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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35E25C it is the complementary color #CA1DA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35E25C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35E25C shade: #3AE257, #4BF46A, #5CFF7D, #6DFF90 and #7EFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35E25C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35E25C shade: #35E25C, #24D049, #13BE36, #02AC23 and #009A10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35E25C shade: #36E25D, #3DE236, #6CE236, #9AE236 and #C9E236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35E25C shade: #36E25D, #36E28B, #36E2B9, #36DCE2 and #36ADE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35E25C shade matches the following richer shades: #36E25D and #23F452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35E25C shade: #36E25D, #48CF67, #5BBD71, #6DAA7B and #809885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35E25C shade: #6CE236, #3EE236, #36E25B, #36E289 and #36E2B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35E25C shade: #18AD3A, #1DD146, #36E25D, #5AE77A and #7EEC97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35E25C shade: #35E25C, #369AE2 and #E23655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35E25C shade: #35E25C, #5B36E2 and #E25B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35E25C shade: #35E25C, #369AE2, #E236BD and #E27D36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35E25C shade: #35E25C, #3666E2, #E236BD and #E2B136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

Complementary color

CMYK 0 / 86 / 19 / 21

HEX #CA1DA3

RGB 202 29 163

HSL 313.53, 0.75%, 0.45%

LAB 47.08, 73.78, -29.67

 

CMYK 74 / 0 / 62 / 11

HEX #3AE257

RGB 58 226 87

HSL 130.36, 0.74%, 0.56%

LAB 79.6, -69.16, 54.65

 

CMYK 69 / 0 / 57 / 4

HEX #4BF46A

RGB 75 244 106

HSL 131.01, 0.88%, 0.63%

LAB 85.62, -70.16, 53.37

 

CMYK 64 / 0 / 51 / 0

HEX #5CFF7D

RGB 92 255 125

HSL 132.15, 1%, 0.68%

LAB 89.52, -68.41, 49.49

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF90

RGB 109 255 144

HSL 134.38, 1%, 0.71%

LAB 90.22, -62.19, 41.44

 

CMYK 51 / 0 / 36 / 0

HEX #7EFFA3

RGB 126 255 163

HSL 137.21, 1%, 0.75%

LAB 91.05, -55.2, 33.28

 

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

CMYK 83 / 0 / 65 / 18

HEX #24D049

RGB 36 208 73

HSL 132.91, 0.7%, 0.48%

LAB 73.52, -67.73, 53.68

 

CMYK 90 / 0 / 72 / 25

HEX #13BE36

RGB 19 190 54

HSL 132.28, 0.82%, 0.41%

LAB 67.45, -65.57, 54.69

 

CMYK 99 / 0 / 80 / 33

HEX #02AC23

RGB 2 172 35

HSL 131.65, 0.98%, 0.34%

LAB 61.34, -62.68, 55.12

 

CMYK 100 / 0 / 90 / 40

HEX #009A10

RGB 0 154 16

HSL 126.23, 1%, 0.3%

LAB 55.23, -58.64, 54.46

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 73 / 0 / 76 / 11

HEX #3DE236

RGB 61 226 54

HSL 117.56, 0.75%, 0.55%

LAB 79.41, -71.65, 66.89

 

CMYK 52 / 0 / 76 / 11

HEX #6CE236

RGB 108 226 54

HSL 101.16, 0.75%, 0.55%

LAB 80.65, -61.51, 68.51

 

CMYK 32 / 0 / 76 / 11

HEX #9AE236

RGB 154 226 54

HSL 85.12, 0.75%, 0.55%

LAB 82.66, -46.9, 71.13

 

CMYK 11 / 0 / 76 / 11

HEX #C9E236

RGB 201 226 54

HSL 68.72, 0.75%, 0.55%

LAB 85.54, -28.88, 74.86

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 76 / 0 / 38 / 11

HEX #36E28B

RGB 54 226 139

HSL 149.65, 0.75%, 0.55%

LAB 80.2, -61.91, 30.61

 

CMYK 76 / 0 / 18 / 11

HEX #36E2B9

RGB 54 226 185

HSL 165.7, 0.75%, 0.55%

LAB 81.12, -51.96, 7.92

 

CMYK 76 / 3 / 0 / 11

HEX #36DCE2

RGB 54 220 226

HSL 182.09, 0.75%, 0.55%

LAB 80.44, -38.38, -14.86

 

CMYK 76 / 23 / 0 / 11

HEX #36ADE2

RGB 54 173 226

HSL 198.49, 0.75%, 0.55%

LAB 66.64, -15.06, -35.96

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 86 / 0 / 66 / 4

HEX #23F452

RGB 35 244 82

HSL 133.49, 0.9%, 0.55%

LAB 84.83, -77.7, 62.4

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 65 / 0 / 50 / 19

HEX #48CF67

RGB 72 207 103

HSL 133.78, 0.58%, 0.55%

LAB 74.18, -58.27, 40.94

 

CMYK 52 / 0 / 40 / 26

HEX #5BBD71

RGB 91 189 113

HSL 133.47, 0.43%, 0.55%

LAB 69.34, -45.37, 29.84

 

CMYK 36 / 0 / 28 / 33

HEX #6DAA7B

RGB 109 170 123

HSL 133.77, 0.26%, 0.55%

LAB 64.51, -29.87, 18.14

 

CMYK 16 / 0 / 13 / 40

HEX #809885

RGB 128 152 133

HSL 132.5, 0.1%, 0.55%

LAB 60.55, -12.34, 7.19

 

CMYK 52 / 0 / 76 / 11

HEX #6CE236

RGB 108 226 54

HSL 101.16, 0.75%, 0.55%

LAB 80.65, -61.51, 68.51

 

CMYK 73 / 0 / 76 / 11

HEX #3EE236

RGB 62 226 54

HSL 117.21, 0.75%, 0.55%

LAB 79.43, -71.49, 66.91

 

CMYK 76 / 0 / 60 / 11

HEX #36E25B

RGB 54 226 91

HSL 132.91, 0.75%, 0.55%

LAB 79.58, -69.25, 52.87

 

CMYK 76 / 0 / 39 / 11

HEX #36E289

RGB 54 226 137

HSL 148.95, 0.75%, 0.55%

LAB 80.17, -62.28, 31.58

 

CMYK 76 / 0 / 19 / 11

HEX #36E2B7

RGB 54 226 183

HSL 165, 0.75%, 0.55%

LAB 81.07, -52.45, 8.91

 

CMYK 86 / 0 / 66 / 32

HEX #18AD3A

RGB 24 173 58

HSL 133.69, 0.76%, 0.39%

LAB 61.99, -59.59, 47.27

 

CMYK 86 / 0 / 67 / 18

HEX #1DD146

RGB 29 209 70

HSL 133.67, 0.76%, 0.47%

LAB 73.74, -68.99, 55.13

 

CMYK 76 / 0 / 59 / 11

HEX #36E25D

RGB 54 226 93

HSL 133.6, 0.75%, 0.55%

LAB 79.6, -69.01, 52.01

 

CMYK 61 / 0 / 47 / 9

HEX #5AE77A

RGB 90 231 122

HSL 133.62, 0.75%, 0.63%

LAB 82.23, -60.64, 41.85

 

CMYK 47 / 0 / 36 / 7

HEX #7EEC97

RGB 126 236 151

HSL 133.64, 0.74%, 0.71%

LAB 85.33, -49.45, 31.69

 

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

CMYK 76 / 32 / 0 / 11

HEX #369AE2

RGB 54 154 226

HSL 205.12, 0.75%, 0.55%

LAB 61.12, -4.53, -44.61

 

CMYK 0 / 76 / 62 / 11

HEX #E23655

RGB 226 54 85

HSL 349.19, 0.75%, 0.55%

LAB 51.22, 66.3, 24.07

 

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

CMYK 60 / 76 / 0 / 11

HEX #5B36E2

RGB 91 54 226

HSL 252.91, 0.75%, 0.55%

LAB 38.47, 59.41, -81.08

 

CMYK 0 / 60 / 76 / 11

HEX #E25B36

RGB 226 91 54

HSL 12.91, 0.75%, 0.55%

LAB 56, 50.63, 47.11

 

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

CMYK 76 / 32 / 0 / 11

HEX #369AE2

RGB 54 154 226

HSL 205.12, 0.75%, 0.55%

LAB 61.12, -4.53, -44.61

 

CMYK 0 / 76 / 16 / 11

HEX #E236BD

RGB 226 54 189

HSL 312.91, 0.75%, 0.55%

LAB 54.53, 76.41, -32.97

 

CMYK 0 / 45 / 76 / 11

HEX #E27D36

RGB 226 125 54

HSL 24.77, 0.75%, 0.55%

LAB 62.59, 33.93, 53.82

 

CMYK 77 / 0 / 59 / 11

HEX #35E25C

RGB 53 226 92

HSL 133.53, 0.75%, 0.55%

LAB 79.57, -69.26, 52.41

 

CMYK 76 / 55 / 0 / 11

HEX #3666E2

RGB 54 102 226

HSL 223.26, 0.75%, 0.55%

LAB 46.68, 27.22, -67.72

 

CMYK 0 / 76 / 16 / 11

HEX #E236BD

RGB 226 54 189

HSL 312.91, 0.75%, 0.55%

LAB 54.53, 76.41, -32.97

 

CMYK 0 / 22 / 76 / 11

HEX #E2B136

RGB 226 177 54

HSL 42.91, 0.75%, 0.55%

LAB 74.75, 6.33, 65.59

 

Description

Color code: HEX #35E25C | qconv.com Color code: HEX #35E25C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 226 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 226 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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