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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35DE20 it is the complementary color #CA21DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35DE20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35DE20 shade: #3ADE1B, #4BF02E, #5CFF41, #6DFF54 and #7EFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35DE20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35DE20 shade: #35DE20, #24CC0D, #13BA00, #02A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35DE20 shade: #35DF1F, #68DF1F, #9CDF1F, #CFDF1F and #DFBA1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35DE20 shade: #35DF1F, #1FDF3E, #1FDF71, #1FDFA5 and #1FDFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35DE20 shade matches the following richer shades: #35DF1F and #24F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35DE20 shade: #35DF1F, #45CA34, #55B549, #65A15D and #758C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35DE20 shade: #9CDF1F, #69DF1F, #36DF1F, #1FDF3C and #1FDF6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35DE20 shade: #239615, #2CBB1A, #35DF1F, #55E443 and #76E968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35DE20 shade: #35DE20, #1FCFDF and #DF1F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35DE20 shade: #35DE20, #1F36DF and #DF1F36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35DE20 shade: #35DE20, #1FCFDF, #C81FDF and #DF2F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35DE20 shade: #35DE20, #1F95DF, #C81FDF and #DF691F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

Complementary color

CMYK 9 / 85 / 0 / 13

HEX #CA21DF

RGB 202 33 223

HSL 293.37, 0.75%, 0.5%

LAB 50.65, 81.75, -58.88

 

CMYK 74 / 0 / 88 / 13

HEX #3ADE1B

RGB 58 222 27

HSL 110.46, 0.78%, 0.49%

LAB 78.01, -72.25, 72.36

 

CMYK 69 / 0 / 81 / 6

HEX #4BF02E

RGB 75 240 46

HSL 111.03, 0.87%, 0.56%

LAB 83.97, -74.06, 73.58

 

CMYK 64 / 0 / 75 / 0

HEX #5CFF41

RGB 92 255 65

HSL 111.47, 1%, 0.63%

LAB 89.01, -74.43, 73.03

 

CMYK 57 / 0 / 67 / 0

HEX #6DFF54

RGB 109 255 84

HSL 111.23, 1%, 0.66%

LAB 89.59, -69.3, 67.15

 

CMYK 51 / 0 / 60 / 0

HEX #7EFF67

RGB 126 255 103

HSL 110.92, 1%, 0.7%

LAB 90.29, -63.29, 60.44

 

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

CMYK 82 / 0 / 94 / 20

HEX #24CC0D

RGB 36 204 13

HSL 112.77, 0.88%, 0.43%

LAB 71.95, -70.3, 69.25

 

CMYK 90 / 0 / 100 / 27

HEX #13BA00

RGB 19 186 0

HSL 113.87, 1%, 0.36%

LAB 65.95, -67.01, 65.75

 

CMYK 99 / 0 / 100 / 34

HEX #02A800

RGB 2 168 0

HSL 119.29, 1%, 0.33%

LAB 59.91, -62.95, 60.87

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 30 / 0 / 86 / 13

HEX #9CDF1F

RGB 156 223 31

HSL 80.94, 0.76%, 0.5%

LAB 81.81, -45.81, 76.22

 

CMYK 7 / 0 / 86 / 13

HEX #CFDF1F

RGB 207 223 31

HSL 65, 0.76%, 0.5%

LAB 85.07, -25.74, 80.26

 

CMYK 0 / 17 / 86 / 13

HEX #DFBA1F

RGB 223 186 31

HSL 48.44, 0.76%, 0.5%

LAB 76.62, -0.4, 73.95

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 86 / 0 / 72 / 13

HEX #1FDF3E

RGB 31 223 62

HSL 129.69, 0.76%, 0.5%

LAB 78.12, -73.7, 62.79

 

CMYK 86 / 0 / 49 / 13

HEX #1FDF71

RGB 31 223 113

HSL 145.63, 0.76%, 0.5%

LAB 78.61, -67.63, 41.45

 

CMYK 86 / 0 / 26 / 13

HEX #1FDFA5

RGB 31 223 165

HSL 161.88, 0.76%, 0.5%

LAB 79.49, -57.55, 16.12

 

CMYK 86 / 0 / 3 / 13

HEX #1FDFD9

RGB 31 223 217

HSL 178.13, 0.76%, 0.5%

LAB 80.78, -44.11, -9.59

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 85 / 0 / 95 / 5

HEX #24F30B

RGB 36 243 11

HSL 113.53, 0.91%, 0.5%

LAB 84.23, -81.16, 79.55

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 66 / 0 / 74 / 21

HEX #45CA34

RGB 69 202 52

HSL 113.2, 0.59%, 0.5%

LAB 72.06, -62.7, 60.36

 

CMYK 53 / 0 / 60 / 29

HEX #55B549

RGB 85 181 73

HSL 113.33, 0.43%, 0.5%

LAB 66.11, -49.38, 45.63

 

CMYK 37 / 0 / 42 / 37

HEX #65A15D

RGB 101 161 93

HSL 112.94, 0.27%, 0.5%

LAB 60.82, -33.3, 29.38

 

CMYK 16 / 0 / 19 / 45

HEX #758C72

RGB 117 140 114

HSL 113.08, 0.1%, 0.5%

LAB 55.84, -13.5, 11.2

 

CMYK 30 / 0 / 86 / 13

HEX #9CDF1F

RGB 156 223 31

HSL 80.94, 0.76%, 0.5%

LAB 81.81, -45.81, 76.22

 

CMYK 53 / 0 / 86 / 13

HEX #69DF1F

RGB 105 223 31

HSL 96.88, 0.76%, 0.5%

LAB 79.54, -62.33, 73.39

 

CMYK 76 / 0 / 86 / 13

HEX #36DF1F

RGB 54 223 31

HSL 112.81, 0.76%, 0.5%

LAB 78.26, -72.99, 71.78

 

CMYK 86 / 0 / 73 / 13

HEX #1FDF3C

RGB 31 223 60

HSL 129.06, 0.76%, 0.5%

LAB 78.11, -73.86, 63.47

 

CMYK 86 / 0 / 50 / 13

HEX #1FDF6F

RGB 31 223 111

HSL 145, 0.76%, 0.5%

LAB 78.59, -67.94, 42.38

 

CMYK 77 / 0 / 86 / 41

HEX #239615

RGB 35 150 21

HSL 113.49, 0.75%, 0.34%

LAB 54.26, -53.89, 52.61

 

CMYK 76 / 0 / 86 / 27

HEX #2CBB1A

RGB 44 187 26

HSL 113.29, 0.76%, 0.42%

LAB 66.63, -63.85, 62.53

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 63 / 0 / 71 / 11

HEX #55E443

RGB 85 228 67

HSL 113.29, 0.75%, 0.58%

LAB 80.64, -66.91, 63.89

 

CMYK 49 / 0 / 55 / 9

HEX #76E968

RGB 118 233 104

HSL 113.49, 0.75%, 0.66%

LAB 83.51, -57.03, 52.08

 

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

CMYK 86 / 7 / 0 / 13

HEX #1FCFDF

RGB 31 207 223

HSL 185, 0.76%, 0.5%

LAB 76.22, -35.07, -19.65

 

CMYK 0 / 86 / 42 / 13

HEX #DF1F82

RGB 223 31 130

HSL 329.06, 0.76%, 0.5%

LAB 49.83, 74.45, -5.27

 

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

CMYK 86 / 76 / 0 / 13

HEX #1F36DF

RGB 31 54 223

HSL 232.81, 0.76%, 0.5%

LAB 34.51, 53.69, -86.02

 

CMYK 0 / 86 / 76 / 13

HEX #DF1F36

RGB 223 31 54

HSL 352.81, 0.76%, 0.5%

LAB 48.18, 69.71, 38.59

 

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

CMYK 86 / 7 / 0 / 13

HEX #1FCFDF

RGB 31 207 223

HSL 185, 0.76%, 0.5%

LAB 76.22, -35.07, -19.65

 

CMYK 10 / 86 / 0 / 13

HEX #C81FDF

RGB 200 31 223

HSL 292.81, 0.76%, 0.5%

LAB 50.2, 81.79, -59.63

 

CMYK 0 / 79 / 86 / 13

HEX #DF2F1F

RGB 223 47 31

HSL 5, 0.76%, 0.5%

LAB 49.28, 65.36, 51.7

 

CMYK 76 / 0 / 86 / 13

HEX #35DE20

RGB 53 222 32

HSL 113.37, 0.75%, 0.5%

LAB 77.94, -72.8, 71.28

 

CMYK 86 / 33 / 0 / 13

HEX #1F95DF

RGB 31 149 223

HSL 203.13, 0.76%, 0.5%

LAB 59.08, -4.84, -46.19

 

CMYK 10 / 86 / 0 / 13

HEX #C81FDF

RGB 200 31 223

HSL 292.81, 0.76%, 0.5%

LAB 50.2, 81.79, -59.63

 

CMYK 0 / 53 / 86 / 13

HEX #DF691F

RGB 223 105 31

HSL 23.13, 0.76%, 0.5%

LAB 57.93, 42.18, 58.78

 

Description

Color code: HEX #35DE20 | qconv.com Color code: HEX #35DE20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 222 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 222 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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