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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #361CB5 it is the complementary color #C9E34A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #361CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #361CB5 shade: #3B1CB0, #4C2EC3, #5D40D6, #6E52E9 and #7F64FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #361CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #361CB5 shade: #361CB5, #250AA2, #14008F, #03007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #361CB5 shade: #361CB4, #5F1CB4, #881CB4, #B11CB4 and #B41C8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #361CB5 shade: #361CB4 and #1C1CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #361CB5 shade matches the following richer shades: #361CB4 and #2B0BC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #361CB5 shade: #361CB4, #412DA3, #4C3E93, #574E82 and #625F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #361CB5 shade: #1C54B4, #1C2BB4, #351CB4, #5E1CB4 and #871CB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #361CB5 shade: #20116D, #2B1691, #361CB4, #4021D8 and #5D42E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #361CB5 shade: #361CB5, #B41C7C and #3FB41C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #361CB5 shade: #361CB5, #B4351C and #1CB435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #361CB5 shade: #361CB5, #B41C7C, #9BB41C and #1CB454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #361CB5 shade: #361CB5, #B41C4F, #9BB41C and #1CB481

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

Complementary color

CMYK 11 / 0 / 67 / 11

HEX #C9E34A

RGB 201 227 74

HSL 70.2, 0.73%, 0.59%

LAB 85.93, -28.35, 68.49

 

CMYK 66 / 84 / 0 / 31

HEX #3B1CB0

RGB 59 28 176

HSL 252.57, 0.73%, 0.4%

LAB 26.43, 53.58, -71.83

 

CMYK 61 / 76 / 0 / 24

HEX #4C2EC3

RGB 76 46 195

HSL 252.08, 0.62%, 0.47%

LAB 32.77, 52.64, -72.58

 

CMYK 57 / 70 / 0 / 16

HEX #5D40D6

RGB 93 64 214

HSL 251.6, 0.65%, 0.55%

LAB 39.32, 51.22, -72.79

 

CMYK 53 / 65 / 0 / 9

HEX #6E52E9

RGB 110 82 233

HSL 251.13, 0.77%, 0.62%

LAB 45.95, 49.68, -72.72

 

CMYK 50 / 60 / 0 / 1

HEX #7F64FC

RGB 127 100 252

HSL 250.66, 0.96%, 0.69%

LAB 52.57, 48.17, -72.52

 

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

CMYK 77 / 94 / 0 / 36

HEX #250AA2

RGB 37 10 162

HSL 250.66, 0.88%, 0.34%

LAB 20.9, 54.38, -72.61

 

CMYK 86 / 100 / 0 / 44

HEX #14008F

RGB 20 0 143

HSL 248.39, 1%, 0.28%

LAB 16.16, 51.73, -68.82

 

CMYK 98 / 100 / 0 / 51

HEX #03007C

RGB 3 0 124

HSL 241.45, 1%, 0.24%

LAB 12.45, 46.47, -63.03

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 70 / 84 / 0 / 29

HEX #361CB4

RGB 54 28 180

HSL 250.26, 0.73%, 0.41%

LAB 26.48, 54.32, -74.17

 

CMYK 47 / 84 / 0 / 29

HEX #5F1CB4

RGB 95 28 180

HSL 266.45, 0.73%, 0.41%

LAB 30.78, 58.42, -66.92

 

CMYK 24 / 84 / 0 / 29

HEX #881CB4

RGB 136 28 180

HSL 282.63, 0.73%, 0.41%

LAB 36.67, 64.34, -57.05

 

CMYK 2 / 84 / 0 / 29

HEX #B11CB4

RGB 177 28 180

HSL 298.82, 0.73%, 0.41%

LAB 43.47, 71.48, -45.75

 

CMYK 0 / 84 / 21 / 29

HEX #B41C8E

RGB 180 28 142

HSL 315, 0.73%, 0.41%

LAB 41.98, 66.64, -25.27

 

CMYK 70 / 84 / 0 / 29

HEX #361CB4

RGB 54 28 180

HSL 250.26, 0.73%, 0.41%

LAB 26.48, 54.32, -74.17

 

CMYK 84 / 84 / 0 / 29

HEX #1C1CB4

RGB 28 28 180

HSL 240, 0.73%, 0.41%

LAB 24.87, 52.86, -76.89

 

CMYK 70 / 84 / 0 / 29

HEX #361CB4

RGB 54 28 180

HSL 250.26, 0.73%, 0.41%

LAB 26.48, 54.32, -74.17

 

CMYK 78 / 94 / 0 / 23

HEX #2B0BC5

RGB 43 11 197

HSL 250.32, 0.89%, 0.41%

LAB 26.11, 63.57, -84.88

 

CMYK 70 / 84 / 0 / 29

HEX #361CB4

RGB 54 28 180

HSL 250.26, 0.73%, 0.41%

LAB 26.48, 54.32, -74.17

 

CMYK 60 / 72 / 0 / 36

HEX #412DA3

RGB 65 45 163

HSL 250.17, 0.57%, 0.41%

LAB 28.5, 42.09, -60.58

 

CMYK 48 / 58 / 0 / 42

HEX #4C3E93

RGB 76 62 147

HSL 249.88, 0.41%, 0.41%

LAB 32.01, 28.88, -45.08

 

CMYK 33 / 40 / 0 / 49

HEX #574E82

RGB 87 78 130

HSL 250.38, 0.25%, 0.41%

LAB 36.15, 16.52, -27.99

 

CMYK 13 / 16 / 0 / 56

HEX #625F71

RGB 98 95 113

HSL 250, 0.09%, 0.41%

LAB 41.17, 5.16, -9.74

 

CMYK 84 / 53 / 0 / 29

HEX #1C54B4

RGB 28 84 180

HSL 217.89, 0.73%, 0.41%

LAB 37.63, 18.88, -55.91

 

CMYK 84 / 76 / 0 / 29

HEX #1C2BB4

RGB 28 43 180

HSL 234.08, 0.73%, 0.41%

LAB 27.49, 45.24, -72.53

 

CMYK 71 / 84 / 0 / 29

HEX #351CB4

RGB 53 28 180

HSL 249.87, 0.73%, 0.41%

LAB 26.4, 54.25, -74.3

 

CMYK 48 / 84 / 0 / 29

HEX #5E1CB4

RGB 94 28 180

HSL 266.05, 0.73%, 0.41%

LAB 30.65, 58.29, -67.13

 

CMYK 25 / 84 / 0 / 29

HEX #871CB4

RGB 135 28 180

HSL 282.24, 0.73%, 0.41%

LAB 36.51, 64.18, -57.31

 

CMYK 71 / 84 / 0 / 57

HEX #20116D

RGB 32 17 109

HSL 249.78, 0.73%, 0.25%

LAB 14.47, 35.91, -49.91

 

CMYK 70 / 85 / 0 / 43

HEX #2B1691

RGB 43 22 145

HSL 250.24, 0.74%, 0.33%

LAB 20.56, 45.75, -62.7

 

CMYK 70 / 84 / 0 / 29

HEX #361CB4

RGB 54 28 180

HSL 250.26, 0.73%, 0.41%

LAB 26.48, 54.32, -74.17

 

CMYK 70 / 85 / 0 / 15

HEX #4021D8

RGB 64 33 216

HSL 250.16, 0.73%, 0.49%

LAB 32.11, 63.13, -85.92

 

CMYK 59 / 71 / 0 / 12

HEX #5D42E1

RGB 93 66 225

HSL 250.19, 0.73%, 0.57%

LAB 40.67, 53.39, -76.88

 

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

CMYK 0 / 84 / 31 / 29

HEX #B41C7C

RGB 180 28 124

HSL 322.11, 0.73%, 0.41%

LAB 41.2, 64.47, -15.41

 

CMYK 65 / 0 / 84 / 29

HEX #3FB41C

RGB 63 180 28

HSL 106.18, 0.73%, 0.41%

LAB 64.79, -58.05, 60.57

 

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

CMYK 0 / 71 / 84 / 29

HEX #B4351C

RGB 180 53 28

HSL 9.87, 0.73%, 0.41%

LAB 41.74, 50.02, 43.41

 

CMYK 84 / 0 / 71 / 29

HEX #1CB435

RGB 28 180 53

HSL 129.87, 0.73%, 0.41%

LAB 64.28, -61.89, 51.79

 

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

CMYK 0 / 84 / 31 / 29

HEX #B41C7C

RGB 180 28 124

HSL 322.11, 0.73%, 0.41%

LAB 41.2, 64.47, -15.41

 

CMYK 14 / 0 / 84 / 29

HEX #9BB41C

RGB 155 180 28

HSL 69.87, 0.73%, 0.41%

LAB 69.25, -26.85, 66.2

 

CMYK 84 / 0 / 53 / 29

HEX #1CB454

RGB 28 180 84

HSL 142.11, 0.73%, 0.41%

LAB 64.59, -58.11, 38.26

 

CMYK 70 / 85 / 0 / 29

HEX #361CB5

RGB 54 28 181

HSL 250.2, 0.73%, 0.41%

LAB 26.59, 54.61, -74.57

 

CMYK 0 / 84 / 56 / 29

HEX #B41C4F

RGB 180 28 79

HSL 339.87, 0.73%, 0.41%

LAB 39.75, 60.29, 10.8

 

CMYK 14 / 0 / 84 / 29

HEX #9BB41C

RGB 155 180 28

HSL 69.87, 0.73%, 0.41%

LAB 69.25, -26.85, 66.2

 

CMYK 84 / 0 / 28 / 29

HEX #1CB481

RGB 28 180 129

HSL 159.87, 0.73%, 0.41%

LAB 65.34, -49.46, 15.64

 

Description

Color code: HEX #361CB5 | qconv.com Color code: HEX #361CB5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 28 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 28 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 85 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 85% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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