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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #361E51 it is the complementary color #C9E1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #361E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #361E51 shade: #3B1E4C, #4C305F, #5D4272, #6E5485 and #7F6698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #361E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #361E51 shade: #361E51, #250C3E, #14002B, #030018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #361E51 shade: #361E51, #441E51, #511E51, #511E43 and #511E35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #361E51 shade: #361E51, #281E51 and #1E1E51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #361E51 shade matches the following richer shades: #361E51, #36155A, #350C64 and #34036D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #361E51 shade: #361E51, #372748, #37303F, #383936 and #38422D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #361E51 shade: #1E2151, #281E51, #361E51, #441E51 and #511E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #361E51 shade: #0E0815, #221333, #361E51, #4A2970 and #5E348E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #361E51 shade: #361E51, #511E2F and #1E5121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #361E51 shade: #361E51, #51361E and #1E5136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #361E51 shade: #361E51, #511E2F, #39511E and #1E5140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #361E51 shade: #361E51, #511E20, #39511E and #1E5150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

Complementary color

CMYK 11 / 0 / 23 / 12

HEX #C9E1AE

RGB 201 225 174

HSL 88.24, 0.46%, 0.78%

LAB 86.66, -16.84, 22.36

 

CMYK 22 / 61 / 0 / 70

HEX #3B1E4C

RGB 59 30 76

HSL 277.83, 0.43%, 0.21%

LAB 17.37, 23.66, -23

 

CMYK 20 / 49 / 0 / 63

HEX #4C305F

RGB 76 48 95

HSL 275.74, 0.33%, 0.28%

LAB 25.19, 22.68, -23.16

 

CMYK 18 / 42 / 0 / 55

HEX #5D4272

RGB 93 66 114

HSL 273.75, 0.27%, 0.35%

LAB 32.78, 21.76, -23.27

 

CMYK 17 / 37 / 0 / 48

HEX #6E5485

RGB 110 84 133

HSL 271.84, 0.23%, 0.43%

LAB 40.16, 20.93, -23.39

 

CMYK 16 / 33 / 0 / 40

HEX #7F6698

RGB 127 102 152

HSL 270, 0.2%, 0.5%

LAB 47.34, 20.2, -23.54

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 40 / 81 / 0 / 76

HEX #250C3E

RGB 37 12 62

HSL 270, 0.68%, 0.15%

LAB 9.03, 24.51, -26.8

 

CMYK 53 / 100 / 0 / 83

HEX #14002B

RGB 20 0 43

HSL 267.91, 1%, 0.08%

LAB 2.92, 17.1, -22.75

 

CMYK 88 / 100 / 0 / 91

HEX #030018

RGB 3 0 24

HSL 247.5, 1%, 0.05%

LAB 0.77, 4.97, -11.11

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 16 / 63 / 0 / 68

HEX #441E51

RGB 68 30 81

HSL 284.71, 0.46%, 0.22%

LAB 19.02, 27.67, -23.69

 

CMYK 0 / 63 / 0 / 68

HEX #511E51

RGB 81 30 81

HSL 300, 0.46%, 0.22%

LAB 21.1, 31.61, -20.27

 

CMYK 0 / 63 / 17 / 68

HEX #511E43

RGB 81 30 67

HSL 316.47, 0.46%, 0.22%

LAB 20.37, 28.94, -11.88

 

CMYK 0 / 63 / 35 / 68

HEX #511E35

RGB 81 30 53

HSL 332.94, 0.46%, 0.22%

LAB 19.78, 26.65, -3.07

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 51 / 63 / 0 / 68

HEX #281E51

RGB 40 30 81

HSL 251.76, 0.46%, 0.22%

LAB 15.35, 19.75, -29.78

 

CMYK 63 / 63 / 0 / 68

HEX #1E1E51

RGB 30 30 81

HSL 240, 0.46%, 0.22%

LAB 14.39, 17.39, -31.37

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 40 / 77 / 0 / 65

HEX #36155A

RGB 54 21 90

HSL 268.7, 0.62%, 0.22%

LAB 15.79, 31.42, -35.05

 

CMYK 47 / 88 / 0 / 61

HEX #350C64

RGB 53 12 100

HSL 267.95, 0.79%, 0.22%

LAB 15.17, 38.11, -42.75

 

CMYK 52 / 97 / 0 / 57

HEX #34036D

RGB 52 3 109

HSL 267.74, 0.95%, 0.22%

LAB 14.95, 43.49, -49.04

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 24 / 46 / 0 / 72

HEX #372748

RGB 55 39 72

HSL 269.09, 0.3%, 0.22%

LAB 18.93, 15.31, -17.84

 

CMYK 13 / 24 / 0 / 75

HEX #37303F

RGB 55 48 63

HSL 268, 0.14%, 0.22%

LAB 21.15, 6.68, -8.28

 

CMYK 2 / 0 / 5 / 78

HEX #383936

RGB 56 57 54

HSL 80, 0.03%, 0.22%

LAB 23.78, -1.11, 1.71

 

CMYK 15 / 0 / 32 / 74

HEX #38422D

RGB 56 66 45

HSL 88.57, 0.19%, 0.22%

LAB 26.52, -8.62, 11.47

 

CMYK 63 / 59 / 0 / 68

HEX #1E2151

RGB 30 33 81

HSL 236.47, 0.46%, 0.22%

LAB 15.26, 15.21, -29.96

 

CMYK 51 / 63 / 0 / 68

HEX #281E51

RGB 40 30 81

HSL 251.76, 0.46%, 0.22%

LAB 15.35, 19.75, -29.78

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 16 / 63 / 0 / 68

HEX #441E51

RGB 68 30 81

HSL 284.71, 0.46%, 0.22%

LAB 19.02, 27.67, -23.69

 

CMYK 0 / 63 / 0 / 68

HEX #511E51

RGB 81 30 81

HSL 300, 0.46%, 0.22%

LAB 21.1, 31.61, -20.27

 

CMYK 33 / 62 / 0 / 92

HEX #0E0815

RGB 14 8 21

HSL 267.69, 0.45%, 0.06%

LAB 2.9, 4.02, -5.73

 

CMYK 33 / 63 / 0 / 80

HEX #221333

RGB 34 19 51

HSL 268.13, 0.46%, 0.14%

LAB 9.36, 15.83, -18.35

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 34 / 63 / 0 / 56

HEX #4A2970

RGB 74 41 112

HSL 267.89, 0.46%, 0.3%

LAB 24.36, 30.94, -35.51

 

CMYK 34 / 63 / 0 / 44

HEX #5E348E

RGB 94 52 142

HSL 268, 0.46%, 0.38%

LAB 31.32, 37.66, -43.02

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 0 / 63 / 42 / 68

HEX #511E2F

RGB 81 30 47

HSL 340, 0.46%, 0.22%

LAB 19.57, 25.82, 0.82

 

CMYK 63 / 0 / 59 / 68

HEX #1E5121

RGB 30 81 33

HSL 123.53, 0.46%, 0.22%

LAB 30.09, -28.39, 22.98

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 0 / 33 / 63 / 68

HEX #51361E

RGB 81 54 30

HSL 28.24, 0.46%, 0.22%

LAB 25.2, 9.08, 19.79

 

CMYK 63 / 0 / 33 / 68

HEX #1E5136

RGB 30 81 54

HSL 148.24, 0.46%, 0.22%

LAB 30.47, -24.31, 10.9

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 0 / 63 / 42 / 68

HEX #511E2F

RGB 81 30 47

HSL 340, 0.46%, 0.22%

LAB 19.57, 25.82, 0.82

 

CMYK 30 / 0 / 63 / 68

HEX #39511E

RGB 57 81 30

HSL 88.24, 0.46%, 0.22%

LAB 31.46, -18.93, 26.59

 

CMYK 63 / 0 / 21 / 68

HEX #1E5140

RGB 30 81 64

HSL 160, 0.46%, 0.22%

LAB 30.71, -21.78, 4.95

 

CMYK 33 / 63 / 0 / 68

HEX #361E51

RGB 54 30 81

HSL 268.24, 0.46%, 0.22%

LAB 17.02, 23.55, -27

 

CMYK 0 / 63 / 60 / 68

HEX #511E20

RGB 81 30 32

HSL 357.65, 0.46%, 0.22%

LAB 19.15, 24.11, 10.75

 

CMYK 30 / 0 / 63 / 68

HEX #39511E

RGB 57 81 30

HSL 88.24, 0.46%, 0.22%

LAB 31.46, -18.93, 26.59

 

CMYK 63 / 0 / 1 / 68

HEX #1E5150

RGB 30 81 80

HSL 178.82, 0.46%, 0.22%

LAB 31.21, -17.07, -4.52

 

Description

Color code: HEX #361E51 | qconv.com Color code: HEX #361E51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 30 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 30 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 63 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 63% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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