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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35E25A it is the complementary color #CA1DA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35E25A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35E25A shade: #3AE255, #4BF468, #5CFF7B, #6DFF8E and #7EFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35E25A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35E25A shade: #35E25A, #24D047, #13BE34, #02AC21 and #009A0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35E25A shade: #36E25A, #3FE236, #6EE236, #9CE236 and #CBE236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35E25A shade: #36E25A, #36E289, #36E2B7, #36DEE2 and #36AFE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35E25A shade matches the following richer shades: #36E25A and #23F450

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35E25A shade: #36E25A, #48CF65, #5BBD70, #6DAA7A and #809885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35E25A shade: #6FE236, #41E236, #36E258, #36E286 and #36E2B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35E25A shade: #18AD38, #1DD144, #36E25A, #5AE778 and #7EEC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35E25A shade: #35E25A, #369DE2 and #E23658

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35E25A shade: #35E25A, #5836E2 and #E25836

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35E25A shade: #35E25A, #369DE2, #E236BF and #E27B36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35E25A shade: #35E25A, #3669E2, #E236BF and #E2AE36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

Complementary color

CMYK 0 / 86 / 18 / 21

HEX #CA1DA5

RGB 202 29 165

HSL 312.83, 0.75%, 0.45%

LAB 47.17, 74.04, -30.71

 

CMYK 74 / 0 / 62 / 11

HEX #3AE255

RGB 58 226 85

HSL 129.64, 0.74%, 0.56%

LAB 79.58, -69.39, 55.48

 

CMYK 69 / 0 / 57 / 4

HEX #4BF468

RGB 75 244 104

HSL 130.3, 0.88%, 0.63%

LAB 85.6, -70.41, 54.24

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7B

RGB 92 255 123

HSL 131.41, 1%, 0.68%

LAB 89.5, -68.68, 50.39

 

CMYK 57 / 0 / 44 / 0

HEX #6DFF8E

RGB 109 255 142

HSL 133.56, 1%, 0.71%

LAB 90.19, -62.49, 42.37

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA1

RGB 126 255 161

HSL 136.28, 1%, 0.75%

LAB 91.02, -55.53, 34.23

 

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

CMYK 83 / 0 / 66 / 18

HEX #24D047

RGB 36 208 71

HSL 132.21, 0.7%, 0.48%

LAB 73.51, -67.94, 54.49

 

CMYK 90 / 0 / 73 / 25

HEX #13BE34

RGB 19 190 52

HSL 131.58, 0.82%, 0.41%

LAB 67.44, -65.75, 55.42

 

CMYK 99 / 0 / 81 / 33

HEX #02AC21

RGB 2 172 33

HSL 130.94, 0.98%, 0.34%

LAB 61.33, -62.81, 55.71

 

CMYK 100 / 0 / 91 / 40

HEX #009A0E

RGB 0 154 14

HSL 125.45, 1%, 0.3%

LAB 55.22, -58.72, 54.85

 

CMYK 76 / 0 / 60 / 11

HEX #36E25A

RGB 54 226 90

HSL 132.56, 0.75%, 0.55%

LAB 79.57, -69.37, 53.29

 

CMYK 72 / 0 / 76 / 11

HEX #3FE236

RGB 63 226 54

HSL 116.86, 0.75%, 0.55%

LAB 79.45, -71.33, 66.94

 

CMYK 51 / 0 / 76 / 11

HEX #6EE236

RGB 110 226 54

HSL 100.47, 0.75%, 0.55%

LAB 80.72, -60.96, 68.61

 

CMYK 31 / 0 / 76 / 11

HEX #9CE236

RGB 156 226 54

HSL 84.42, 0.75%, 0.55%

LAB 82.77, -46.18, 71.27

 

CMYK 10 / 0 / 76 / 11

HEX #CBE236

RGB 203 226 54

HSL 68.02, 0.75%, 0.55%

LAB 85.68, -28.07, 75.04

 

CMYK 76 / 0 / 60 / 11

HEX #36E25A

RGB 54 226 90

HSL 132.56, 0.75%, 0.55%

LAB 79.57, -69.37, 53.29

 

CMYK 76 / 0 / 39 / 11

HEX #36E289

RGB 54 226 137

HSL 148.95, 0.75%, 0.55%

LAB 80.17, -62.28, 31.58

 

CMYK 76 / 0 / 19 / 11

HEX #36E2B7

RGB 54 226 183

HSL 165, 0.75%, 0.55%

LAB 81.07, -52.45, 8.91

 

CMYK 76 / 2 / 0 / 11

HEX #36DEE2

RGB 54 222 226

HSL 181.4, 0.75%, 0.55%

LAB 81.03, -39.29, -13.98

 

CMYK 76 / 23 / 0 / 11

HEX #36AFE2

RGB 54 175 226

HSL 197.79, 0.75%, 0.55%

LAB 67.23, -16.14, -35.05

 

CMYK 76 / 0 / 60 / 11

HEX #36E25A

RGB 54 226 90

HSL 132.56, 0.75%, 0.55%

LAB 79.57, -69.37, 53.29

 

CMYK 86 / 0 / 67 / 4

HEX #23F450

RGB 35 244 80

HSL 132.92, 0.9%, 0.55%

LAB 84.81, -77.89, 63.16

 

CMYK 76 / 0 / 60 / 11

HEX #36E25A

RGB 54 226 90

HSL 132.56, 0.75%, 0.55%

LAB 79.57, -69.37, 53.29

 

CMYK 65 / 0 / 51 / 19

HEX #48CF65

RGB 72 207 101

HSL 132.89, 0.58%, 0.55%

LAB 74.15, -58.56, 41.88

 

CMYK 52 / 0 / 41 / 26

HEX #5BBD70

RGB 91 189 112

HSL 132.86, 0.43%, 0.55%

LAB 69.32, -45.54, 30.33

 

CMYK 36 / 0 / 28 / 33

HEX #6DAA7A

RGB 109 170 122

HSL 132.79, 0.26%, 0.55%

LAB 64.49, -30.05, 18.66

 

CMYK 16 / 0 / 13 / 40

HEX #809885

RGB 128 152 133

HSL 132.5, 0.1%, 0.55%

LAB 60.55, -12.34, 7.19

 

CMYK 51 / 0 / 76 / 11

HEX #6FE236

RGB 111 226 54

HSL 100.12, 0.75%, 0.55%

LAB 80.76, -60.69, 68.65

 

CMYK 71 / 0 / 76 / 11

HEX #41E236

RGB 65 226 54

HSL 116.16, 0.75%, 0.55%

LAB 79.49, -71, 66.99

 

CMYK 76 / 0 / 61 / 11

HEX #36E258

RGB 54 226 88

HSL 131.86, 0.75%, 0.55%

LAB 79.55, -69.6, 54.14

 

CMYK 76 / 0 / 41 / 11

HEX #36E286

RGB 54 226 134

HSL 147.91, 0.75%, 0.55%

LAB 80.12, -62.82, 33.04

 

CMYK 76 / 0 / 20 / 11

HEX #36E2B4

RGB 54 226 180

HSL 163.95, 0.75%, 0.55%

LAB 81, -53.17, 10.39

 

CMYK 86 / 0 / 68 / 32

HEX #18AD38

RGB 24 173 56

HSL 132.89, 0.76%, 0.39%

LAB 61.97, -59.8, 48.1

 

CMYK 86 / 0 / 67 / 18

HEX #1DD144

RGB 29 209 68

HSL 133, 0.76%, 0.47%

LAB 73.73, -69.19, 55.92

 

CMYK 76 / 0 / 60 / 11

HEX #36E25A

RGB 54 226 90

HSL 132.56, 0.75%, 0.55%

LAB 79.57, -69.37, 53.29

 

CMYK 61 / 0 / 48 / 9

HEX #5AE778

RGB 90 231 120

HSL 132.77, 0.75%, 0.63%

LAB 82.21, -60.93, 42.79

 

CMYK 47 / 0 / 37 / 7

HEX #7EEC95

RGB 126 236 149

HSL 132.55, 0.74%, 0.71%

LAB 85.3, -49.78, 32.66

 

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

CMYK 76 / 31 / 0 / 11

HEX #369DE2

RGB 54 157 226

HSL 204.07, 0.75%, 0.55%

LAB 61.99, -6.24, -43.24

 

CMYK 0 / 76 / 61 / 11

HEX #E23658

RGB 226 54 88

HSL 348.14, 0.75%, 0.55%

LAB 51.28, 66.47, 22.34

 

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

CMYK 61 / 76 / 0 / 11

HEX #5836E2

RGB 88 54 226

HSL 251.86, 0.75%, 0.55%

LAB 38.21, 59.07, -81.52

 

CMYK 0 / 61 / 76 / 11

HEX #E25836

RGB 226 88 54

HSL 11.86, 0.75%, 0.55%

LAB 55.5, 51.97, 46.59

 

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

CMYK 76 / 31 / 0 / 11

HEX #369DE2

RGB 54 157 226

HSL 204.07, 0.75%, 0.55%

LAB 61.99, -6.24, -43.24

 

CMYK 0 / 76 / 15 / 11

HEX #E236BF

RGB 226 54 191

HSL 312.21, 0.75%, 0.55%

LAB 54.63, 76.68, -33.99

 

CMYK 0 / 46 / 76 / 11

HEX #E27B36

RGB 226 123 54

HSL 24.07, 0.75%, 0.55%

LAB 62.17, 34.97, 53.4

 

CMYK 77 / 0 / 60 / 11

HEX #35E25A

RGB 53 226 90

HSL 132.83, 0.75%, 0.55%

LAB 79.55, -69.5, 53.27

 

CMYK 76 / 54 / 0 / 11

HEX #3669E2

RGB 54 105 226

HSL 222.21, 0.75%, 0.55%

LAB 47.47, 25.31, -66.45

 

CMYK 0 / 76 / 15 / 11

HEX #E236BF

RGB 226 54 191

HSL 312.21, 0.75%, 0.55%

LAB 54.63, 76.68, -33.99

 

CMYK 0 / 23 / 76 / 11

HEX #E2AE36

RGB 226 174 54

HSL 41.86, 0.75%, 0.55%

LAB 74, 7.91, 64.88

 

Description

Color code: HEX #35E25A | qconv.com Color code: HEX #35E25A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 226 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 226 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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