16.7, 32.13, -41.58

 

CMYK 60 / 88 / 0 / 56

HEX #2D0E71

RGB 45 14 113

HSL 258.79, 0.78%, 0.25%

LAB 15.82, 39.89, -50.23

 

CMYK 67 / 97 / 0 / 52

HEX #29047B

RGB 41 4 123

HSL 258.66, 0.94%, 0.25%

LAB 15.43, 45.87, -57.35

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 32 / 45 / 0 / 68

HEX #382D52

RGB 56 45 82

HSL 257.84, 0.29%, 0.25%

LAB 21.31, 14.44, -20.85

 

CMYK 15 / 23 / 0 / 72

HEX #3C3747

RGB 60 55 71

HSL 258.75, 0.13%, 0.25%

LAB 24.15, 6, -9.06

 

CMYK 3 / 0 / 8 / 74

HEX #40423D

RGB 64 66 61

HSL 84, 0.04%, 0.25%

LAB 27.64, -1.94, 2.75

 

CMYK 11 / 0 / 33 / 70

HEX #444C33

RGB 68 76 51

HSL 79.2, 0.2%, 0.25%

LAB 30.97, -8.27, 13.83

 

CMYK 62 / 48 / 0 / 64

HEX #23305C

RGB 35 48 92

HSL 226.32, 0.45%, 0.25%

LAB 21, 9.72, -28.1

 

CMYK 61 / 62 / 0 / 64

HEX #24235C

RGB 36 35 92

HSL 241.05, 0.45%, 0.25%

LAB 17.23, 19.25, -34.16

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 27 / 62 / 0 / 64

HEX #43235C

RGB 67 35 92

HSL 273.68, 0.45%, 0.25%

LAB 20.7, 27.21, -28.38

 

CMYK 11 / 62 / 0 / 64

HEX #52235C

RGB 82 35 92

HSL 289.47, 0.45%, 0.25%

LAB 22.89, 31.59, -24.76

 

CMYK 44 / 63 / 0 / 87

HEX #120C20

RGB 18 12 32

HSL 258, 0.45%, 0.09%

LAB 4.48, 6.98, -11.86

 

CMYK 44 / 63 / 0 / 76

HEX #23173E

RGB 35 23 62

HSL 258.46, 0.46%, 0.17%

LAB 11.4, 16.85, -22.98

 

CMYK 43 / 62 / 0 / 64

HEX #34235C

RGB 52 35 92

HSL 257.89, 0.45%, 0.25%

LAB 18.82, 23.09, -31.5

 

CMYK 43 / 62 / 0 / 52

HEX #452E7A

RGB 69 46 122

HSL 258.16, 0.45%, 0.33%

LAB 25.64, 29.56, -39.86

 

CMYK 43 / 63 / 0 / 40

HEX #573998

RGB 87 57 152

HSL 258.95, 0.45%, 0.41%

LAB 32.3, 35.92, -47.61

 

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

CMYK 0 / 62 / 32 / 64

HEX #5C233F

RGB 92 35 63

HSL 330.53, 0.45%, 0.25%

LAB 23.12, 29.47, -4.79

 

CMYK 57 / 0 / 62 / 64

HEX #285C23

RGB 40 92 35

HSL 114.74, 0.45%, 0.25%

LAB 34.45, -30.04, 27.16

 

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

CMYK 0 / 43 / 62 / 64

HEX #5C3423

RGB 92 52 35

HSL 17.89, 0.45%, 0.25%

LAB 26.31, 16.1, 18.37

 

CMYK 62 / 0 / 43 / 64

HEX #235C34

RGB 35 92 52

HSL 137.89, 0.45%, 0.25%

LAB 34.52, -28.67, 17.58

 

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

CMYK 0 / 62 / 32 / 64

HEX #5C233F

RGB 92 35 63

HSL 330.53, 0.45%, 0.25%

LAB 23.12, 29.47, -4.79

 

CMYK 18 / 0 / 62 / 64

HEX #4B5C23

RGB 75 92 35

HSL 77.89, 0.45%, 0.25%

LAB 36.5, -16.4, 30.05

 

CMYK 62 / 0 / 32 / 64

HEX #235C3F

RGB 35 92 63

HSL 149.47, 0.45%, 0.25%

LAB 34.74, -26.3, 11.24

 

CMYK 43 / 62 / 0 / 63

HEX #36245E

RGB 54 36 94

HSL 258.62, 0.45%, 0.25%

LAB 19.45, 23.58, -31.8

 

CMYK 0 / 62 / 50 / 64

HEX #5C232E

RGB 92 35 46

HSL 348.42, 0.45%, 0.25%

LAB 22.57, 27.26, 6.06

 

CMYK 18 / 0 / 62 / 64

HEX #4B5C23

RGB 75 92 35

HSL 77.89, 0.45%, 0.25%

LAB 36.5, -16.4, 30.05

 

CMYK 62 / 0 / 13 / 64

HEX #235C50

RGB 35 92 80

HSL 167.37, 0.45%, 0.25%

LAB 35.18, -21.89, 1.34

 

Description

Color code: HEX #36245E | qconv.com Color code: HEX #36245E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 36 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 36 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 62 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 62% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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